Offers a broad sampling of humanist work by educators, statesmen, philosophers, churchmen and courtiers translated into English.

Originally published in 1970, this book offered a fresh look at the triumph and turmoil of the Renaissance by examining the lives and power of the princes of Italy, who ruled the many independent states and who dominated the society which nurtured the Renaissance painters, sculptors, writers and architects. The book discusses their magnificence, deceit and cruelty, their cultivation and moral corruption and includes specific chapters on Francesco Sforza, Duke of Milan, Ercole d’Este, Pope Julius II and Sigismondo Malatesta.

Pietro Perugino was a Renaissance painter of the Umbrian school and the teacher of Raphael. He was also one of the first to handle successfully the new medium of oil. His charming compositions are noted for their depth and transparency, as well as for the novelty of his technique, producing sweet and graceful masterpieces that were immensely popular. The striking clarity and elegance of his style would have a lasting impact on the development of the High Renaissance. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Perugino’s complete paintings, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Pietro Perugino – over 500 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Perugino’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Features four bonus biographies, including Vasari’s seminal work – discover Perugino's world CONTENTS: The Highlights Adoration of the Magi (c. 1473) Delivery of the Keys (1482) Madonna and Child with Saint Rose and Saint Catherine (c. 1490) The Virgin Appearing to Saint Bernard (c. 1492) Pietà (c. 1493) Madonna and Child Enthroned with Saints John the Baptist and Sebastian (1493) Portrait of Francesco delle Opere (1494) Pazzi Crucifixion (1496) Fortitude and Temperance with Six Antique Heroes (c. 1498) Pavia Altarpiece (c. 1499) Self Portrait (c. 1499) Assumption of the Virgin with Four Saints (1500) Madonna and Child (c. 1500) Mary Magdalene (c. 1500) The Battle between Love and Chastity (1503) Annunziata Polyptych (1507) The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Life of Pietro Perugino (1550) by Giorgio Vasari Perugino (1900) by George C. Williamson Pietro Perugino (1911) by William Michael Rossetti Pietro Perugino (1912) by Selwyn Brinton

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Do you think Nostradamus, the famous 16th century "Prophet of Provence," was some kind of magician, perhaps a doctor, astrologer, and seer, too? If so, Peter Lemesurier's revelation that he was really just an ordinary man using an equally ordinary technique may come as a shock. After re-examining the original sources, Lemesurier concludes that Nostradamus was in fact neither a doctor nor an astrologer, nor even (by his own admission) a prophet. He merely believed that history repeats itself, thus and projected known past events onto the future. To do so, he used the process of bibliomancy—randomly selecting extracts of randomly chosen books, then claiming "divine inspiration." Unsurprisingly, he has almost never been proved right.

Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.

Early Modern Italy is a fascinating survey of society in Italy from the fifteenth to the eighteenth centuries - the Renaissance to the Enlightenment. Covering the whole of the Peninsula from the Venetian Republic, to Florence, through to Naples it shows how the huge economic, cultural and social divides of the period still affect the stability of present day united Italy. This is an essential guide to one of the most vibrant yet tempestuous periods of Italian history.