The Church of the Red Arrow is a book about everything at once. It is perfect for people with ADD or people who just get bored easily. You can flip around in it all day like the yellow pages and always wind up home. In this respect it is like the old saying that all roads lead to Mecca. It is poetry, fiction, and nonfiction with a section listing hundreds of unanswerable questions that are thought provoking and good topics of conversation. There are also several short stories which start out linear and end up Joycian. The book covers politics, poetry, and all sorts of paradoxes. It is philosophical and sometimes just plain dumb. I think you will find it an honest read: sometimes whimsical, sometimes seriously difficult, sometimes fusing an antithesis or two often just by accident--hence the conclusion that Lady Luck has smiled on this book. Your author has written three other volumes which could or could not hook up quite nicely with this one if everything in the world were a train. Mr. Houlihan is also a member of the Lefty Jones Band (but it is not his fault). He refuses to play out or be seen in public.

The history of WWII’s most battle-tested US Army division and its crucial role in achieving Allied victory in the Pacific Red Arrow across the Pacific reveals the long-overdue story of the renowned Thirty-Second "Red Arrow" Infantry Division. Discover how this National Guard unit—which originated in Wisconsin and Michigan but soon evolved to include soldiers from California to New England—became one of the first US military units deployed overseas in World War II, eventually logging more combat hours than any other US Army division. Far more than a traditional battle narrative, Red Arrow across the Pacific offers a cultural history of the Red Arrow's wartime experience, from its mobilization in 1940, to its deployment across New Guinea, Australia, and the Philippines, to its postwar occupation of Japan. Drawing from letters, memoirs, and interviews, author Mark D. Van Ells lets the soldiers speak for themselves, describing in their own words the terror of combat, their impressions of foreign lands, the struggle to maintain their own humanity, and the many ways the war profoundly changed them. Nuanced and remarkably thorough, this book explores the dramatic evolution of the Thirty-Second Infantry Division and reveals how the story of the Red Arrow reflects the experience of the US military during World War II.

Eddie is a true to life biography in every sense. It has not been embellished or altered from the historical record. It is my history and is accurate even to the comments and conversations as nearly as I can recall. Ive always thought that a well developed sense of humor is one of the more valuable things a person can possess along with a keen sense of curiosity. It is a vital attribute to be able to laugh at ones self. People who do not possess that attribute tend to be dry, humorless husks who are not pleasant company. That being said, every effort was made to present the material in this book with a sense of humor, wry at times, tongue-in-cheek at times but always with the goal of making the reader smile or even laugh. All through the book I have tried to contrast the slower pace of life and the freedom that children and young people had during that time period with todays fast paced, controlled life style. Children of the 1930s and 40s seemed to have more imagination than kids do today, not due so much to any genetic differences but out of necessity. Most of the kids I grew up with simply didnt have the toys that abound today and their parents were, by and large, too concerned with jobs either inside or outside of the home to pay much attention to them. As a result their kids were forced to use their own ingenuity to create play situations. The book shows Eddie in a lifelong battle with bullies; those people who enjoy inflicting pain, mentally or physically, on other humans and sometimes on any animal available. That battle runs as a thread throughout the book beginning with a little four year old breaking a large stick over the head of his tormentor in an attempt to stop the incessant bullying. Eddie is a book that portrays the life of a young person born into a family in the Midwest in the early 20th century. Eddie was born in Terre Haute, Indiana in 1936. He grew up during the war years of World War II and survived a number of moves around the United States along with the normal fistfights and bullies that can be found anywhere and life in general. Eddie is just like any number of kids who grew up in that era but, unlike some, he was independent and fierce in demanding his liberty. The way he handled controversy is interesting and humorous. Eddie was a Libertarian before he ever knew what one was. Readers can readily identify and emphasize with the young boy who tries unsuccessfully to avoid controversy and fights and ultimately has to deal with the dragons that we all have to deal with at sometime in our lives. If there is one overriding theme that trickles throughout the book it is that of freedom, the ability to choose what you wish to do without interference from government, family or friends. I leave it up to the reader to solve the dichotomy that necessarily exists between a person who values, above all, their freedom and the same person who sacrifices that same freedom for a life in the military, perhaps the one career that has less freedom than any other. The author solved that issue easily by virtue of realizing that the ultimate freedom was that attained in the cockpit of an airplane. He has spent his life in pursuing that freedom, warring fiercely against those who would set limits on that particular freedom. Imagination is a wonderful gift to mankind. Used properly it can amuse and enthrall for hours. Used improperly it can curtail thought processes through fear. Kids in the period of this book use their fertile imaginations to transport them to other places, other times, other situations. They played cops and robbers, cowboys and Indians, house and dolls with little or no toys other than sticks or whatever came to hand to embellish their imaginative adventurous forays. Television had not been perfected yet and was not available to the masses even as rudimentary as it was then. Kids (and adults) relied on radio for information and adventure. There was always time in the afternoon for a half hour of Tom Mix or the Lone Ranger on the radio. If you have trouble with this concept think of it in terms of the person who reads a book versus the person who sees the movie version of the same story. Eddie is not a hero. He does not come from a privileged family or even one that is moderately well off. He is average in every sense. He is like millions of other middle-class kids who grew up in the Mid-West in the 1900s. He succeeds in spite of the struggles of that time of our history and has fun doing it all. Life was good but hard during those times but people persevered nonetheless; and they enjoyed that life. Things were simpler then and moved at a slower pace. Families were closer. People were trusted. Doors were left unlocked as were cars. Kids were allowed to roam unaccompanied anywhere in their area. Money was dear and valued much more than now. Hobos roamed the United States and were given chores to do by the populace in return for a meal and even sometimes a bed. Today they are called homeless and discarded or shunned as if they are not human beings like the rest of us. Today Eddie would be called a tree-hugger and looked down on because he does not enjoy inflicting pain on animals as in hunting. Eddie hunted when he was young because it was expected of him but didnt really enjoy the kill as he was supposed to do. Instead he would stand over the sad, lifeless body of an otherwise beautiful wild animal and privately grieve about the death of that child of God. Still, he could become a very effective hunter of humans in later life as a Naval Aviator. Eddie is as complicated as any other human. The book attempts to portray a middle-class kid as he grows up in that era. Everything in the book is true to life. The author makes no apologies for anything written about the youngster. It happened as it happened. The reader is free to draw their own conclusions about the kid as he grows into an adult. It is my fervent hope that the book will give you pleasure and reading enjoyment.

In simple, unaffected prose, Mrs. Shaw constructs a moving saga of Native Americans caught between their tribal past and a Europeanized present. . . . Some of the most interesting passages deal with the wrenching realities of Indian life on the reservation in the years around the turn of the century, when the Indian male as a warrior found himself bereft of his very reason for being and forced to endeavor to become a farmer. ÑJournal of Arizona History "A most interesting book. . . . Her account of how the Pima Indians lived, their family structure, how they reared their children, courtship and marriage, how they treated their elders, their religious practices before the coming of a Christian missionary in 1870, and their accommodation with death are related in language that can be easily understood by the layman and, yet, provide information which can be used by the sociologist and anthropologist." ÑJournal of the West "The current trend in books written by American Indians is to idealize the Indian past while condemning white culture. This volume is a notable exception because its author is old enough to remember the past and because she has been successful in adapting those elements of white culture which she found useful without sacrificing this essential heritage. . . . The style is simple and straightforward, that of a good storyteller which reaches all adult levels." ÑChoice "Simple and charming reminiscences of the old Pima ways at the turn of the century when they still prevailed and of the changes which recent decades have brought about in the lives of the desert people." ÑBooks of the Southwest "Throughout her account a special kind of humor, sensitivity and pride is revealed when discussing her peoples and her own personal experiences." ÑThe Masterkey

Smiley-Man Chronicles is the true story and reminiscences of Michael Mulholland, Tahni Jones, Eddy Boros, Kevin Donnelly, the Lefty Jones Band, Edwardo, Pancho Rosie, et al. Technically your author has been more of an archivist and editor than story-teller. He has also tried to hold the price down on this volume so that it will not cost you too much--either spiritually or financially. It reads easily in order, or out, and is about going to the moon, literally & figuratively. Though parts are fiction, the chronicles are largely non-fiction, and they are dedicated to both Nathan Harris, who gave your author everything, and Tahni Jones, who told his sister Georgi shortly before he died that he had been "playing life by ear." Reviews: "Essential reading...a tour de force!" --Stewart Allen, author The Devil's Cup, In the Devil's Garden "I couldn't have written a better book without dropping out of school...." --Saul Fisher, Ph.D. "Thank God for The Lefty Jones Band...long live the Smiley-Man Chronicles..." --Andy Malm, Drummer, Lefty Jones Band "This book is serious fun, thoughtful, and revolutionary." --Nina Feldman, President, Sweet Bella. "Totally original...ground-breaking." --Walter White, Bassist, Lefty Jones Band. "Unmarketable and brilliant." --Errol McDonald, Editor, Random House.

Linda was a well known medium, who worked with clients across the globe. In this book she shares her experiences growing up with psychic abilities and the impact that had. It was Linda’s dream write a book and in 2018, she took a break from doing readings when she moved into her new flat to work on her book, sadly she passed before we were able to finish it. This book is written from her notes and our conversations, so may jump around a bit, but anyone who knew Linda will hear her voice in the words in this book.

The definitive illustrated guide to nearly 1,500 of Michigan's historic sites, updated and revised