Christina Stead's Heroine focuses on The Man Who Loved Children and For Love Alone, often considered to be Stead's best works and her only novels in which the protagonists are Stead's autobiographical counterparts (she has spoken frequently of this in interviews and correspondence). The concept of decorum - the way these heroines violate our literary expectations - is discussed as a means of locating these works within the modern tradition. The book also contains a general discussion of Stead's other fiction, as well as biographical information, especially as related to the works considered and usually in Stead's words.

Includes excerpts from novels, short fiction, unpublished prose, book reviews, interviews and letters.

This is the first volume of essays by various hands on the work of the great Australian novelist Christina Stead (1902-83). It provides an overview of Stead criticism, including pioneering 'classic' essays, together with a selection from the burgeoning critical literature of the 1980s and '90s, and several articles not previously published.

This book examines the flight of young Australian writers to London in the decades before and after Federation in 1901. Peter Morton studies how their careers were shaped by shifting their country of residence, the expatriate experience, and how the loss of these expatriates affected the evolving literary culture of Australia.

Australia has been seen as a land of both punishment and refuge. Australian literature has explored these controlling alternatives, and vividly rendered the landscape on which they transpire. Twentieth-century writers left Australia to see the world; now Australia’s distance no longer provides sanctuary. But today the global perspective has arrived with a vengeance. In Contemporary Australian Literature: A World Not Yet Dead, Nicholas Birns tells the story of how novelists, poets and critics, from Patrick White to Hannah Kent, from Alexis Wright to Christos Tsiolkas, responded to this condition. With rancour, concern and idealism, modern Australian literature conveys a tragic sense of the past yet an abiding vision of the way forward. Birns paints a vivid picture of a rich Australian literary voice – one not lost to the churning of global markets, but in fact given new life by it. Contrary to the despairing of the critics, Australian literary identity continues to flourish. And as Birns finds, it is not one thing, but many. "In this remarkable, bold and fearless book, Nicholas Birns contests how literary cultures are read, how they are constituted and what they stand for … In examining the nature of the barriers between public and private utterance, and looking outside the absurdity of the rules of genre, Birns has produced a redemptive analysis that leaves hope for revivifying a world not yet dead." - John Kinsella

Alphabetically organised chronological listing of the primary works of each author, as well as selected critical, biographical, and historical articles and reviews and interviews. Material is drawn from the series 'Annual Bibliographies of Studies in Australian Literature' published in 'Australian Literary Studies' between 1964 and 1991.

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)