DigiCat Publishing presents to you this special edition of "Christmas Roses and Other Stories" by Anne Douglas Sedgwick. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Angus Wilson's first volume of short stories, The Wrong Set was first published in 1949 to immense critical acclaim. The collection is a brilliantly funny exposure of the protective devices with which people seek to mask deep-laid egotism. There is the wallowing in self-adulation on the part of the 'crazy Cockshott family', as they delight to dub themselves. There is the search for really nice standards on the part of Vi, singer at the 'Passion Fruit' nightclub - as hopelessly bemused a spirit as ever lived in sin at Earl's Court and attempted to lecture a young Communist nephew with untidy hair and spectacles. There is the humbug of the bullying new curator at the provincial Art Gallery. And the staff dance at the South Kensington hotel, where lives the lady who spends her life trying to achieve 'a Knightsbridge appearance on a Kensington purse', and where, as the evening progresses and the drinks begin to tell, the lady-like façades and gentlemanly courtesy of the clientele crack up with a vengeance.

I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English writers during the past three years. He asked me a remarkable question, and the answer which I gave him suggested certain contrasts which seemed to me of basic importance for us all. He said: "I have been reading books by Sherwood Anderson, Waldo Frank and Ben Hecht and Konrad Bercovici and Joseph Hergesheimer, and I can see that they are important books, but I feel that the essential point to which all this newly awakened literary consciousness is tending has somehow subtly eluded me. American and English writers both use the same language, and so do Scotch and Irish writers, but I am not puzzled when I read Scotch and Irish books as I am when I read these new American books. Why is it?"

An omnibus collection featuring some of the finest works of a master of weird fiction One of the preeminent writers of weird fiction, Robert Aickman is celebrated for his unsettling and often ambiguous "strange stories," but he once wrote that “those, if any, who wish to know more about me, should plunge beneath the frivolous surface of The Late Breakfasters,” his only novel, originally published in 1964. In The Late Breakfasters, young Griselda de Reptonville is invited by Mrs. Hatch to a house party at her country estate, Beams (which, incidentally, is haunted). There, amidst an array of eccentric characters and bizarre happenings, she will meet the love of her life, Louise. But when their short-lived relationship is cruelly cut short, Griselda must embark on a quest to recapture the happiness she has lost. Never before published in the United States and long unobtainable, Aickman's odd and whimsical novel is joined in this omnibus volume by six of his finest weird tales (two of them making their first-ever American appearance): “My Poor Friend”, “The Visiting Star”, “Larger Than Oneself”, “A Roman Question”, “Mark Ingestre: The Customer's Tale”, and “Rosamund's Bower”, as well as a new introduction by Philip Challinor.

DigiCat Publishing presents to you this special edition of "Tante" by Anne Douglas Sedgwick. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The Rescue is a tale about a serious man named Eustace Damier who receives a visit from an old family friend, Mrs. Mostyn. Damier and Mrs. Mostyn discuss wistfully the latter's late daughter and Damier's old paramour, who was beautiful but sickly. Suddenly, Damier finds out through a friend that Ms. Clara Vicaud is still alive, a stubborn survivor of terrible circumstances. Sedgwick writes a suspenseful love tale that will charm through the ages. Excerpt: "DEAR MR. DAMIER: I shall be very glad to see you tomorrow afternoon at four. I well remember Mrs. Mostyn; to hear of her from a friend of hers will be a double pleasure. Yours sincerely, CLARA VICAUD. It was like the evocation of a ghost to see this reality, emerged suddenly out of the dream-world where, for so long, he had thought of her, the young girl leaning on the chair-back in her flowing dress of silk. She was alive, and he was to see her that afternoon. Damier felt a chill overtake his eagerness. Was he not about to shatter a charming experience—one of the sweetest, most tender, most dearly absurd of his life?"

DigiCat Publishing presents to you this special edition of "A Fountain Sealed" by Anne Douglas Sedgwick. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The Dull Miss Archinard is a novel by Anne Douglas Sedgwick. Sedgwick was an American-born British writer known for her novels that explored the contrast in values between Americans and Europeans. Excerpt: "Mrs. Odd lay back in an easy-chair. She was very remarkable looking. The adjective is usually employed in a sense rather derogatory to beauty pure and simple, yet Mrs. Odd's dominant characteristic was beauty, pure and simple; beauty triumphantly certain of remark, and remarkable in the sense that no one could fail to notice her, as when one had noticed her it was impossible not to find her beautiful."

Originally published under the title Proverb Stories.""