*****A betrayal, a quest and a sacrifice they weren’t ready to make…****** Atlas and Kane have faced evil before, but nothing like this. This new evil is someone they know; someone they love. How far will they go to stop this malevolent force? If saving the world means ending the life of one of their own, can they do it? And with all the blood and drama, is there any hope at all for the team to find happiness? Atlas has tried to keep the team together but the time has come, and everyone, including Atlas, will have to choose a side. After this quest, the team will never be the same…

Since the death of his claimed mate, the only thing that's kept Luc St. Just's heart beating is his quest for vengeance. His contempt for rogue vampires runs deep. So when a mysterious woman is brutally attacked, Luc's protective instincts--and his will to live--are suddenly reawakened.... As a werewolf who can't shape-shift, Dani Makar wants only to lead a "normal" life. But when the magnetically seductive Luc risks his life to save hers, Dani is torn between everything she believes...and an unstoppable, soul-deep desire. Fiercely drawn to each other, these two sworn enemies fall into a passionate alliance. But evil's wrath cannot be underestimated, nor its ability to destroy....

"Change your "spiritual emergency" into a spiritual awakening. Emma Bragdon explains the causes, dynamics, and potential benefits of life's transformative events."--Back cover

In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.

Tracing Bommi’s Shadow is a gripping tale of love, loss, and the relentless pursuit of truth. Set against the backdrop of a small, tight-knit community, the story follows Bommi, a woman shrouded in mystery, whose sudden disappearance leaves more questions than answers. As those close to her begin to unravel the secrets she left behind, they must confront their own buried truths and pasts. Told through multiple perspectives, Tracing Bommi’s Shadow explores the complex dynamics of human relationships, the consequences of deception, and the lengths one will go to uncover the truth. Rich with suspense and emotional depth, this novel is perfect for readers who love heart-pounding mysteries, well-developed characters, and thought-provoking themes. With unexpected twists and a narrative that pulls you in from the first page, Tracing Bommi’s Shadow will leave you questioning everything you thought you knew—until the final, stunning revelation.

When Shadow received a message that Shylar needed his aid, the master thief and his three companions, Allerum - now an elf swordsman but once a twentieth century American soldier - and the two Dragonmages, Silme and Astryd, immediately set out for Shadow's hometown of Cullinsberg. For Shylar, town madam and high in the thieves' underground, was all the family Shadow had. But Cullinsberg was an armed trap waiting to close on the four adventurers. For they had slain the Chaos Dragon, and in so doing unleashed a force of pure Chaos, a force which then bonded with the single greatest surviving Dragonmage. Driven by Chaos-induced madness, this master of powers far beyond those of Silme and Astryd would now use anyone and any means to take his deadly revenge on those four warriors of Law.

In a volume containing 14 original plays – including three shadow-play adaptions of Gogol, Morton and Runyon classics – the author resurrects a sadly neglected theatre genre – the shadow play combining traditional shadow techniques with normal acting to create ‘full-bodied’ mainstream plays.

Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy. In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, “tradition” in Bali must be understood as a system of power that is inextricably linked to gender hierarchy. She examines the very idea of “tradition” and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.

Shadows at Noon is an ambitious synthesis of decades of research and scholarship which explores the key strands of South Asian history in the twentieth century with clarity and authority. Unlike other narrative histories of the subcontinent that concentrate exclusively on politics, here food, leisure and the household are given equal importance to discussions of nationhood, the development of the state and patterns of migration. While it tells the subcontinent's story from the British Raj to independence and partition and on to the forging of the modern nations of India, Pakistan and Bangladesh, the book's structure is thematic rather than chronological. Each of the chapters illuminates on overarching theme or sphere that has shaped South Asia over the course of the century. This format allows the reader to explore particular issues such as the changing character of nationalism or food consumption over time and in depth. Shadows at Noon is a bold, innovative and personal work that pushes back against standard narratives of 'inherent' differences between India, Pakistan and Bangladesh. Its purpose is to make contemporary South Asia intelligible to readers who are fascinated by the subcontinent's cultural vibrancy and diversity but are often perplexed by its social and political makeup. And it illuminates the many aspects that its people have in common rather than what divides them.