Written in 1723, when she was in her mid-thirties, but not published until 1752, Clio offers an engaging and illuminating account of an independent woman writer who is remarkably frank about her attitudes to love and marriage. Although the work can be read simply and enjoyably for its own sake, this annotated edition provides a wealth of material that puts this fascinating text in its social and literary context.

Along the hill-side he came, following a path which skirted the sea. His forehead was bare, deeply furrowed and bound by a fillet of red wool. The sea-breeze blew his white locks over his temples and pressed the fleece of a snow-white beard against his chin. His tunic and his feet were the colour of the roads which he had trodden for so many years. A roughly made lyre hung at his side. He was known as the Aged One, and also as the Bard. Yet another name was given him by the children to whom he taught poetry and music, and many called him the Blind One, because his eyes, dim with age, were overhung by swollen lids, reddened by the smoke of the hearths beside which he was wont to sit when he sang. But his was no eternal night, and he was said to see things invisible to other men. For three generations he had been wandering ceaselessly to and fro. And now, having sung all day to a King of Ægea, he was returning to his home, the roof of which he could already see smoking in the distance; for now, after walking all night without a halt for fear of being overtaken by the heat of the day, in the clear light of the dawn he could see the white Kyme, his birthplace. With his dog at his side, leaning on his crooked staff, he walked with slow steps, his body upright, his head held high because of the steepness of the way leading down into the narrow valley and because he was still vigorous in his age. The sun, rising over the mountains of Asia, shed a rosy light over the fleecy clouds and the hill-sides of the islands that studded the sea. The coast-line glistened. But the hills that stretched away eastward, crowned with mastic and terebinth, lay still in the freshness and the shadow of night. The Aged One measured along the incline the length of twelve times twelve lances and found, on the left, between the flanks of twin rocks, the narrow entrance to a sacred wood. There, on the brink of a spring, rose an altar of unhewn stones. It was half hidden by an oleander the branches of which were laden with dazzling blossoms. The well-trodden ground in front of the altar was white with the bones of victims. All around, the boughs of the olive-trees were hung with offerings. And farther on, in the awesome shadow of the gorge, rose two ancient oaks, bearing, nailed to their trunks, the bleached skulls of bulls. Knowing that this altar was consecrated to Phœbus, the Aged One plunged into the wood, and, taking by its handle a little earthenware cup which hung from his belt, he bent over the stream which, flowing over a bed of wild parsley and water-cress, slowly wound its way down to the meadow. He filled his cup with the spring-water, and, because he was pious, before drinking he poured a few drops before the altar. He worshipped the immortal gods, who know neither pain nor death, while on earth generation follows generation of suffering men. He was conscious of fear; and he dreaded the arrows of Leto's sons. Full of sorrows and of years, he loved the light of day and feared death. For this reason an idea occurred to him. He bent the pliable trunk of a sapling, and drawing it towards him hung his earthenware cup from the topmost twig of the young tree, which, springing back, bore the old man's offering up to the open sky.

"It is not sufficiently appreciated, I believe, how profoundly Clio, the muse of history, permeated every aspect of thought during the Romantic era: philosophy, theology, law, natural science, medicine, and all other fields of intellectual endeavor.... Thoughtful students of the period well understand that 'Romanticism' is not merely a literary or aesthetic movement but, rather, a general climate of opinion."—from the IntroductionIn a book certain to be of interest to readers in many disciplines, the distinguished scholar Theodore Ziolkowski shows how a strong impulse toward historical concerns was formalized in the four German academic faculties: philosophy, theology, law, and medicine/biology. In Clio the Romantic Muse, he focuses on representative figures in whose early work the sense of history was first manifested: G. W. F. Hegel, Barthold Georg Niebuhr, Friedrich Karl von Savigny, Friedrich Wilhelm Joseph von Schelling, and Friedrich Schleiermacher. Through biographical treatments of these and other leading German scholars, Ziolkowski traces how the disciplines became historicized in the period 1790–1810. He goes on to suggest how powerfully the Romantic thinkers influenced their disciples in the twentieth century.

As periodical of the International Academy of the History of Medicine, this Clio Medica volume contains 17 papers + reviews & notices.

This book makes accessible the content, key themes and concepts, and pedagogical techniques of U.S. women's history. The essays in this volume provide concise, up-to-date overviews of American women's history from colonial times to the present that include its ethnic, racial, and regional changes.--[book cover].

A Sarong for Clio testifies to an ongoing intellectual dialogue between its ten contributors and Craig J. Reynolds, who inspired these essays. Conceived as a tribute to an innovative scholar, dedicated teacher, and generous colleague, it is this volume's ambition to make a concerted intervention on Thai historiography—and Thai studies more generally—by pursuing in new directions ideas that figure prominently in Reynolds's scholarship. The writings gathered here revolve around two prominent themes in Reynolds's scholarship: the nexus of historiography and power, and Thai political and business cultures—often so intertwined as to be difficult to separate. The chapters examine different types of historical texts, Thai political discourse and political culture, and the media production of consumer culture. Contributors: Chris Baker; Patrick Jory, University of Queensland, Brisbane; Tamara Loos, Cornell University; Yoshinori Nishizaki, National University of Singapore; James Ockey, University of Canterbury; Maurizio Peleggi, National University of Singapore; Pasuk Phongpaichit, Chulalongkorn University, Bangkok; Kasian Tejapir, Thammasat University, Bangkok; Villa Vilaithong, Chulalongkorn University, Bangkok; Thongchai Winichakul, University of Wisconsin–Madison

Clio at the Table provides important historical perspectives on contemporary education policy issues. Based on a conference held in honor of Carl Kaestle, one of the most eminent education historians in the United States, the book includes chapters that address some of the major concerns of U.S. education today, all of which are particular foci of Kaestle's work: urban education, equity, the role of the federal government, and national standards. On each topic, the book presents summaries of new research and explores the uses of history to help further the connections between historical analysis and policy analysis. It will be particularly useful in courses on education history and policy.

Born in Germany, Georg Iggers escaped from Nazism to the United States in his adolescence where he became one of the most distinguished scholars of European intellectual history and the history of historiography. In his lectures, delivered all over the world, and in his numerous books, translated into many languages, Georg Iggers has reshaped historiography and indefatigably promoted cross-cultural dialogue. This volume reflects the profound impact of his oeuvre. Among the contributors are leading intellectual historians but also younger scholars who explore the various cultural contexts of modern historiography, focusing on changes of European and American scholarship as well as non-Western historical writing in relation to developments in the West. Addressing these changes from a transnational perspective, this well-rounded volume offers an excellent introduction to the field, which will be of interest to both established historians and graduate students.