During the Tang dynasty, the imperial capital of Chang’an (present-day Xi’an) was unrivaled in its monumental scale, with about one million inhabitants dwelling within its walls. It was there that one of the most enduring cultural and political institutions of the empire—the civil service examinations—took shape, bringing an unprecedented influx of literati men to the city seeking recognition and official status by demonstrating their literary talent. To these examination candidates, Chang’an was a megalopolis, career launch pad, and most importantly, cultural paradigm. As a multifaceted lived space, it captured the imaginations of Tang writers, shaped their future aspirations, and left discernible traces in the writings of this period. City of Marvel and Transformation brings this cityscape to life together with the mindscape of its sojourner-writers. By analyzing narratives of experience with a distinctive metropolitan consciousness, it retrieves lost connections between senses of the self and a sense of place. Each chapter takes up one of the powerful shaping forces of Chang’an: its siren call as a destination; the unforeseen nooks and crannies of its urban space; its potential as a “media machine” to broadcast images and reputations; its demimonde—a city within a city where both literary culture and commerce took center stage. Without being limited to any single genre, specific movement, or individual author, the texts examined in this book highlight aspects of Chang’an as a shared and contested space in the collective imagination. They bring to our attention a newly emerged interval of social, existential, and geographical mobility in the lives of educated men, who as aspirants and routine capital-bound travelers learned to negotiate urban space. Both literary study and cultural history, City of Marvel and Transformation goes beyond close readings of text; it also draws productively from research in urban history, anthropology, and studies of space and place, building upon the theoretical frameworks of scholars such as Michel de Certeau, Henri Lefebvre, and Victor Turner. It is a welcome addition to the growing body of scholarship in Chinese studies on the importance of cities and city life. Students and scholars of premodern China will find new ways to understand the collective concerns of the lettered class, as well as new ways to understand literary phenomena that would eventually influence vernacular tales and the Chinese novel. By asking larger questions about how urban sojourns shape subjectivity and perceptions, this book will also attract a wide range of readers interested in studies of personhood, spatial practice, and cities as living cultural systems in flux, both ancient and modern.

During the Tang dynasty, the imperial capital of Chang’an (present-day Xi’an) was unrivaled in its monumental scale, with about one million inhabitants dwelling within its walls. It was there that one of the most enduring cultural and political institutions of the empire—the civil service examinations—took shape, bringing an unprecedented influx of literati men to the city seeking recognition and official status by demonstrating their literary talent. To these examination candidates, Chang’an was a megalopolis, career launch pad, and most importantly, cultural paradigm. As a multifaceted lived space, it captured the imaginations of Tang writers, shaped their future aspirations, and left discernible traces in the writings of this period. City of Marvel and Transformation brings this cityscape to life together with the mindscape of its sojourner-writers. By analyzing narratives of experience with a distinctive metropolitan consciousness, it retrieves lost connections between senses of the self and a sense of place. Each chapter takes up one of the powerful shaping forces of Chang’an: its siren call as a destination; the unforeseen nooks and crannies of its urban space; its potential as a “media machine” to broadcast images and reputations; its demimonde—a city within a city where both literary culture and commerce took center stage. Without being limited to any single genre, specific movement, or individual author, the texts examined in this book highlight aspects of Chang’an as a shared and contested space in the collective imagination. They bring to our attention a newly emerged interval of social, existential, and geographical mobility in the lives of educated men, who as aspirants and routine capital-bound travelers learned to negotiate urban space. Both literary study and cultural history, City of Marvel and Transformation goes beyond close readings of text; it also draws productively from research in urban history, anthropology, and studies of space and place, building upon the theoretical frameworks of scholars such as Michel de Certeau, Henri Lefebvre, and Victor Turner. It is a welcome addition to the growing body of scholarship in Chinese studies on the importance of cities and city life. Students and scholars of premodern China will find new ways to understand the collective concerns of the lettered class, as well as new ways to understand literary phenomena that would eventually influence vernacular tales and the Chinese novel. By asking larger questions about how urban sojourns shape subjectivity and perceptions, this book will also attract a wide range of readers interested in studies of personhood, spatial practice, and cities as living cultural systems in flux, both ancient and modern.

In Reshaping the Frontier Landscape: Dongchuan in Eighteenth-century Southwest China, Fei HUANG examines the process of reshaping the landscape of Dongchuan, a remote frontier city in Southwest China in the eighteenth century. Rich copper deposits transformed Dongchuan into one of the key outposts of the Qing dynasty, a nexus of encounters between various groups competing for power and space. The frontier landscape bears silent witness to the changes in its people’s daily lives and in their memories and imaginations. The literati, officials, itinerant merchants, commoners and the indigenous people who lived there shaped and reshaped the local landscape by their physical efforts and cultural representations. This book demonstrates how multiple landscape experiences developed among various people in dependencies, conflicts and negotiations in the imperial frontier.

This study offers the first extensive analysis of the function and significance of urban panegyric in the Central Middle Ages, a flexible literary genre which enjoyed a marked and renewed popularity in the period 1100 to 1300. In doing so, it connects the production of urban panegyric to major underlying transformations in the medieval city and explores praise of cities primarily in England, Flanders, France, Germany, Iberia, and Italy (including the South and Sicily). The volume demonstrates how laudatory ideas on the city appeared in extremely diverse textual formats which had the potential to interact with a wide audience via multiple textual and material sources. When contextualized within the developments of the twelfth and thirteenth centuries these ideas could reflect more than formulaic, rhetorical outputs for an educated elite, they were instead integral to the process of urbanisation. In Urban Panegyric and the Transformation of the Medieval City, 1100-1300, Paul Oldfield assesses the generation of ideas on the Holy City, on counter-narratives associated with the Evil City, on the inter-relationship between the City and abundance (primarily through discourses on commercial productivity, hinterlands and population size), on landscapes and sites of power, and on knowledge generation and the construction of urban histories. Urban panegyric can enable us to comprehend more deeply material, functional, and ideological change associated with the city during a period of notable urbanization, and, importantly, how this change might have been experienced by contemporaries. This study therefore highlights the importance of urban panegyric as a product of, and witness to, a period of substantial urban change. In examining the laudatory depiction of medieval cities in a thematic analysis it can contribute to a deeper understanding of civic identity and its important connection to urban transformation.

The first history of Chinese cities from their early origins to becoming the largest urban society in the world.

In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.

Addis Ababa is one of the fastest transforming environments on the globe and a prototype of an emerging territory. What can architecture and urban design as disciplines contribute to such transformation? According to which criteria can processes of the kind encountered in Addis Ababa be evaluated? And, how can all of this be steered? Aiming to identify sustainable strategies—rather than upholding an a priori vision of an ideal city—the publication acknowledges the heterogeneous conditions of urban territories. The book highlights questions of method and procedure that can be transferred to other ‘cities of change’. This revised edition covers recent developments, such as the increasing influence of China in African countries or the chances of high-density, low-rise developments.

Harry Logan, a loud, arrogant, obsessive man is the successful author if two books. His last won the Pulitzer Prize Award for Literature and he has spent the last two years on a successful lecture tour throughout the United States. As he now prepares to write his third book his head inexplicably aches and his personal life is in chaos due to his absolute belief that he is the only one who is right and knows the truth. He now faces a very real and perhaps debilitating illness and despite his desire to control his own life is too ill to start his book and must give in for the first time to human frailty. How Harry struggles through the thicket of decisions, alters his personal persona, and learns to share his life and his success is a journey of disconsolate fear and ultimate happiness he neither expects nor believes he deserves.

The stories in this book are not just meant to entertain but also to inspire. They will remind you of the power of imagination and the importance of believing in the impossible. They will show you that even in the darkest of times, there is always hope and that even the most unlikely of heroes can rise to the occasion. Whether you are a long-time fan of fantasy or a newcomer to the genre, this book is sure to captivate you. It is a book that can be enjoyed by readers of all ages, from children to adults. So, sit back, relax, and let yourself be transported to a world of magic and wonder. You won't be disappointed.