Early Skepticism and its founder, Pyrrho of Elis, were introduced to the world by the poet and philosopher Timon of Phlius. This is the first book-length study of Timons work in English, and includes a new reconstruction of his most influential poem Silloi . All of the extant fragments are translated and discussed as literature rather than as source material for the history of philosophy. The book concludes with a definition of "skeptical aesthetics" that demonstrates the importance of Timon and early Skepticism to the most influential Hellenistic poets: Callimachus, Theocritus and.

Lists the scholarly publications including research and review journals, books, and monographs relating to classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greece. The 11 indexes include article title and author, books reviewed, theses and dissertations, books and authors, journals, names, locations, and subjects. The format continues that of the second volume. All the information has been programmed onto the disc in a high-level language, so that no other software is needed to read it, and in versions for DOS and Apple on each disc. Annotation copyrighted by Book News, Inc., Portland, OR

Xenophon's History recounts nearly fifty turbulent years of warfare in Greece between 411 and 362 BC. Continuing the story of the Peloponnesian War at the point where Thucydides finished his magisterial history, this is a fascinating chronicle of the conflicts that ultimately led to the decline of Greece, and the wars with both Thebes and the might of Persia. An Athenian by birth, Xenophon became a firm supporter of the Spartan cause, and fought against the Athenians in the battle of Coronea. Combining history and memoir, this is a brilliant account of the triumphs and failures of city-states, and a portrait of Greece at a time of crisis.

Glossaries are one of the most important sources for our knowledge of early medieval schools, for they provide an accurate records of what texts were studied and how they were understood. But they are also very difficult to access: countless glossaries lie unpublished in manuscript, the relations between them are unknown, and their origins are obscure. The most important contribution to solving these problems was made by Wallace Martin Lindsay (1858-1937), one of the greatest classical scholars ever produced in the British Isles, who in a pioneering series of articles identified the principal glossaries and clarified their relationships; he subsequently oversaw their publication in Glossaria Latina. So comprehensive was Lindsay's work that the subject virtually stood still for half a century; but recent advances in paleography and Insular Latin studies have drawn scholarly attention to glossaries once again. Any future work on glossaries must be based on Lindsay's pioneering articles; to facilitate such work, these articles have been provided with comprehensive indices of the Latin lemmata and sources of the glossaries, together with an account of recent work on medieval glossaries.

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies. Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.

The pervasive and unrestrained use of obscenity has long been acknowledged as a major feature of fifth-century Attic Comedy; no other Western art form relies so heavily on the sexual and scatological dimensions of language. This acclaimed book, now in a new edition, offers both a comprehensive discussion of the dynamics of Greek obscenity and a detailed commentary on the terminology itself. After contrasting the peculiar characteristics of the Greek notion of obscenity to modern-day ideas, Henderson discusses obscenity's role in the development of Attic Comedy, its historical origins, varieties, and dramatic function. His analysis of obscene terminology sheds new light on Greek culture, and his discussion of Greek homosexuality offers a refreshing corrective to the idealized Platonic view. He also looks in detail at the part obscenity plays in each of Aristophanes' eleven surviving plays. The latter part of the book identifies all the obscene terminology found in the extant examples of Attic Comedy, both complete plays and fragments. Although these terminological entries are arranged in numbered paragraphs resembling a glossary, they can also be read as independent essays on the various aspects of comic obscenity. Terms are explained as they occur in each individual context and in relation to typologically similar terminology. With newly corrected and updated philological material, this second edition of Maculate Muse will serve as an invaluable reference work for the study of Greek drama.

The cause of great power war is a perennial issue for the student of politics. Some 2,400 years ago, in his monumental History of the Peloponnesian War, Thucydides wrote that it was the growth of Athenian power and the fear that this power inspired in Sparta which rendered the Peloponnesian War somehow necessary, inevitable, or compulsory. In this new political psychological study of Thucydides' first book, S.N. Jaffe shows how the History's account of the outbreak of the war ultimately points toward the opposing characters of the Athenian and Spartan regimes, disclosing a Thucydidean preoccupation with the interplay between nature and convention. Jaffe explores how the character of the contest between Athens and Sparta, or how the outbreak of a particular war, can reveal Thucydides' account of the recurring human causes of war and peace. The political thought of Thucydides proves bound up with his distinctive understanding of the interrelationship of particular events and more universal themes.