This coffee-table book is comprised of beautiful feelings and poetry, expressing with every word what it is to truly love and care for someone. This book contains not only love but hopes and dreams of what this world is and can inspire you to be. This book is a visual representation of all the ways individuals can love one another. Love can be a couple celebrating their golden anniversary, to a man and woman who loved each other at first sight, a mother or father to their child, best friends, or strangers sharing a meal. The words are woven together to let you, the reader, know you are important and you matter. Perhaps you will be able to find within these pages words to powerfully express what you have always wanted to say to that special someone in your life.

This coffee-table book is comprised of beautiful feelings and poetry, expressing with every word what is it to truly love and care for someone. This book contains not only love but hopes and dreams of what this world is and can inspire you to be. This book is a visual representation of all the ways individuals can love one another. Love can be a couple celebrating their golden anniversary, to a man and woman who loved each other at first sight, a mother or father to their child, best friends, or strangers sharing a meal. The words are woven together to let you, the reader, know you are important and you matter. Perhaps you will be able to find within these pages words to powerfully express what you have always wanted to say to that special someone in your life.

This coffee-table book is comprised of beautiful feelings and poetry, expressing with every word what is it to truly love and care for someone. This book contains not only love but hopes and dreams of what this world is and can inspire you to be. This book is a visual representation of all the ways individuals can love one another. Love can be a couple celebrating their golden anniversary, to a man and woman who loved each other at first sight, a mother or father to their child, best friends, or strangers sharing a meal. The words are woven together to let you, the reader, know you are important and you matter. Perhaps you will be able to find within these pages words to powerfully express what you have always wanted to say to that special someone in your life.

Nyeusi (meaning "Black" in Swahili), a collection of Spoken Words in Poetry is by a writer who is part of the poetry movement that is spreading worldwide. These spoken words are influenced by modern culture with an understanding of the dynamics of the modern poetry culture intertwined with the teachings from the poets of the Harlem Renaissance. Poems such as Nyeusi, Lott's Crow, Caribbean Girl Collie Girl, Makeda, Mirror Mirror, Where You From, Who Dialed 911, White Girls have Bigger, Gots to Have a Job, Between the Chicken-head's Sheets and Blind Vision address social, economic, multi-racial and the hip hop culture of these times. These Spoken Words in Poetry give the readers a clear understanding of what the writer felt as those true-life circumstances were experienced or witnessed. Her words align with the universe and are not destructive to humanity and nature. These Spoken Words are meant to bring attention to our five senses and give us a paradigm for understanding our surroundings and urban culture.

This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalisation; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.

Urban violence, poverty, and racial injustice are ongoing sources of traumatic stress that affect the physical, emotional and cognitive development and well-being of millions of children each year. Growing attention is therefore directed toward the study of child trauma and incorporation of trauma-sensitive practices within schools. Currently such practices focus on social and emotional learning for all children, with some in-school therapeutic approaches, and outside referrals for serious trauma. There is inadequate attention to racial injustice as an adverse childhood experience (ACE) confronting Black males among other youth of color. Although there are guidelines for trauma-sensitive approaches, few are culturally responsive. And it is now critical that educators consider the traumatic impacts of a dual pandemic (covid-19 and racism) on children and their education. This timely book thus serves to inform and inspire transformative healing and empowerment among traumatized children and youth in pandemic/post-pandemic school and after-school settings. The reader will learn about trauma through actual experiences. Researchers and practitioners present approaches to healing that can be adapted to local situations and settings. The book consists of four parts: Youth Voices on Traumatic Experience; Trauma-focused Research; Culturally Responsive and Trauma Sensitive Practices; and Where do we go from Here? Suggestions for Next Steps. Each part contains a set of themed chapters and closes with a youth- authored poetic expression. The book is especially designed for those working in urban education. However, anyone whose work is related to traumatized children and youth will find the book informative, especially in a post-pandemic educational environment.

"The editor of this anthology addresses this literary omission by identifying seventeen Uruguayans deserving of recognition: Jorge Arbeleche, Nancy Bacelo, Washington Benavides, Mario Benedetti, Amanda Berenguer, Luis Bravo, Selva Casal, Rafael Courtoisie, Marosa Di Giorgio, Enrique Fierro, Alfredo Fressia, Saul Ibargoyen, Circe Maia, Jorge Meretta, Eduardo Milan, Alvaro Miranda, and Salvador Puig. The selection of these poets is based on extensive research and personal taste, but also because they have a recognized, sustained record of published books of poetry, especially during the 1990s; they have been favorably acknowledged for their work by peers and critics--through reviews and interviews in local news media; they have received recognition through national or international literary awards; and, for the most part, they are still active as poets in the new millennium. Furthermore, they comprise a representative cross section of diverse generations, perspectives, themes, and poetics extant in today's poetry in Uruguay." "Each of the poets is represented by a selection of original poems in Spanish to demonstrate the diversity of their expression and English translations to render them meaningful for both English and Spanish reading publics. The extensive bibliographies of primary and secondary sources of each poet is unprecedented; hopefully it will serve as a guide to encourage research on this neglected area of Spanish American literature. There is currently no canon of contemporary Uruguayan poets, but this project is intended to provide a meaningful step toward opening a discussion of such a canon."--BOOK JACKET.

Triple-Edge Sword By: Cornelius Harris Cornelius Harris is back with an even more striking follow-up to The War Within with Triple-Edge Sword, going deeper into Nigel and chronicling the struggles of accepting his identity, forcing him to imagine an even bigger world outside of rural Arkansas. Nigel will wrestle with reinventing himself, testing his loyalty and the boundaries of his moral reasoning and purpose beyond the fractured notions his environment sets for him. He dares to dream, but they become nightmares after Nigel realizes the dangerous and terrifying truth to the horrors he is capable of. Nigel must contend with his personalities, himself and his alters Julian and Dominique. Each begin to vie to be the dominate personality in this thrilling tale of survival and the consequences of a life of deceit, manipulation, addiction, betrayal, abuse, violence, and the abhorrent nature of evil, poverty, mental illness, and misery.

Black Literate Lives offers an innovative approach to understanding the complex and multi-dimensional perspectives of Black literate lives in the United States. Author Maisha Fisher reinterprets historiographies of Black self-determination and self-reliance to powerfully interrupt stereotypes of African-American literacy practices. The book expands the standard definitions of literacy practices to demonstrate the ways in which 'minority' groups keep their cultures and practices alive in the face of oppression, both inside and outside of schools. This important addition to critical literacy studies: -Demonstrates the relationship of an expanded definition of literacy to self-determination and empowerment -Exposes unexpected sources of Black literate traditions of popular culture and memory -Reveals how spoken word poetry, open mic events, and everyday cultural performances are vital to an understanding of Black literacy in the 21st century By centering the voices of students, activists, and community members whose creative labors past and present continue the long tradition of creating cultural forms that restore collective, Black Literate Lives ultimately uncovers memory while illuminating the literate and literary contributions of Black people in America.

Now celebrating its tenth anniversary, The Best American Poetry is the one indispensable volume for readers eager to follow what's new in poetry today. Sales continue to grow and plaudits keep coming in for this "high-voltage testament to the vitality of American poetry" (Booklist). Selected by prizewinning guest editor James Tate, the seventy-five best poems of the year were chosen from more than three dozen magazines and range from the comic to the cosmic, from the contemplative to the sublime. In addition to showcasing our leading bards -- such as John Ashbery, Jorie Graham, Robert Hass, and Mark Strand -- the collection marks an auspicious debut for eye-opening younger poets. With comments from the poets themselves offering insights into their work, The Best American Poetry 1997 delivers the startling and imaginative writing that more and more people have come to expect from this prestigious series.