Two new plays by Nilo Cruz, the first Latino honored with a Pulitzer Prize for Drama.

Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.

“Exquisite, dreamlike… The poetry of Cruz’s writing is what those who love his work cite most often about his style, and Sotto Voce has that… It also contains passages that are realistic, whimsical, sensual and heartbreaking. Cruz may be that rarity, a poet of the stage, but he is first and foremost a dramatist.” —Christine Dolen, Miami Herald The millennium, New York City. Bemadette Kahn, an eighty-year-old German-born writer, spends her days in her apartment, trying to forget the past. Until Saquiel Rafaeli, a young Jewish-Cuban researcher, appears on her doorstep, forcing her to confront those haunted memories. He’s eager to learn about Bemadette’s long-lost lover, Ariel Strauss, who set sail in 1939 aboard the St. Louis, never to be seen again. With layered lyrical language and vibrant intimacy, Sotto Voce is an imaginative exploration of the power of memory, love and human connection. Nilo Cruz is the author of the Pulitzer Prize–winning Anna in the Tropics, as well as Beauty of the Father, Two Sisters and a Piano, Lorca in a Green Dress, Dancing on Her Knees, Night Train to Bolina and other works.

This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourism websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. She describes how, with varying degrees of success, African American tour guides, tour owners, and tourism industry officials have used their own black heritage tours and tourism-focused businesses to challenge exclusionary tourist representations. Taking readers from the Lower Ninth Ward to the White House, Thomas highlights the ways that popular culture and public policy converge to create a mythology of racial harmony that masks a long history of racial inequality and structural inequity.

On August 29, 2005, Hurricane Katrina made landfall near New Orleans leaving death and destruction across the Louisiana, Mississippi, and Alabama Gulf Coast counties. The lethargic and inept emergency response that followed exposed institutional flaws, poor planning, and false assumptions that are built into the emergency response and homeland security plans and programs. Questions linger: What went wrong? Can it happen again? Is our government equipped to plan for, mitigate, respond to, and recover from natural and manmade disasters? Can the public trust government response to be fair? Does race matter? Racial disparities exist in disaster response, cleanup, rebuilding, reconstruction, and recovery. Race plays out in natural disaster survivors' ability to rebuild, replace infrastructure, obtain loans, and locate temporary and permanent housing. Generally, low-income and people of color disaster victims spend more time in temporary housing, shelters, trailers, mobile homes, and hotels - and are more vulnerable to permanent displacement. Some 'temporary' homes have not proved to be that temporary. In exploring the geography of vulnerability, this book asks why some communities get left behind economically, spatially, and physically before and after disasters strike.

With the intolerable deterioration of our moral fabric, bringing us to the point that right is wrong and wrong is right, a dire necessity exists not only to curtail such regress but to set things on the proper course. The heart, which governs morality of human thought and action, is summoned to act as the guide out of this rut and onto the path of righteousness and fair treatment of each other. In the pursuit of truth and justice, the Moral Code, which is comprised of the Last Six Commandments, the "Friend" Rule, the Golden Rule, and the "Spare the Rod Spoil the Child" Rule, is therefore proposed as the "just" Rule of the Land. This then is utilized as the foundation to achieving morally correct conclusions or courses of action to social problems, issues or difficulties that we encounter, especially in these morally trying times. An important application of this concept is in our governance. The good heart has guided us to an amazing conclusion that the ideal form of government is that which is based on the Moral Code, the ideal Rule of the Land, and Participative Democracy, the ideal form of democracy which completely satisfies the requirements, of the people, by the people and for the people; rather than the form of government based on the Legal Code, a flawed and harmful code set, and Representative Democracy, a faulty, dangerous and costly imitation of Participative Democracy. We, the people, are therefore urged, by this revelation, to wake up from this detrimental governmental slumber and empower ourselves by declaring independence of the current system and by instituting the ideal form of government. This land belongs to us and to no one else, and its future rests solely on our participation in this overwhelming but absolutely necessary endeavor. Wake Up! Rise Up! Participate!