Concrete floors and concrete walls, buildings that pierce the sky, taxicabs and subway corridors, a steady din of noise. These things, along with a virtually unrivaled collection of museums, galleries, performance venues, media outlets, international corporations, and stock exchanges make New York City not only the cultural and financial capital of the United States, but one of the largest and most impressive urban conglomerations in the world. With distinctions like these, is it possible to imagine the city as any more than this? City at the Water's Edge invites readers to do just that. Betsy McCully, a long-time urban dweller, argues that this city of lights is much more than a human-made metropolis. It has a rich natural history that is every bit as fascinating as the glitzy veneer that has been built atop it. Through twenty years of nature exploration, McCully has come to know New York as part of the Lower Hudson Bioregion-a place of salt marshes and estuaries, sand dunes and barrier islands, glacially sculpted ridges and kettle holes, rivers and streams, woodlands and outwash plains. Here she tells the story of New York that began before the first humans settled in the region twelve thousand years ago, and long before immigrants ever arrived at Ellis Island. The timeline that she recounts is one that extends backward half a billion years; it plumbs the depths of Manhattan's geological history and forecasts a possible future of global warming, with rising seas lapping at the base of the Empire State Building. Counter to popular views that see the city as a marvel of human ingenuity diametrically opposed to nature, this unique account shows how the region has served as an evolving habitat for a diversity of species, including our own. The author chronicles the growth of the city at the expense of the environment, but leaves the reader with a vision of a future city as a human habitat that is brought into balance with nature.

The water's edge, whether shore or riverbank, is a marginal territory that becomes invested with layers of meaning. The essays in this collection present intriguing perspectives on how the water's edge has been imagined and represented in different places at various times and how this process contributed to the formation of social identities. Art and Identity at the Water's Edge focuses upon national coastlines and maritime heritage; on rivers and seashore as regions of liminality and sites of conflicting identities; and on the edge as a tourist setting. Such themes are related to diverse forms of art, including painting, architecture, maps, photography, and film. Topics range from the South African seaside resort of Durban to the French Riviera. The essays explore successive ideological mappings of the Jordan River, and how Czech cubist architecture and painting shaped a new nationalist reading of the Vltava riverbanks. They examine post-Hurricane Katrina New Orleans as a filmic spectacle that questions assumptions about American identity, and the coast depicted as a site of patriotism in nineteenth-century British painting. The collection demonstrates how waterside structures such as maritime museums and lighthouses, and visual images of the water's edge, have contributed to the construction of cultural and national identities.

Trivia-on-Book: At the Water's Edge by Sara Gruen After a drunken episode on New Years, Ellis Hyde and his wife Madeline (Maddie) are disowned by his Philadelphia elite society father. To get back into his father’s good graces, Ellis, Maddie and friend Hank travel to Scotland during World War II to hunt the Loch Ness Monster. Ellis’ father had evidence of the monster, but it was viewed as a hoax. Ellis believed if he found proof of the monster’s existence, his father would set him back up as before. The trio go to Scotland and are put up in a very simple inn. Maddie, who never had a life of her own, has a life-awakening experience there. She makes friends, has an affair and becomes her own woman all while battling her husband’s drunkenness. Who was the monster? The mythical beast in the loch or her husband, the drunk. You may have read the book, but not have liked it. You may have liked the book, but not be a fan. You may call yourself a fan, but few truly are. Are you? Trivia-on-Books is an unofficial independently quiz-formatted trivia on the book for readers, students, and fans alike. Whether you're looking for new materials to the book or would like to take the challenge yourself and share it with your friends and family for a time of fun, Trivia-on-Books provides a unique approach that is both insightful and educational! Features You'll Find Inside: • 30 Multiple choice questions on the book, plots, characters and author • Insightful commentary to answer every question • Complementary quiz material for yourself or your reading group • Results provided with scores to determine "status" Promising quality and value, grab your copy of Trivia-on-Books!

“I hope it isn’t one of those crazy places where they make you strip naked and roll around in wet paint,” Fern says when her family sends her to a creative arts retreat at the Water’s Edge. After the demise of her twenty year marriage Fern DeGiulio believes she has successfully put her life back together. Her family believes she needs to get out more. Meet new people. While communing with nature at the Water’s Edge, Fern meets Daniella, Dannie, Stevens. Her attraction to Dannie ignites a desire that Fern thought she’d buried years ago. But Dannie is a fixer, and when she attempts to fix what has been broken in Fern’s life it leads to a tumultuous relationship. The Water’s Edge is a naturalists’ adventure, a love story, and a reminder that there is always an opportunity to begin again

Janice Post-White was an oncology nurse who thought she knew what life with cancer was about--until her four-year-old son was diagnosed with leukemia. While he drew pictures to process his emotions, she buried her feelings and threw herself into managing a dual role as a medical professional and mother. Her memoir shares her son's perspective as a young cancer patient and teen survivor, and explores her own personal and professional insights on survivorship, resilience, healing and what facing death can teach us about living.

The story is one of a life pattern being temporarily implanted in the brain of a sick person, hospitalised and in a coma, by inhabitants of a far off galaxy. Their objective was eventually to take control of vulnerable people on Earth for personal gain. However all did not go to plan.

Louisiana is perhaps best known for its distinctive French heritage, a legacy visible in the street names and architecture around the state. The truth is, Louisiana has one of the most culturally diverse populations in the nation, with not only French and Anglo-American settlers, but the Native Americans who lived there already, and the enslaved Africans the new colonists brought with them into Louisiana Territory. A chapter of Louisiana history that tends to be forgotten however, is when the area fell to Spanish control in the late 1700s. Coaxed by promises of new opportunity, thousands of Canary Islanders of Spanish descent relocated to Louisiana, where they established four settlements. Generations of Isleños, that is the ethnic group of descendants from the Canary Islands who have intermarried with other communities, have overcome the challenges of an evolving American society, as well as the devastation of storms that have ripped through their land. Through it all, the Isleños have preserved their unique heritage, traditions and culture for more than two centuries.

Have we been someone before? Is there a cycle to life that passes personality and societys characteristics through the generations, much like our physical characteristics are passed by various chemical configurations? What about many major religions that base their belief on reincarnation or past lives, and often times their leadership on someones presupposed link to the past? What about all those individuals claiming to have been someone before? What is the possibility that you have been someone before, and if so who? How does one find out about ones own possibilities and ones impact on todays existence? Many feel that meditation is the way to enter this world of deep inner knowledge and to bring awareness of this past cycle. Hypnosis has also been used to offer an abundance of examples to illustrate the possibility of our having been here before. To get past our immediate existence and regress through our birth to a world of spirits from the past is indeed an adventure, if such a world even exists. Please join me now for a journey into an unseen world.

A sweeping history of American cities and towns, and the utopian aspirations that shaped them, by one of America’s leading urban planners and scholars. The first European settlers saw America as a paradise regained. The continent seemed to offer a God-given opportunity to start again and build the perfect community. Those messianic days are gone. But as Alex Krieger argues in City on a Hill, any attempt at deep understanding of how the country has developed must recognize the persistent and dramatic consequences of utopian dreaming. Even as ideals have changed, idealism itself has for better and worse shaped our world of bricks and mortar, macadam, parks, and farmland. As he traces this uniquely American story from the Pilgrims to the “smart city,” Krieger delivers a striking new history of our built environment. The Puritans were the first utopians, seeking a New Jerusalem in the New England villages that still stand as models of small-town life. In the Age of Revolution, Thomas Jefferson dreamed of citizen farmers tending plots laid out across the continent in a grid of enlightened rationality. As industrialization brought urbanization, reformers answered emerging slums with a zealous crusade of grand civic architecture and designed the vast urban parks vital to so many cities today. The twentieth century brought cycles of suburban dreaming and urban renewal—one generation’s utopia forming the next one’s nightmare—and experiments as diverse as Walt Disney’s EPCOT, hippie communes, and Las Vegas. Krieger’s compelling and richly illustrated narrative reminds us, as we formulate new ideals today, that we chase our visions surrounded by the glories and failures of dreams gone by.