Looks at the origins and impact of World War I, discusses the premiere of Stravinsky's ballet, and analyzes public opinion of the period.

In late December 1914, German and British soldiers on the western front initiated a series of impromptu, unofficial ceasefires. Enlisted men across No Man's Land abandoned their trenches and crossed enemy lines to sing carols, share food and cigarettes, and even play a little soccer. Collectively known as the Christmas Truce, these fleeting moments of peace occupy a mythical place in remembrances of World War I. Yet new accounts suggest that the heartwarming tale ingrained in the popular imagination bears little resemblance to the truth. In this detailed study, Terri Blom Crocker provides the first comprehensive analysis of both scholarly and popular portrayals of the Christmas Truce from 1914 to present. From books by influential historians to the Oscar-nominated French film Joyeux Noel (2006), this new examination shows how a variety of works have both explored and enshrined this outbreak of peace amid overwhelming violence. The vast majority of these accounts depict the soldiers as acting in defiance of their superiors. Crocker, however, analyzes official accounts as well as private letters that reveal widespread support among officers for the détentes. Furthermore, she finds that truce participants describe the temporary ceasefires not as rebellions by disaffected troops but as acts of humanity and survival by professional soldiers deeply committed to their respective causes. The Christmas Truce studies these ceasefires within the wider war, demonstrating how generations of scholars have promoted interpretations that ignored the nuanced perspectives of the many soldiers who fought. Crocker's groundbreaking, meticulously researched work challenges conventional analyses and sheds new light on the history and popular mythology of the War to End All Wars.

‘One of them shouted “A Merry Christmas English. We’re not shooting tonight.” . . . [then] they stuck up a light. Not to be outdone, so did we. Then up went another. So, we shoved up another. Soon the lines looked like an illuminated fete.’ Rifleman Leslie Walkington On Christmas Eve 1914, a group of German soldiers laid down their arms, lit lanterns and started to sing Christmas carols. The British troops in nearby trenches responded by singing songs of their own. The next day, men from both sides met in No Man’s Land. They shook hands, took photos and exchanged food and souvenirs. Some even played improvised football games, kicking around empty bully-beef cans and using helmets for goalposts. Both sides also saw the lull in fighting as a chance to bury the bodies of their comrades. In some parts of the front, the truce lasted a few hours. In others, it continued to the New Year. But everywhere, sooner or later, the fighting resumed. Today, the Christmas Truce is seen as a poignant symbol of hope in a war that many people regard as unnecessary and futile. But what was the real story of those remarkable few days? In this fascinating new book, historian Anthony Richards has brought together hundreds of first-hand reminiscences from those who were there – including previously unpublished German accounts – to cast fresh light on this extraordinary episode.

This title examines the Christmas Truce of 1914, focusing on how the informal truces came to be and exploring the experiences of the soldiers of both sides. Compelling narrative text and well-chosen historical photographs and primary sources make this book perfect for report writing. Features include a glossary, a selected bibliography, websites, source notes, and an index, plus a timeline and essential facts. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

Shooting at the Stars is the moving story of a young British soldier on the front lines during World War I who experiences an unforgettable Christmas Eve. In a letter to his mother, he describes how, despite fierce fighting earlier from both sides, Allied and German soldiers ceased firing that evening and came together on the battlefield to celebrate the holiday. They sang carols, exchanged gifts, and even lit Christmas trees. But as the holiday came to a close, they returned to their separate trenches to await orders for the war to begin again. Award-wining creator John Hendrix wonderfully brings the story of the Christmas Truce of 1914 to life with his signature style, interweaving detailed illustrations and hand-lettered text. His telling of the story celebrates the humanity that can persist during even the darkest periods of our history.

SILENT NIGHT brings to life one of the most unlikely and touching events in the annals of war. In the early months of WWI, on Christmas Eve, men on both sides left their trenches, laid down their arms, and joined in a spontaneous celebration with their new friends, the enemy. For a brief, blissful time, remembered since in song and story, a world war stopped. Even the participants found what they were doing incredible. Germans placed candle-lit Christmas trees on trench parapets and warring soldiers sang carols. In the spirit of the season they ventured out beyond their barbed wire to meet in No Man's Land, where they buried the dead in moving ceremonies, exchanged gifts, ate and drank together, and joyously played football, often with improvised balls. The truce spread as men defied orders and fired harmlessly into the air. But, reluctantly, they were forced to re-start history's most bloody war. SILENT NIGHT vividly recovers a dreamlike event, one of the most extraordinary of Christmas stories.

From an acclaimed military historian comes the astonishing story of World War I's 1914 Christmas truce—a spontaneous celebration when enemies became friends. It was one of history's most powerful—yet forgotten—Christmas stories. It took place in the improbable setting of the mud, cold rain, and senseless killing of the trenches of World War I. It happened in spite of orders to the contrary by superiors. It happened in spite of language barriers. And it still stands as the only time in history that peace spontaneously arose from the lower ranks in a major conflict, bubbling up to the officers and temporarily turning sworn enemies into friends. Silent Night, by renowned military historian Stanley Weintraub, magically restores the 1914 Christmas Truce to history. It had been lost in the tide of horror that filled the battlefields of Europe for months and years afterward. Yet, in December 1914, the Great War was still young, and the men who suddenly threw down their arms and came together across the front lines—to sing carols, exchange gifts and letters, eat and drink and even play friendly games of soccer—naively hoped that the war would be short-lived, and that they were fraternizing with future friends. It began when German soldiers lit candles on small Christmas trees, and British, French, Belgian, and German troops serenaded each other on Christmas Eve. Soon they were gathering and burying the dead, in an age-old custom of truces. But as the power of Christmas grew among them, they broke bread, exchanged addresses and letters, and expressed deep admiration for one another. When angry superiors ordered them to recommence the shooting, many men aimed harmlessly high overhead. Sometimes the greatest beauty emerges from deep tragedy. Surely the forgotten Christmas Truce was one of history's most beautiful moments, made all the more beautiful in light of the carnage that followed it. Stanley Weintraub's moving re-creation demonstrates that peace can be more fragile than war, but also that ordinary men can bond with one another despite all efforts of politicians and generals to the contrary.

Hitler claimed that his years as a soldier in the First World War were the most formative years of his life. However, for the six decades since his death in the ruins of Berlin, Hitler's time as a soldier on the Western Front has, remarkably, remained a blank spot. Until now, all that we knew about Hitler's life in these years and the regiment in which he served came from his own account in Mein Kampf and the equally mythical accounts of his comrades. Hitler's First War for the first time looks at what really happened to Private Hitler and the men of the Bavarian List Regiment of which he was a member. It is a radical revision of the period of Hitler's life that is said to have made him. Through the stories of the veterans of the regiment - an officer who became Hitler's personal adjutant in the 1930s but then offered himself to British intelligence, a soldier-turned-Concentration Camp Commander, Jewish veterans who fell victim to the Holocaust, or of veterans who simply returned to their lives in Bavaria - Thomas Weber presents a Private Hitler very different from the one portrayed in his own mythical account. Instead, we find a Hitler who was shunned by the frontline soldiers of his regiment as a 'rear area pig' and who was still unsure of his political ideology even at the end of the war in 1918. In looking at the post-war lives of Hitler's fellow veterans back in Bavaria, Thomas Weber also challenges the commonly accepted notion that the First World War was somehow a 'seminal catastrophe' in twentieth century German history and even questions just how deep-seated Nazi ideology really was in its home state.

Stories of individual soldiers throughout history.

The British army was almost unique among the European armies of the Great War in that it did not suffer from a serious breakdown of discipline or collapse of morale. It did, however, inevitably suffer from disciplinary problems. While attention has hitherto focused on the 312 notorious "shot at dawn" cases, many thousands of British soldiers were tried by court martial during the Great War. This book will be essential reading for military and Irish historians and their students, and will interest any general reader concerned with how units maintain discipline and morale under the most trying conditions.