In a volume containing 14 original plays – including three shadow-play adaptions of Gogol, Morton and Runyon classics – the author resurrects a sadly neglected theatre genre – the shadow play combining traditional shadow techniques with normal acting to create ‘full-bodied’ mainstream plays.

" ... selected not only African oral and written stories but also tales from around the world ..."--Pref., p. 11.

Two years have passed since Roan fled the destruction of his village. He has survived the polluted wilds of the Devastation, escaped the lethal mind traps of the Dreamfield, and infiltrated the heart of the sinister City. Through it all, Roan has struggled to hold fast to Longlight’s legacy of peace. But now, an unimaginable evil looms and violence seems unavoidable. Darius, the Keeper of the City, is enraged by the escape of Roan’s sister Stowe. Despite the loss of his sacrificial prodigy, Darius’s malevolent reign continues to push the entire realm to the brink of destruction. As Roan and his trusted friend Lumpy struggle to unite disparate peoples in a war against the City, it becomes clear that any chance of victory must include Stowe. But is her battered psyche damaged beyond all hope? THE KEEPER'S SHADOW completes the engrossing saga of The Longlight Legacy, a powerful chronicle of how untold destruction can result from accommodating evil and the violence it spawns.

"SADDLE UP! Andes takes us on an exhilarating, dust-kicking ride through the actual origins and history of the first hemispheric Latinx superhero: Zorro." —Frederick Luis Aldama, editor of Tales from la Vida: A Latinx Zorro's Shadow explores the masked character's Latinx origins and his impact on pop culture—the inspiration for the most iconic superheroes we know today. Long before Superman or Batman made their first appearances, there was Zorro. Born on the pages of the pulps in 1919, Zorro fenced his way through the American popular imagination, carving his signature letter Z into the flesh of evildoers in Old Spanish California. Zorro is the original caped crusader, the first masked avenger, and the character who laid the blueprint for the modern American superhero. Historian and Latin American studies expert Stephen J. C. Andes unmasks the legends behind Zorro, showing that the origins of America's first superhero lie in Latinx history and experience. Revealing the length of Zorro's shadow over the superhero genre is a reclamation of the legend of Zorro for a multiethnic and multicultural America.

Shadow lives in the forest... It goes forth at night to prowl around the fires. It even likes to mingle with the dancers... Shadow... It waves with the grasses, curls up at the foot of trees... But in the African experience Shadow is much more. The village storytellers and shamans of an Africa that is passing into memory called forth for the poet Blaise Cendrars an eerie image, shifting between the beliefs of the present and the spirits of the past. Shadow... It does not cry out, it has no voice... It can cast a spell over you... It follows man everywhere, even to war... Marcia Brown's stunning illustrations in collage, inspired by her travels in Africa, evoke the atmosphere and drama of a life now haunted, now enchanted by Shadow.

Traditional Storytelling Today explores the diversity of contemporary storytelling traditions and provides a forum for in-depth discussion of interesting facets of comtemporary storytelling. Never before has such a wealth of information about storytelling traditions been gathered together. Storytelling is alive and well throughout the world as the approximately 100 articles by more than 90 authors make clear. Most of the essays average 2,000 words and discuss a typical storytelling event, give a brief sample text, and provide theory from the folklorist. A comprehensive index is provided. Bibliographies afford the reader easy access to additional resources.

This book is about the intersection of storytelling and science. Recognizing that humans are hard-wired for narrative, this collection of new essays integrates the two in a special way to teach science in the K-6 classroom. As science education changes its focus to concepts that bridge various disciplines, along with science and engineering practices, storytelling offers opportunities to enhance the science classroom. Lesson plans are provided, each presenting a story, its alignment with science (Next Generation Science Standards), language arts (Common Core State Standards) and theater arts standards (National Core Arts Standards). Instructional plans include a rationale, preparation, activities and assessment.

In a volume containing 14 original plays – including three shadow-play adaptions of Gogol, Morton and Runyon classics – the author resurrects a sadly neglected theatre genre – the shadow play combining traditional shadow techniques with normal acting to create ‘full-bodied’ mainstream plays. These plays do not use shadow puppetry-type techniques that need people contorting themselves, however wonderfully, to form shapes, but rather normal acting prowess together and usual props of mainstream theatre with the new back-lighting technologies. The result is plays which are realistic and yet overlain with the imaginative fantasies that figure theatre can bring… in a fallow area lying between mime and conventional stage plays… a rediscovered form of a modern staging that crosses between live and shadow effect, whether in workshopping for all ages and group-size or for professional productions. Shadow plays comprise the theatre landscape for live actors re-skilled to jump from behind-the-screen one-dimensional acting to front-of-the-screen three-dimensional acting at any moment of the play. They allow a new and exciting way of presenting the combination of the real and the surreal in ways that offer broadened audience and student experiences, under the master-of-storytelling of a shadow teller together with the master-of-pacing of a mobile light spotter.

It is 1876 America. Ulysses S. Grant is completing his second term as president, the Civil War has been over for eleven years, and Sitting Bull’s Lakota have just defeated Custer’s seventh calvary. But now as rumors begin circulating about a mystical being that is stalking the moonlit skeletons on the battlefield, the US Army begins developing a plan to investigate. A year later, the army dispatches an expedition to return to the Little Bighorn to retrieve the remains of the officers and unearth the alleged mystery behind the rumors. Accompanying the soldiers is a thirty-one-year-old undercover private investigator tasked with interviewing any and all witnesses to Custer’s movements and the subsequent battle along the banks of the Little Bighorn. As DelCol searches for men to interview who he hopes will answer all his questions, he is led down a fascinating path into the history of one of the most famous battles of all time—and eventually to a destiny he never could have imagined. The Storytellers is the tale of a private investigator’s odyssey as he rides along with the US Army in 1877 to investigate the mysteries surrounding the battle of the Little Bighorn.

Every night, Shahrazad begins a story. And every morning, the Sultan lets her live another day -- providing the story is interesting enough to capture his attention. After almost one thousand nights, Shahrazad is running out of tales. And that is how Marjan's story begins.... It falls to Marjan to help Shahrazad find new stories -- ones the Sultan has never heard before. To do that, the girl is forced to undertake a dangerous and forbidden mission: sneak from the harem and travel the city, pulling tales from strangers and bringing them back to Shahrazad. But as she searches the city, a wonderful thing happens. From a quiet spinner of tales, Marjan suddenly becomes the center of a more surprising story than she ever could have imagined.