This book explores the representation of intra-state conflicts. It offers a distinctive approach by looking at narrative forms and strategies associated with civil war testimony, historiography and memory. The volume seeks to reflect current research in civil war in a number of disciplines and covers a range of geographical areas, from the advent of modern forms of testimonies, history writing and public remembering in the early modern period, to the present day. In focusing on narrative, broadly defined, the contributors not only explore civil war testimonies, historiography and memory as separate fields of inquiry, but also highlight the interplay between these areas, which are shown to share porous boundaries. Chapters look at the ways in which various narrative forms feed off each other, be they oral, written or visual narratives, personal or collective accounts, or testimonies from victims or perpetrators.

This is the story of two families, one from New England and the other from Texas. On April 8, 1857, Sam Harrison, a ship builder in Boston, Massachusetts, purchases the ranch he always planned to own. He and his family move to Texas. Their Texas neighbors live on the Circle C Ranch, owned by Yancey Coates. The families become close friends. In June of 1857, Harrisons son, Ben enters West Point. Over the next four years Ben falls in love with Yanceys daughter, Kathy. They often speak of marriage. Emily, the daughter of Sam and Mary Harrison, falls in love with Yanceys son Arney. They also plan to marry. On July 4, 1861 the Civil War begins. Ben, now a graduate of West Point, leads a Union cavalry company. Arney becomes a Confederate cavalry officer. The families friendship comes apart. The story personalizes actual Civil War battles, but the main plot shows what happens to the two families, before, during and after the war.

In July of 1863, the Battle of Gettysburg raged for three days. Fifteen-year-old Tillie Pierce found herself in the middle of the action when she went to stay with family friends on a farm south of town. As the battle went on, the farm filled with wounded and dying soldiers, and Tillie helped feed and care for these men. Witness one of the most important battles of the Civil War up close with Tillie.

Gunfire rang out across the countryside as fifteen-year-old John Cook watched his unit struggle during the Battle of Antietam. Union troops were falling fast as they tried to push Confederate forces out of Maryland. With only a few soldiers left standing, John knew he had to do something. Follow John as he joins in, fighting against all odds to defend his unit during the bloodiest day of the Civil War.

The Spanish Civil War (1936-1939) pitted conservative forces including the army, the Church, the Falange (fascist party), landowners, and industrial capitalists against the Republic, installed in 1931 and supported by intellectuals, the petite bourgeoisie, many campesinos (farm laborers), and the urban proletariat. Provoking heated passions on both sides, the Civil War soon became an international phenomenon that inspired a number of literary works reflecting the impact of the war on foreign and national writers. While the literature of the period has been the subject of scholarship, women's literary production has not been studied as a body of work in the same way that literature by men has been, and its unique features have not been examined. Addressing this lacuna in literary studies, this volume provides fresh perspectives on well-known women writers, as well as less studied ones, whose works take the Spanish Civil War as a theme. The authors represented in this collection reflect a wide range of political positions. Writers such as Maria Zambrano, Mercè Rodoreda, and Josefina Aldecoa were clearly aligned with the Republic, whereas others, including Mercedes Salisachs and Liberata Masoliver, sympathized with the Nationalists. Most, however, are situated in a more ambiguous political space, although the ethics and character portraits that emerge in their works might suggest Republican sympathies. Taken together, the essays are an important contribution to scholarship on literature inspired by this pivotal point in Spanish history.

The collection of articles compiled in this volume ponder narratological aspects, elements, and features and examine the extent to which the coinage “post-narratology” is applicable in contemporary literature, cultural studies, translation, etc. The contributors’ rethinking of narratology in relation to ethnicity, culture, history, and religion lead to significant implications as far as adherence to or departure from Western classical narratology is concerned. The notions of plot, storyline, point of view, voice, characters, narrators, and others, paradigmatically structured in the narratological classical model shaped by the Russian Formalists and polished by Tzvetan Todorov, Roland Barthes, and Gérard Genette, are stretched and modified to fit the cultural contexts of written works in various fields.

Explore the human side of the Civil War through archival images and biographical sketches of Confederate and Union sailors. During the American Civil War, more than one hundred thousand men fought on ships at sea or on one of America’s great inland rivers. There were no large-scale fleet engagements, yet the navies, particularly the Union Navy, did much to define the character of the war and affect its length. The first hostile shots roared from rebel artillery at Charleston Harbor. Along the Mississippi River and other inland waterways across the South, Union gunboats were often the first to arrive in deadly enemy territory. In the Gulf of Mexico and along the Atlantic seaboard, blockaders in blue floated within earshot of gray garrisons that guarded vital ports. And on the open seas, rebel raiders wreaked havoc on civilian shipping. In Faces of the Civil War Navies, Civil War photograph collector Ronald S. Coddington focuses his skills on the Union and Confederate navies. Using identifiable cartes de visite of common sailors on both sides of the war, many of them never before published, Coddington uncovers the personal histories of each individual. These unique narratives are drawn from military and pension records, letters, diaries, period newspapers, and other primary sources. In addition to presenting the personal stories of seventy-seven intrepid volunteers, Coddington also focuses on the momentous naval events that ushered in an era of ironclad ships and other technical innovations. Taken collectively, these “snapshots” show that the history of war is not merely a chronicle of campaigns won and lost, it is the collective personal odysseys of thousands of individual men.

Apples and Ashes offers the first literary history of the Civil War South. The product of extensive archival research, it tells an expansive story about a nation struggling to write itself into existence. Confederate literature was in intimate conversation with other contemporary literary cultures, especially those of the United States and Britain. Thus, Coleman Hutchison argues, it has profound implications for our understanding of American literary nationalism and the relationship between literature and nationalism more broadly. Apples and Ashes is organized by genre, with each chapter using a single text or a small set of texts to limn a broader aspect of Confederate literary culture. Hutchison discusses an understudied and diverse archive of literary texts including the literary criticism of Edgar Allan Poe; southern responses to Uncle Tom's Cabin; the novels of Augusta Jane Evans; Confederate popular poetry; the de facto Confederate national anthem, “Dixie”; and several postwar southern memoirs. In addition to emphasizing the centrality of slavery to the Confederate literary imagination, the book also considers a series of novel topics: the reprinting of European novels in the Confederate South, including Charles Dickens's Great Expectations and Victor Hugo's Les Misérables; Confederate propaganda in Europe; and postwar Confederate emigration to Latin America. In discussing literary criticism, fiction, poetry, popular song, and memoir, Apples and Ashes reminds us of Confederate literature's once-great expectations. Before their defeat and abjection—before apples turned to ashes in their mouths—many Confederates thought they were in the process of creating a nation and a national literature that would endure.

“A superb guide to 400 statues, columns, reliefs, and other components of the state’s commemorative landscape.” —Gary W. Gallagher, author of The Union War Throughout Tennessee, Civil War monuments stand tall across the landscape, from Chattanooga to Memphis, and recall important events and figures within the Volunteer State’s military history. In Tennessee Civil War Monuments, Timothy S. Sedore reveals the state’s history-laden landscape through the lens of its many lasting monuments. War monuments have been cropping up since the beginning of the commemoration movement in 1863, and Tennessee is now home to four hundred memorials. Not only does Sedore provide commentary for every monument—its history and aesthetic panache—he also explores the relationships that Tennessee natives have with these historic landmarks. A detailed exploration of the monuments that enrich this Civil War landscape, Sedore’s Tennessee Civil War Monuments is a guide to Tennessee’s spirit and heritage.