The present work is an analytical account of classical Sanskrit literature in its historical perspective. It is divided into six books, containing several chapters, each dealing with a particular branch of Sanskrit learning. The work is full of references; the footnotes refer to a variety of sources, legendary, inscriptional, numismatic, architectural and literary. The writer has exploited all the relevant material of the journals, catalogues, annals, reports and other documents in discussing the vexed problems of the date, place, genealogy of the authors and the literary tendencies of their compositions. His methodology of literary criticism is rationalistic and bears the stamp of the modern scientific age. The elaborate index, the critical introduction, the exhaustive bibliography, the list of abbreviations, the table of transliteration and a supplement are the most useful additions to this interesting and instructive work of literary history.

This book contains an elaborate account of all branches of Classical Sanskrit Literature on the basis of literary, epigraphical and numismatical sources. In 23 chapters, each chapter dealing with a particular topic arranged chronologically. The book is documented with a critical apparatus. Beside notes and references it has an illuminating Introduction and index of authors and works.

"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ...entirely devoted to the study of MAN - the Indian - in all spheres ... " -- introduction to facsimile volumes, published 1985.

Suffering is similar to a terrible toothache. While it's present and intense, it becomes an obvious priority: nothing is more important, nothing is more urgent. However, once it is overcome and the period of relief having passed, the suffering ends up being forgotten and with that forgetting, it ceases to matter. The next goal, eradicating Ignorance now appears as a desirable goal, because there is no better motivation than the desire to learn. Learning to know, The Noble Eightfold Path, stops making sense. He is the boat that has taken us to the other shore and is no longer useful. Now is the time to see things as they really are and that is achieved by exploring the new lands. This is the time to take on challenges.

Ever wondered why there is a Heart Symbol? The symbolism within the Heart is to be understood through the fundamental formulation of our language. How through our language we can see that it (the Heart Symbol) was created by our hunter gatherer/agrarian Ancestors from their thoughtful understanding of nature. This document explains in detail how it is that the Sun the Earth and attendant Moon were the primary reason for the Heart Symbol and perceived as the incunabula of everthing.

In course of his studies in Sanskrit literature and research relating to various aspects of it, the author of the present work often felt the need of a vade mecum containing brief accounts of authors and works, information about the principal characters of Sanskrit plays, poems and prose works, the meaning of certain technical terms in common use, the common geographical names and the notable myths and legends. A Companion to Sanskrit Literature, the first work of its kind, covers a period of nearly 3500 years from the Vedic age down to the modern times. It seeks to acquaint the reader, within a brief compass, with the contents of outstanding works and authors in Sanskrit literature, followed by up-to-date bibliographies. Brief accounts of the important character in well-known poems, dramas and prose works have also been given. Important geographical names, with their modern identification as far as practicable, have also been laid down. Common technical terms, used in the different branches of Sanskrit literature, have been briefly explained, Prominent figures in myths and legends have been dealt with. In a number of appendices, various kinds of useful information about Sanskrit literature including sciences, sports and pastimes, etc. in ancient and medieval India have been set forth. It is an indispensable vade mecum for the general readers, the specialists and researchers. It is like a capsule taking the reader through the vast firmament of Sanskrit literature up to remote ages. -- Amazon.com.