Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a cultural history of the missionary enterprise in sixteenth-century Mexico, seen primarily through the work of Catholic missionaries and the native populations, principally the Aztecs. Also known as the Mexica or Nahuas, speakers of the Nahuatl tongue, these Mesoamerican people inhabited the central plateau around Lake Texcoco and the sacred metropolis of Tenochtitlan, the site of present-day Mexico City. It was their language that the mendicant missionaries adopted as the lingua franca of the evangelization enterprise. Conceived as a continuation of his earlier, well-received City, Temple, Stage, Jaime Lara's new work addresses the inculturation of Catholic sacraments and sacramentals into an Aztec worldview in visual and material terms. He argues that Catholic liturgy--similar in some ways to pre-Hispanic worship--effectively "conquered" the religious imagination of its new Mesoamerican practitioners, thus creating the basis for a uniquely Mexican Catholicism. The sixteenth-century friars, in partnership with indigenous Christian converts, successfully translated the Christian message from an exclusively Eurocentric worldview to a system of symbols that made sense to the indigenous civilizations of Central Mexico. While Lara is interested in liturgical texts with novel or recycled metaphors, he is equally interested in visual texts such as neo-Christian architecture, mural painting, feather work, and religious images made from corn. These, he claims, were the sensorial bridges that allowed for a successful, if not wholly orthodox, inculturation of Christianity into the New World. Enriched by more than 280 color images and eleven appendices of translations from Latin and Nahuatl, Lara's study provides rich insights on the development of sacramental practice, popular piety, catechetical drama, and parish politics. Song, dance, flowers, and feathers--of utmost importance in the ancient religion of the Aztecs--were reworked in ingenious ways to serve the Christian cause. Human blood, too, found renewed importance in art and devotion when the indigenous religious leaders and the mendicant friars addressed the fundamental topic of the Man on the cross. An important work on worship, liturgy, and the visual imagination, Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a vivid look at a unique cultural adaptation of Christianity. "I have deeply enjoyed and have been intellectually enriched by reading Jaime Lara's Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico. This book will transform how we understand the process of evangelization of Mexico in the sixteenth-century. Clearly written and persuasively argued, Lara reveals how metaphor allows for cross-cultural communication as the deepest level of the Human experience, religious belief. This is demonstrated by a nuanced but richly documented history of the period. Drawing upon architecture, painting and a variety of different kinds of primary sources, this study blends a deep understanding of Aztec religious beliefs so as to articulate the very complex development of Colonial Mexican Christianity. Most importantly, Lara demonstrates how Aztec beliefs and practices were not only incorporated into Catholic teaching and ritual practice, but how they transformed that teaching and practice. Moreover, Lara makes so very evident the centrality of Music and Art in this complicated interaction." --Thomas Cummins, Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University "We have seen many interpretations of the story of the faith in America; some have called it 'black,' and others 'white' or 'grey.' Whatever version one may appropriate, Jaime Lara has provided us with a unique, rich focus: the worship experience of a people called to be renewed by Christianity and the creative expressions of Christian faith in unique images and paintings. Jaime Lara's book is a treasure to cherish for many years, an addition to any personal or public Library, and a legacy that engages readers to embark on a journey in which history, liturgical theology, and good art become one's traveling companions." --Rev. Fr. Juan J. Sosa, Presidente, Instituto Nacional Hispano de Liturgia, Inc.

Soon after the fall of the Aztec empire in 1521, missionaries began teaching Latin to native youths in Mexico. This initiative was intended to train indigenous students for positions of leadership, but it led some of them to produce significant writings of their own in Latin, and to translate a wide range of literature, including Aesop's fables, into their native language. Aztec Latin reveals the full extent to which the first Mexican authors mastered and made use of European learning and provides a timely reassessment of what those indigenous authors really achieved.

A Spanish conquistador who posed as a sorcerer and cured native Americans as he trekked across an unknown wilderness; a French Jesuit who conjured rain clouds in order to impress his indigenous flock with the potency of Christian magic; a Puritan minister who healed a native chief in order to win him for God; a Mexican noble who was burned at the stake for resisting the gentle Franciscan friars; an Andean chief who was haunted by nightmares in which his native gods did battle with the Christian Father; a Huron magician who vied with French missionaries over spirits of the night in a shaking tent ceremony. These are a few of the individuals whose struggles are brought to life in the pages of this book. Their experiences, among others, reveal what happened when Christianity came into contact with Native American religions in three distinct regions of sixteenth- and seventeenth-century colonial America: Spanish, French and British.

The face of the divine feminine can be found everywhere in Mexico. One of the most striking features of Mexican religious life is the prevalence of images of the Virgin Mother of God. This is partly because the divine feminine played such a prominent role in pre-Hispanic Mexican religion. Goddess images were central to the devotional life of the Aztecs, especially peasants and those living in villages outside the central city of Tenochtitlan (present day Mexico City). In these rural communities fertility and fecundity, more than war rituals and sacrificial tribute, were the main focus of cultic activity. Both Aztec goddesses and the Christian Madonnas who replaced them were associated, and sometimes identified, with nature and the environment: the earth, water, trees and other sources of creativity and vitality. This book uncovers the myths and images of 22 Aztec Goddesses and 28 Christian Madonnas of Mexico. Their rich and symbolic meaning is revealed by placing them in the context of the religious worldviews in which they appear and by situating them within the devotional life of the faithful for whom they function as powerful mediators of divine grace and terror.

The New York Times bestseller and definitive history of Christianity for our time—from the award-winning author of The Reformation and Silence A product of electrifying scholarship conveyed with commanding skill, Diarmaid MacCulloch's Christianity goes back to the origins of the Hebrew Bible and encompasses the globe. It captures the major turning points in Catholic, Protestant, and Orthodox history and fills in often neglected accounts of conversion and confrontation in Africa, Latin America, and Asia. MacCulloch introduces us to monks and crusaders, heretics and reformers, popes and abolitionists, and discover Christianity's essential role in shaping human history and the intimate lives of men and women. And he uncovers the roots of the faith that galvanized America, charting the surprising beliefs of the founding fathers, the rise of the Evangelical movement and of Pentecostalism, and the recent crises within the Catholic Church. Bursting with original insights and a great pleasure to read, this monumental religious history will not soon be surpassed.

By 2025, Latin America's population of observant Christians will be the largest in the world. Nonetheless, studies examining the exponential growth of global Christianity tend to overlook this region, focusing instead on Africa and Asia. Research on Christianity in Latin America provides a core point of departure for understanding the growth and development of Christianity in the "Global South." In The Oxford Handbook of Latin American Christianity an interdisciplinary contingent of scholars examines Latin American Christianity in all of its manifestations from the colonial to the contemporary period. The essays here provide an accessible background to understanding Christianity in Latin America. Spanning the era from indigenous and African-descendant people's conversion to and transformation of Catholicism during the colonial period through the advent of Liberation Theology in the 1960s and conversion to Pentecostalism and Charismatic Catholicism, The Oxford Handbook of Latin American Christianity is the most complete introduction to the history and trajectory of this important area of modern Christianity.

NAMED A BOOK OF THE YEAR 2020 BY THE SUNDAY TIMES, TIMES LITERARY SUPPLEMENT, THE TABLET AND THE LADY 'This book is a terrific read ... I could not put it down' Matthew Restall, Literary Review The 'conquistadores', the early explorers and settlers of Spanish America, have become the stuff of legends and nightmares. In their own time, they were glorified as heroic adventurers, spreading Christian culture and helping to build an empire unlike any the world had ever seen. Today, they stand condemned for their cruelty and exploitation, as men who decimated the ancient civilizations of the Aztecs and the Incas, and carried out horrific atrocities in their pursuit of gold and glory. In Conquistadores, Mexican historian Fernando Cervantes cuts through the layers of myth and fiction to immerse the reader in the world of the late-medieval imperialist. It is a world as unfamiliar to us as the Indigenous peoples of the New World were to the conquistadores themselves. Drawing upon a wide range of sources including diaries, letters, chronicles and treatises, Cervantes reframes the story of the Spanish conquest of the New World, set against the political and intellectual landscape from which its main actors emerged. At the heart of the story are the conquistadores, whose epic ambitions and moral contradictions defined an era. From Columbus to Cortés, Pizarro and beyond, the explorers we think we know come alive in this thought-provoking and illuminating account of a period that irrevocably altered the course of world history. 'Enlightening ... Conquistadores makes for fascinating reading' Jude Webber, Financial Times

This first-of-its-kind collection reveals U.S. Latino/a theological scholarship as a vital terrain of study in the search for better understanding of the varieties of religious experience in the United States. While the insights of Latino/a theologians from Central and South America have gained attention among professional theologians, until now the role of U.S. Latino/a theology in the formation of North American theological identity has been largely unacknowledged. Nonetheless, the four-centuries old Latino/a presence in the United States has been forming a rich, creative, and distinctively North American Latino/a Christology. Exploring both constructive theology and popular religion, this collection of essays from top U.S. Latino/a scholars reveals the varieties of religious experience in the United States and the importance of Latino/a understandings of Christ to both academy and community.

This fast-paced survey of Western civilization’s transition from the Middle Ages to modernity brings that tumultuous period vividly to life. Carlos Eire, popular professor and gifted writer, chronicles the two-hundred-year era of the Renaissance and Reformation with particular attention to issues that persist as concerns in the present day. Eire connects the Protestant and Catholic Reformations in new and profound ways, and he demonstrates convincingly that this crucial turning point in history not only affected people long gone, but continues to shape our world and define who we are today. The book focuses on the vast changes that took place in Western civilization between 1450 and 1650, from Gutenberg’s printing press and the subsequent revolution in the spread of ideas to the close of the Thirty Years’ War. Eire devotes equal attention to the various Protestant traditions and churches as well as to Catholicism, skepticism, and secularism, and he takes into account the expansion of European culture and religion into other lands, particularly the Americas and Asia. He also underscores how changes in religion transformed the Western secular world. A book created with students and nonspecialists in mind, Reformations is an inspiring, provocative volume for any reader who is curious about the role of ideas and beliefs in history.

Diarmaid MacCulloch's epic, acclaimed history A History of Christianity: The First Three Thousand Years follows the story of Christianity around the globe, from ancient Palestine to contemporary China. How did an obscure personality cult come to be the world's biggest religion, with a third of humanity its followers? This book, now the most comprehensive and up to date single volume work in English, describes not only the main facts, ideas and personalities of Christian history, its organization and spirituality, but how it has changed politics, sex, and human society. Taking in wars, empires, reformers, apostles, sects, churches and crusaders, Diarmaid MacCulloch shows how Christianity has brought humanity to the most terrible acts of cruelty - and inspired its most sublime accomplishments. 'A stunning tour de force' Simon Sebag Montefiore, Sunday Telegraph Books of the Year 'A landmark in its field, astonishing in its range, compulsively readable, full of insight ... It will have few, if any, rivals in the English language' Rowan Williams, Archbishop of Canterbury, Guardian 'A prodigious, thrilling, masterclass of a history book' John Cornwell, Financial Times 'Essential reading for those enthralled by Christianity and for those enraged by it' Melvyn Bragg, Observer, Books of the Year 'Magnificent ... a sumptuous portrait, alive with detail and generous in judgement' Richard Holloway, The Times Diarmaid MacCulloch is Professor of the History of the Church at Oxford University. His Thomas Cranmer won the Whitbread Biography Prize, the James Tait Black Prize and the Duff Cooper Prize. He is the author most recently of Reformation: Europe's House Divided 1490 - 1700, which won the Wolfson Prize for History and the British Academy Prize.