This book offers a challenge to conventional histories of secularisation by focusing upon the importance of central religious narratives. These narratives are changed significantly over time, but also to have been invested with importance and meaning by religious individuals and organisations as well as by secular ones.

‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.

Did religion disappear with modernization and the secularization reforms that changed the relation between religion and state throughout the European empires and nation states from late nineteenth century onwards? Or was religion rather transformed becoming a part of the new social and national imaginaries on the road from European empires to African, Middle Eastern, European Union- and Post-Soviet nation states? What are the historical roots behind the divisions of state, church and education that characterized the late nineteenth and during the twentieth century? What has been the role of education in this context, both with regard to political reforms targeting the education systems and with regard to broader public enlightenment efforts and modernization of the state? Connecting scholars across the fields of history and historical sociology of education, church history and historical religion research and political history, and covering the time span from the early modern period and up until the present, this volume explores how education reform has functioned as an arena for the political project of secularization and in which way this contributed to transforming and revitalizing religion.

Moving beyond the (now somewhat tired) debates about secularization as paradigm, theory, or master narrative, Periodizing Secularization focuses upon the empirical evidence for secularization, viewed in its descriptive sense as the waning social influence of religion, in Britain. Particular emphasis is attached to the two key performance indicators of religious allegiance and churchgoing, each subsuming several sub-indicators, between 1880 and 1945, including the first substantive account of secularization during the fin de siècle. A wide range of primary sources is deployed, many of them relatively or entirely unknown, and with due regard to their methodological and interpretative challenges. On the back of them, a cross-cutting statistical measure of 'active church adherence' is devised, which clearly shows how secularization has been a reality and a gradual, not revolutionary, process. The most likely causes of secularization were an incremental demise of a Sabbatarian culture (coupled with the associated emergence of new leisure opportunities and transport links) and of religious socialization (in the church, at home, and in the school). The analysis is also extended backwards, to include a summary of developments during the eighteenth and early nineteenth centuries; and laterally, to incorporate a preliminary evaluation of a six-dimensional model of 'diffusive religion', demonstrating that these alternative performance indicators have hitherto failed to prove that secularization has not occurred. The book is designed as a prequel to the author's previous volumes on the chronology of British secularization - Britain's Last Religious Revival? (2015) and Secularization in the Long 1960s (2017). Together, they offer a holistic picture of religious transformation in Britain during the key secularizing century of 1880-1980.

Exploring the response of evangelicals to the collapse of ‘Greater Christian Britain’ in Australia in the long 1960s, this book provides a new religious perspective to the end of empire and a fresh national perspective to the end of Christendom. In the turbulent 1960s, two foundations of the Western world rapidly and unexpectedly collapsed. ‘Christendom’, marked by the dominance of discursive Christianity in public culture, and ‘Greater Britain’, the powerful sentimental and strategic union of Britain and its settler societies, disappeared from the collective mental map with startling speed. To illuminate these contemporaneous global shifts, this book takes as a case study the response of Australian evangelical Christian leaders to the cultural and religious crises encountered between 1959 and 1979. Far from being a narrow national study, this book places its case studies in the context of the latest North American and European scholarship on secularisation, imperialism and evangelicalism. Drawing on a wide range of archival sources, it examines critical figures such as Billy Graham, Fred Nile and Hans Mol, as well as issues of empire, counter-cultural movements and racial and national identity. This study will be of particular interest to any scholar of Evangelicalism in the twentieth century. It will also be a useful resource for academics looking into the wider impacts of the decline of Christianity and the British Empire in Western civilisation.

Choice Outstanding Academic Title 2023 The Myth of Harm engages and analyses controversies generated by horror that examines some of the most high-profile media debates around the issue of whether or not horror texts corrupt children. The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. Recognising the circularity of patterns in each generational manifestation of horror censorship, The Myth of Harm draws upon cases such as the Slenderman stabbing and the James Bulger murder amongst many others in order to explore the manner in which horror has been repeatedly cast as a harmful influence upon children at the expense of scrutinising other more complex social issues. Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding the genre of horror and question the very motivation behind the proliferation and dissemination of these myths as scapegoats for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbolae for the news industry.

This collection explores how Christian individuals and institutions – whether Churches, church-related organisations, clergy, or lay thinkers – combined the topics of faith and national identity in twentieth-century Europe. "National identity" is understood in a broad sense that includes discourses of citizenship, narratives of cultural or linguistic belonging, or attributions of distinct, "national" characteristics. The collection addresses Catholic, Protestant, and Orthodox perspectives, considers various geographical contexts, and takes into account processes of cross-national exchange and transfer. It shows how national and denominational identities were often mutually constitutive, at times leading to a strongly exclusionary stance against "other" national or religious groups. In different circumstances, religiously minded thinkers critiqued nationalism, emphasising the universalist strains of their faith, with varying degrees of success. Moreover, throughout the century, and especially since 1945, both church officials and lay Christians have had to come to terms with the relationship between their national and "European" identities and have sought to position themselves within the processes of Europeanisation. Various contexts for the negotiation of faith and nation are addressed: media debates, domestic and international political arenas, inner-denominational and ecumenical movements, church organisations, cosmopolitan intellectual networks and the ideas of individual thinkers.

The language of heritage permeates Scripture, encouraging Christians to approach church history like a family history. But the notion of ancestry also constrains the world’s Catholics and Protestants to trace their confessional descent from Europe, rendering them perpetual latecomers in the historical chain. "Ancestral Feeling" systematically diagnoses the postcolonial problems generated by an ancestral outlook. But, applying critical theories in cultural studies to the study of church history, the book experiments with ways that the Western Christian inheritance can awaken the memory of one’s own ancestors. Writing a personal reflection on her family’s history in British-ruled Hong Kong, Renie Chow Choy engages autobiographically with England’s ecclesiastical art, architecture, music, and literature, in order to affirm her attachment to a heritage normally associated with English national identity. For global and immigrant Christians brought into a relationship with English Christianity by colonialism but are bypassed by its history, this book makes a bold declaration: England’s Christian heritage is also our story.

Doctor Who has always contained a rich current of religious themes and ideas. In its very first episode it asked how humans rationalize the seemingly supernatural, as two snooping schoolteachers refused to accept that the TARDIS was real. More recently it has toyed with the mystery of Doctor's real name, perhaps an echo of ancient religions and rituals in which knowledge of the secret name of a god, angel or demon was thought to grant a mortal power over the entity. But why does Doctor Who intersect with religion so often, and what do such instances tell us about the society that produces the show and the viewers who engage with it? The writers of Religion and Doctor Who: Time and Relative Dimensions in Faith attempt to answer these questions through an in-depth analysis of the various treatments of religion throughout every era of the show's history. While the majority of chapters focus on the television show Doctor Who, the authors also look at audios, novels, and the response of fandom. Their analyses--all written in an accessible but academically thorough style--reveal that examining religion in a long-running series such as Doctor Who can contribute to a number of key debates within faith communities and religious history. Most importantly, it provides another way of looking at why Doctor Who continues to inspire, to engage, and to excite generations of passionate fans, whatever their position on faith. The contributors are drawn from the UK, the USA, and Australia, and their approaches are similarly diverse. Chapters have been written by film scholars and sociologists; theologians and historians; rhetoricians, philosophers and anthropologists. Some write from the perspective of a particular faith or belief; others write from the perspective of no religious belief. All, however, demonstrate a solid knowledge of and affection for the brilliance of Doctor Who.

Spanning over 2 centuries, James Gregory's Mercy and British Culture, 1760 -1960 provides a wide-reaching yet detailed overview of the concept of mercy in British cultural history. While there are many histories of justice and punishment, mercy has been a neglected element despite recognition as an important feature of the 18th-century criminal code. Mercy and British Culture, 1760-1960 looks first at mercy's religious and philosophical aspects, its cultural representations and its embodiment. It then looks at large-scale mobilisation of mercy discourses in Ireland, during the French Revolution, in the British empire, and in warfare from the American war of independence to the First World War. This study concludes by examining mercy's place in a twentieth century shaped by total war, atomic bomb, and decolonisation.