A brave British widow goes to Siam and—by dint of her principled and indomitable character—inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon’s best-selling book Anna and the King of Siam and Rodgers and Hammerstein’s musical The King and I. But who was Leonowens and why did her story take hold? Although it has been known for some time that she was of Anglo-Indian parentage and that her tales about the Siamese court are unreliable, not until now, with the publication of Masked, has there been a deeply researched account of her extraordinary life. Alfred Habegger, an award-winning biographer, draws on the archives of five continents and recent Thai-language scholarship to disclose the complex person behind the mask and the troubling facts behind the myth. He also ponders the curious fit between Leonowens’s compelling fabrications and the New World’s innocent dreams—in particular the dream that democracy can be spread through quick and easy interventions. Exploring the full historic complexity of what it once meant to pass as white, Masked pays close attention to Leonowens’s midlevel origins in British India, her education at a Bombay charity school for Eurasian children, her material and social milieu in Australia and Singapore, the stresses she endured in Bangkok as a working widow, the latent melancholy that often afflicted her, the problematic aspects of her self-invention, and the welcome she found in America, where a circle of elite New England abolitionists who knew nothing about Southeast Asia gave her their uncritical support. Her embellished story would again capture America’s imagination as World War II ended and a newly interventionist United States looked toward Asia. Best Books for General Audiences, selected by the American Association of School Librarians Best Regional Special Interest Boosk, selected by the Public Library Reviewers

Fourteen essays examining the dynamics of trust and mistrust in Jewish history from biblical times to today. What, if anything, does religion have to do with how reliable we perceive one another to be? When and how did religious difference matter in the past when it came to trusting the word of another? In today’s world, we take for granted that being Jewish should not matter when it comes to acting or engaging in the public realm, but this was not always the case. The essays in this volume look at how and when Jews were recognized as reliable and trustworthy in the areas of jurisprudence, medicine, politics, academia, culture, business, and finance. As they explore issues of trust and mistrust, the authors reveal how caricatures of Jews move through religious, political, and legal systems. While the volume is framed as an exploration of Jewish and Christian relations, it grapples with perceptions of Jews and Jewishness from the biblical period to today, from the Middle East to North America, and in Ashkenazi and Sephardi traditions. Taken together these essays reflect on the mechanics of trust, and sometimes mistrust, in everyday interactions involving Jews. “Highly readable and compelling, this volume marks a broadly significant contribution to Jewish studies through the underexplored dynamic of trust.” —Rebekah Klein-Pejšová, author of Mapping Jewish Loyalties in Interwar Slovakia “An exemplary compendium on how to engage with a major concept—trust—while providing load of gripping new information, new theorization of otherwise well-covered material, and meticulous attention to textual and sociological sources.” —Gil Anidjar, author of Blood: A Critique of Christianity

The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.