"An artful reconstruction of seventeenth-century Paris with riveting storytelling." —The New Yorker In the late 1600s, Louis XIV assigns Nicolas de la Reynie to bring order to Paris after the brutal deaths of two magistrates. Reynie, pragmatic and fearless, discovers a network of witches, poisoners, and priests whose reach extends all the way to the king’s court at Versailles. Based on court transcripts and Reynie’s compulsive note-taking, Holly Tucker’s engrossing true-crime narrative makes the characters breathe on the page as she follows the police chief into the dark labyrinths of crime-ridden Paris, the halls of royal palaces, secret courtrooms, and torture chambers.

“A fierce tale of conspiracy and retribution… Thanks to Tucker’s sympathetic necromancy and her luscious resurrection of everyday detail, even in gilded palaces the human psyche seems familiarly deceitful and self-justifying.” —Michael Sims, author of The Story of Charlotte’s Web and Arthur and Sherlock Appointed to conquer the “crime capital of the world,” the first police chief of Paris faces an epidemic of murder in the late 1600s. Assigned by Louis XIV, Nicolas de La Reynie begins by clearing the streets of filth and installing lanterns throughout Paris, turning it into the City of Light. The fearless La Reynie pursues criminals through the labyrinthine neighborhoods of the city. He unearths a tightly knit cabal of poisoners, witches, and renegade priests. As he exposes their unholy work, he soon learns that no one is safe from black magic—not even the Sun King. In a world where a royal glance can turn success into disgrace, the distance between the quietly back-stabbing world of the king’s court and the criminal underground proves disturbingly short. Nobles settle scores by employing witches to craft poisons and by hiring priests to perform dark rituals in Paris’s most illustrious churches and cathedrals. As La Reynie continues his investigations, he is haunted by a single question: Could Louis’s mistresses could be involved in such nefarious plots? The pragmatic and principled La Reynie must decide just how far he will go to protect his king. From secret courtrooms to torture chambers, City of Light, City of Poison is a gripping true-crime tale of deception and murder. Based on thousands of pages of court transcripts and La Reynie’s compulsive note-taking, as well as on letters and diaries, Tucker’s riveting narrative makes the fascinating, real-life characters breathe on the page.

Magic, Witchcraft, and Ghosts in the Enlightenment argues for the centrality of magical practices and ideas throughout the long eighteenth century. Although the hunt for witches in Europe declined precipitously after 1650, and the intellectual justification for natural magic came under fire by 1700, belief in magic among the general population did not come to a sudden stop. The philosophes continued to take aim at magical practices, alongside religion, as examples of superstitions that an enlightened age needed to put behind them. In addition to a continuity of beliefs and practices, the eighteenth century also saw improvement and innovation in magical ideas, the understanding of ghosts, and attitudes toward witchcraft. The volume takes a broad geographical approach and includes essays focusing on Great Britain (England and Ireland), France, Germany, and Hungary. It also takes a wide approach to the subject and includes essays on astrology, alchemy, witchcraft, cunning folk, ghosts, treasure hunters, and purveyors of magic. With a broad chronological scope that ranges from the end of the seventeenth century to the early nineteenth century, this volume is useful for undergraduates, postgraduates, scholars, and those with a general interest in magic, witchcraft, and spirits in the Enlightenment.

"Explores in colonial Newport, Rhode Island, the tumultuous marriage of Benedict and Mary Arnold in the 1720s and 1730s. In and through their sordid and possibly criminal marital story, in which Mary is accused of poisoning Benedict, Crane sheds light on the liabilities and possibilities for women under couverture, the complex social and economic networks that bound together the elite and laboring classes of Newport, and the trans-oceanic cultures of trade, consumption, and sociability that came to shape expectations for marital satisfaction on both sides of the Atlantic"--

This stylish and incisive narrative presents readers with a fresh perspective on one of the most fascinating kings in European history. Louis XIV’s story has all the ingredients of a Dumas classic: legendary beginnings, beguiling women, court intrigue, a mysterious prisoner in an iron mask, lavish court entertainments, the scandal of a mistress who was immersed in the dark arts, and a central character who is handsome and romantic, but with a frighteningly dark side to his character.Louis believed himself to be semi-divine. His self-identification as the Sun King, which was reflected in iconography by the sun god, Apollo, influenced every aspect of Louis’s life: his political philosophy, his wars, and his relationships with courtiers and subjects.As a military strategist, Louis’s capacity was ambiguous, but he was an astute politician who led his country to the heights of sophistication and power—and then had the misfortune to live long enough to see it all crumble away. As the sun began to set upon this most glorious of reigns, it brought a gathering darkness filled with the anguish of dead heirs, threatened borders, and a populace that was dangerously dependent upon—but greatly distanced from—its king.

By the end of France’s long seventeenth century, the seminary-trained, reform-minded Catholic priest had crystalized into a type recognizable by his clothing, gestures, and ceremonial skill. Although critics denounced these priests as hypocrites or models for Molière’s Tartuffe, seminaries associated the features of this priestly identity with the idea of the vray ecclésiastique, or true churchman. Ceremonial Splendor examines the way France’s early seminaries promoted the emergence and construction of the true churchman as a mode of embodiment and ecclesiastical ideal between approximately 1630 and 1730. Based on an analysis of sources that regulated priestly training in France, such as seminary rules and manuals, liturgical handbooks, ecclesiastical pamphlets and conferences, and episcopal edicts, the book uses theories of performance to reconstruct the way clergymen learned to conduct liturgical ceremonies, abide by clerical norms, and aspire to perfection. Joy Palacios shows how the process of crafting a priestly identity involved a wide range of performances, including improvisation, role-playing, and the display of skills. In isolation, any one of these performance obligations, if executed in a way that drew attention to the self, could undermine a clergyman’s priestly persona and threaten the institution of the priesthood more broadly. Seminaries counteracted the ever-present threat of theatricality by ceremonializing the clergyman’s daily life, rendering his body and gestures contiguous with the mass. Through its focus on priestly identity, Ceremonial Splendor reconsiders the relationship between Church and theater in early modern France and uncovers ritual strategies that continue to shape religious authority today.

The “mapness of maps”—how maps live in interaction with their users, and what this tells us about what they are and how they work. In a sense, maps are temporarily alive for those who design, draw, and use them. They have, for the moment, a cognitive life. To grapple with what this means—to ask how maps can be alive, and what kind of life they have—is to explore the core question of what maps are. And this is what Roberto Casati does in The Cognitive Life of Maps, in the process assembling the conceptual tools for understanding why maps have the power they have, why they are so widely used, and how we use (and misuse) them. Drawing on insights from cognitive science and philosophy of mind, Casati considers the main claims around what maps are and how they work—their specific syntax, peculiar semantics, and pragmatics. He proposes a series of steps that can lead to a precise theory of maps, one that reveals what maps have in common with diagrams, pictures, and texts, and what makes them different. This minimal theory of maps helps us to see maps nested in many cognitive artifacts—clock faces, musical notation, writing, calendars, and numerical series, for instance. It also allows us to tackle the issue of the territorialization of maps—to show how maps can be used to draw specific spatial inferences about territories. From the mechanics of maps used for navigation to the differences and similarities between maps and pictures and models, Casati's ambitious work is a cognitive map in its own right, charting the way to a new understanding of what maps mean.

This encyclopedia is the perfect guide to the weird, magical, superstitious, and supernatural beliefs of people from all over the world. This book is devoted to those human beliefs that fall in the "gray zone" between science, religion, and everyday life-call them superstitious, supernatural, magical, or just wrong. In an often incomprehensible world where lightning or plague could end life quickly or drought could condemn a poor family to agonizing death, superstitious beliefs gave people a feeling of understanding or even control. They have continued to shape societies and cultures ever since. This book covers a range of superstitious, supernatural, and otherwise unusual beliefs from the ancient world to the early 19th century. More than 100 entries explain beliefs, discuss historical evidence, and explain how each belief differs across cultures. This book is a perfect gateway for anyone curious about superstitious and magical beliefs, with topics ranging from the everyday, such as dogs and iron, to legendary figures, such as Hermes Trismegistus and the Yellow Emperor.

No one looks kindly on the killer of a king. “Fast-paced and refreshing.” – SLJ, starred review “The perfect blend of history and dark fantasy.” – Mary Taranta, author of Shimmer and Burn “Thrilling, romantic, and addictive.” – Rosalyn Eves, author of Blood Rose Rebellion “The only cure is to finish it.” – Lyndsay Ely, author of Gunslinger Girl After unwittingly helping her mother poison King Louis XIV, seventeen-year-old alchemist Mirabelle Monvoisin is forced to see her mother’s Shadow Society in a horrifying new light: they’re not heroes of the people, as they’ve always claimed to be, but murderers. Herself included. Mira tries to ease her guilt by brewing helpful curatives, but her hunger tonics and headache remedies cannot right past wrongs or save the dissenters her mother vows to purge. Royal bastard Josse de Bourbon is more kitchen boy than fils de France. But when the Shadow Society assassinates the Sun King and half of the royal court, he must become the prince he was never meant to be in order to save his injured sisters and the petulant dauphin. Forced to hide in the sewers beneath the city, Josse’s hope of reclaiming Paris seems impossible—until his path collides with Mirabelle’s. She’s a deadly poisoner. He’s a bastard prince. They are sworn enemies, yet they form a tenuous pact to unite the commoners and former nobility against the Shadow Society. But can a rebellion built on mistrust ever hope to succeed?

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.