Seminar paper from the year 2004 in the subject American Studies - Literature, grade: A (1), San Diego State University, course: Major American Writers, language: English, abstract: F. Scott Fitzgerald’s masterpiece The Great Gatsby was written in a time of social decadence, in which values no longer played an important role among the warshattered population. The “Roaring Twenties” were shaped by the post-war generation and especially by the newly rich and wannabe famous, whose life circled around parties, money and affairs. On the surface, Fitzgerald’s story seems to be about success, money and love - thus about the mentioned newly rich. Although the superficial life of the rich and powerful is a major theme in The Great Gatsby,it mostly explores underlying complexities and depths and therefore reveals the other side of the American Dream to the reader. Corruption, despair and desperate desire come along with idealism, faith and illusions. The protagonist, Jay Gatsby, personifies the American Dream as he is a man with a dubious background who managed to accomplish a luxurious style of living and to achieve everything he wanted to have by his own efforts - except of his great love, that is Daisy.The Great Gatsbyis built upon the desperate desires of the protagonist and reveals a glance behind the glittering facade. Fitzgerald manages to draw the reader’s attention to significant details and symbols in the text in order to make one think about the so-called ‘truths’ in the story. Therefore, symbolism plays a major role in The Great Gatsby. Symbolism is the most powerful device of allowing the reader to gain insight into a character’s personality and of revealing hidden ideas, values and profundity. The most significant symbolism applied in the text is color symbolism. In this paper, I will concentrate on analyzing Fitzgerald’s use of colors as symbols and thus try to expose the meaning of color symbolism on the basis of the most meaningful examples. The most prominent colors that can be found throughout the novel are green, white, gray, blue and yellow so I will analyze their symbolic meaning in the following.

Seminar paper from the year 2005 in the subject American Studies - Literature, University of Erfurt, course: Modernism, language: English, abstract: Introduction Artists use colors to show hidden intentions and traffic lights provoke a certain way of acting through their color. Colors symbolize various things in everyday live. One usually has an instinctive connection from colors to certain feelings or uses. In his novel “The Great Gatsby”, F. Scott Fitzgerald is an artist. He uses colors to communicate to the reader feelings and attitudes of the protagonists. With my term paper on Fitzgerald’s color symbolism in “The Great Gatsby” I want to show the different uses of colors and the way color influences a scene subliminal.

Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.

Presents critical essays on F. Scott Fitzgerald's "The Great Gatsby" and includes a chronology, a bibliography, and an introduction by critic Harold Bloom.

Critical essays on American literature.

A Cultural History of Color in the Modern Age covers the period 1920 to the present, a time of extraordinary developments in colour science, philosophy, art, design and technologies. The expansion of products produced with synthetic dyes was accelerated by mass consumerism as artists, designers, architects, writers, theater and filmmakers made us a 'color conscious' society. This influenced what we wore, how we chose to furnish and decorate our homes, and how we responded to the vibrancy and chromatic eclecticism of contemporary visual cultures.The volume brings together research on how philosophers, scientists, linguists and artists debated color's polyvalence, its meaning to different cultures, and how it could be measured, manufactured, manipulated and enjoyed. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Anders Steinvall is Senior Lecturer in English Linguistics at Umeå University, Sweden. Sarah Street is Professor of Film at the University of Bristol, UK. Volume 6 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

A Study Guide for F.Scott Fitzgerald's "The Great Gatsby," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

This bibliography extends the work of Stanley's first volume, The Foreign Critical Reputation of F. Scott Fitzgerald: An Analysis and Annotated Bibliography, to the final two decades of the 20th century. It includes literature from the former countries of the USSR, Romania, India, and Canada, as well as countries that were covered in the first volume, such as Britain, France, Italy, Germany, and Japan. One of the major findings that emerges is that Fitzgerald's poetic prose is extremely difficult to translate, but new translations continue to appear. The introduction to this volume provides a synthesis of Fitzgerald scholarship abroad at the turn of the 21st century and points to new directions already suggested that may represent challenges to current scholarship. An extended analysis introduces each chapter. Each chapter also includes a chronological list of translations and editions of Fitzgerald's work from his earliest appearances in print to those appearing in 2000. The most substantial section of each chapter features fairly detailed annotations of monographs, collections, book chapters, essays, conference papers, articles, reviews, and school editions. This compilation will intrigue anyone interested the work of F. Scott Fitzgerald.

Seminar paper from the year 2004 in the subject American Studies - Literature, grade: A, San Diego State University, course: Major American Writers, language: English, abstract: F. Scott Fitzgerald’s masterpiece The Great Gatsby was written in a time of social decadence, in which values no longer played an important role among the newly rich and wannabe famous, whose life was about parties, money and affairs. On the surface, Fitzgerald’s story also seems to deal with success, wealth and love. Although the superficial life of the rich and powerful is a major theme inThe Great Gatsby,however, it mostly explores underlying complexities and personalities and in this way reveals the negative side of the American Dream to the reader. Corruption, despair and desperate desire come along with idealism, faith and illusions. The protagonist, Jay Gatsby, personifies the American Dream as he is a man with a dubious background who managed to accomplish a luxurious style of living and to achieve everything he wanted to have by his own efforts - except of his great love, that is Daisy.The Great Gatsby is built upon the desperate desires of the protagonist and reveals a glance behind the glittering facade of the rich. Fitzgerald manages to draw the reader’s attention to significant details and symbols in the text in order to make one think about socalled ‘truths’ and about the sham reality of a society that tries to keep up appearances. Consequently, symbols are an essential device of adding profundity to the text and of allowing the reader to gain insight into a character’s personality. The most significant symbolism applied in The Great Gatsby is color symbolism, green, white, gray, blue and yellow being the most prominent colors throughout the novel. In this paper, I will concentrate on analyzing Fitzgerald’s symbolic use of the color green based on the most significant examples and thus try to expose the meaning of its appliance in regard to society and the protagonists in the novel.

Explores many of the important social, historical and cultural contexts surrounding the life and works of F. Scott Fitzgerald.