Before Barbara Cartland, there was Emily Bronte. Before Fabio, there was Heathcliff. If you want to see how men and women have looked at love, and each other, over the centuries, just open this endlessly readable encyclopedia: your A-to-Z guide to the literature of love. From Romeo and Juliet to Rebecca, entries treat scores of the most memorable novels and plays. Coverage is fair and square: men and women get equal time; elite and popular fiction are treated with respect; and minority voices are clearly heard. More than 340 A-to-Z entries are thoroughly illustrated, cross-referenced, and indexed.

As the first encyclopedia solely devoted to the popular romance fiction genre, this resource provides a wealth of information on all aspects of the subject. Romance fiction accounts for a large share of book sales each year, and contrary to popular belief, not all of its readers are women: roughly 16 percent are men. This enormously popular genre continues to captivate people reading for pleasure, and it also commands a growing amount of academic interest. Included are alphabetically arranged reference entries on significant authors along with works, themes, and other topics. The articles are written by scholars, librarians, and industry professionals with a deep knowledge of the genre and so provide a thorough understanding of the subject. An index provides easy access to information within the entries, and bibliographies at the end of each entry, a general bibliography, and a suggested romance reading list allow for further study of the genre.

Romance Writing explores the changing nature of both the romance genre and the discourse of romantic love from the seventeenth century to the present day. Indeed, it is one of the first studies to approach romantic love as both genre and discourse in more than sixty years. Faced with the challenge of writing a cultural history for what is commonly understood to be one of lifes most universal, a-historical and cross-cultural phenomena, Lynne Pearce has invoked the concept of the gift to calculate loves added value at different cultural/historical moments. Building upon those philosophical traditions which have argued for the powerfully transformative nature of romantic love, Pearce shows how in the history of literature lovers have utilized its spark to change not only themselves, but also their worlds, through acts of creativity and heroism. The gift of love ranges from the simple gift of a name in the seventeenth century, through notions of immortality, self-sacrifice and selfhood in the nineteenth and twentieth centuries, through to the liberating temporal and spatial dislocations of the postmodern age. The opening chapter, The Alchemy of Love, also undertakes an in-depth engagement of the changing nature, and meaning, of romantic love. Providing a judicious blend of close reading and cultural history, Romance Writing will be essential reading for undergraduate students as well as postgraduates and scholars working in the field, while also offering much of interest to the general reader.

This major collection explores the contested nature of love and eroticism, examining the ways in which erotic bodily pleasures have become central to contemporary consumer culture. It investigates the spatial dimension of erotic life through considerations of Bohemian love, the gay city and the ways in which the urban landscape and everyday life have become sexualized - issues which have become central to the emergence of `queer′ as a new form of gender politics and more general questions of sexual citizenship. Drawing on the work of feminists, sociologists and cultural theorists, this book contains a wide-ranging and accessible set of contributions to contemporary debates on sexuality, love and eroticism. Love & Eroticism is simultaneously published as volume 15, issue 3-4 of Theory, Culture & Society.

Get the lowdown on the best fiction ever written. Over 230 of the world's greatest novels are covered, from Quixote (1614) to Orhan Pamuk's Snow (2002), with fascinating information about their plots and their authors - and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you'll ever need.

For six decades, writer and editor Robert A. Parker has followed up each book he reads, mainly novels, with an evaluation of that book. His comments are informed by his Jesuit upbringing but also by an independent critical view that balances a moral and literary sensibility. In this sixth of six volumes, the authors covered range from Ignazio Silone to Emile Zola. They include Solzhenitsyn, Spark, Stegner, Styron, Tanizaki, Tolstoy, Turow, Unsworth, Updike, Vargas Llosa, Warren, Waugh, and Wilder. The commentaries are listed alphabetically by author, and the books by the date of publication. At least 115 authors are included in this volume, some represented by one book, some by five or more. The writers here represent a broad range of writing styles, cultural influences, and moral philosophies. And all are rated on their literary achievement, on plot, character, and setting, plus the moral, ethical, and spiritual values of mankind. Here, the meaning of literature is measured against the meaning of life.

Analysing well-known Hebrew medieval poets from a new, refreshing standpoint and focusing on less known authors and periods, this book shows the maturity of the research in this field. Written in English (and French) the articles make the Hebrew texts more easily available to scholars of comparative literature.

Reproduction of the original: Handbook of Universal Literature from the Best and Latest Authorities by Anne C. Lynch Botta