Classic horror films such as Dracula, Frankenstein and The Picture of Dorian Gray are based on famous novels. Less well known--even to avid horror fans--are the many other memorable films based on literary works. Beginning in the silent era and continuing to the present, numerous horror films found their inspiration in novels, novellas, short stories and poems, though many of these written works are long forgotten. This book examines 43 works of literature--from the famous to the obscure--that provided the basis for 62 horror films. Both the written works and the films are analyzed critically, with an emphasis on the symbiosis between the two. Background on the authors and their writings is provided.

This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.

The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.

Classic horror films such as Dracula, Frankenstein and The Picture of Dorian Gray are based on famous novels. Less well known--even to avid horror fans--are the many other memorable films based on literary works. Beginning in the silent era and continuing to the present, numerous horror films found their inspiration in novels, novellas, short stories and poems, though many of these written works are long forgotten. This book examines 43 works of literature--from the famous to the obscure--that provided the basis for 62 horror films. Both the written works and the films are analyzed critically, with an emphasis on the symbiosis between the two. Background on the authors and their writings is provided.

Examination Thesis from the year 2005 in the subject American Studies - Literature, grade: 1,0, Catholic University Eichstätt-Ingolstadt, language: English, abstract: As the title suggests, this paper aims at pointing out the major characteristics of the literature of the fantastic and combining this theoretical approach with a study of the work of one of the most significant representatives of said genre, the American writer Howard Phillips Lovecraft (1890-1937). Consequently, the first major part of this paper is dedicated to a brief study of the genre of fantastic literature in general, particularly the very problematic task of defining its distinctive characteristics. By looking at the fantastic tradition in America (particularly that of New England), including the prevalent features and themes marking the American variety of the fantastic, and highlighting the contribution some eminent American authors have made to the genre, the second part then focuses on the fantastic in American literature. Finally, the third major section of this paper provides a detailed study of the life and work of one of the chief American writers of fantastic prose fiction, H. P. Lovecraft. After an account of Lovecraft’s life and personality (including some of the countless misconceptions circulating since his death), a critical evaluation of his literary achievement and influences, and a short discussion of his impact on modern popular culture, a large part of this section is dedicated to a thorough analysis of his unique concept of fantastic fiction: while certain aspects of his work inevitably link him to his literary precursors, there are others clearly setting him apart from any writer of the fantastic that came before him. The paper is concluded by brief case studies of three of Lovecraft’s most popular short stories.

Explains what dreaming is, describes the different kinds of dreams one can have, and provides insight into how to interpret them.

Since 1908, no fewer than 80 films from 13 countries have been based on or inspired by Poe's writings. This critical filmography examines them all, providing cast, credits and technical data; a plot synopsis; background information about the film's quality and its filmmakers; appraisals of each film's quality and its faithfulness as an adaptation; and summaries of previous criticism.