In "Christian Hymns of the First Three Centuries" by Ruth Ellis Messenger, readers are presented with a comprehensive collection of early Christian hymns dating back to the first three centuries of Christianity. Messenger meticulously examines the lyrical content and musical structure of these hymns, shedding light on the rich literary tradition of early Christian worship. This book provides a valuable resource for scholars and enthusiasts of early Christian literature, offering a unique insight into the religious fervor and spiritual expression of the early church. Messenger's scholarly approach delves into the historical and cultural context of each hymn, providing a deeper understanding of the theological themes and poetic devices employed by the earliest Christian poets. Her meticulous research and thorough analysis make this book an essential addition to any library of early Christian texts. Ruth Ellis Messenger, with her background in ancient languages and religious studies, brings a wealth of expertise to this study of early Christian hymnody. Her passion for the subject is evident in the thoroughness of her research and the clarity of her analysis. Readers who are interested in the origins of Christian liturgy and the development of Christian worship practices will find "Christian Hymns of the First Three Centuries" to be a valuable and enlightening read.

Recent research has made a strong case for the view that Early Christian communities, sociologically considered, functioned as voluntary religious associations. This is similar to the practice of many other cultic associations in the Greco-Roman world of the first century CE. Building upon this new approach, along with a critical interpretation of all available sources, this book discusses the social and religio-historical background of the weekly gatherings of Christians and presents a fresh reconstruction of how the weekly gatherings originated and developed in both form and content. The topics studied here include the origins of the observance of Sunday as the weekly Christian feast-day, the shape and meaning of the weekly gatherings of the Christian communities, and the rise of customs such as preaching, praying, singing, and the reading of texts in these meetings.

Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.

This work is a theological analysis and interpretation of the Great Canon of St Andrew of Crete. The hermeneutic method used in the monograph consists in a comprehensive examination of key Greek concepts and phrases occurring in the analysed hymn in various contexts in which they occur, and on this basis creating a theological-existential synthesis. This method is based on the search for the spiritual and existential meaning of the most important terms and thus refers to the essential assumptions of patristic allegorical exegesis. The hermeneutic analysis of the content of the Great Canon in conjunction with the contextual analysis of the vocabulary used in it was considered the most appropriate, since it is the work of St Andrew of Crete can be compared to a poetic carpet woven from phrases from the Old and New Testament, which are combined with existential confessions and spiritual indications, expressed in Eastern Orthodox hesychastic terms.

The Early Christian World, volumes 1 and 2, presents an exhaustive, erudite and illustrated treatment of how the small movement which formed around Jesus in Galilee became the pre-eminent religion of the ancient world.