128 rare, vintage photographs: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.

"This entrancing book looks at [the clash of class and caste within the black community] . . . . An important reexamination of African American history." —Choice The 1893 World's Columbian Exposition in Chicago showed the world that America had come of age. Dreaming that they could participate fully as citizens, African Americans flocked to the fair by the thousands. "All the World Is Here!" examines why they came and the ways in which they took part in the Exposition. Their expectations varied. Well-educated, highly assimilated African Americans sought not just representation but also membership at the highest level of decision making and planning. They wanted to participate fully in all intellectual and cultural events. Instead, they were given only token roles and used as window dressing. Their stories of pathos and joy, disappointment and hope, are part of the lost history of "White City." Frederick Douglass, who embodied the dream that inclusion within the American mainstream was possible, would never forget America's World's Fair snub.

Stemming from the tradition of rallying troops and frightening enemies, mounted bands played a unique and distinctive role in American military history. Their fascinating story within the U.S. Army unfolds in this latest book from noted music historian and former army musician Bruce P. Gleason. Sound the Trumpet, Beat the Drums follows American horse-mounted bands from the nation's military infancy through its emergence as a world power during World War II and the corresponding shift from horse-powered to mechanized cavalry. Gleason traces these bands to their origins, including the horn-blowing Celtic and Roman cavalries of antiquity and the mounted Middle Eastern musicians whom European Crusaders encountered in the Holy Land. He describes the performance, musical selections, composition, and duties of American mounted bands that have served regular, militia, volunteer, and National Guard regiments in military and civil parades and concerts, in ceremonies, and on the battlefield. Over time the composition of the bands has changed—beginning with trumpets and drums and expanding to full-fledged concert bands on horseback. Woven throughout the book are often-surprising strands of American military history from the War of 1812 through the Civil War, action on the western frontier, and the two world wars. Touching on anthropology, musicology, and the history of the United States and its military, Sound the Trumpet, Beat the Drums is an unparalleled account of mounted military bands and their cultural significance.

Consists of "accessions" and "books in foreign languages".

This stunning, fully illustrated history of the Georgia Capitol not only pays tribute to a grand old edifice but also vividly recounts the history that was made—and that continues to be made—within and without its walls. The Georgia Capitol is a place where, for more than a century, legislators have debated, governors have proclaimed, and courts have ruled. It is also a place where countless ordinary citizens have gathered in lively tour groups, angry protest mobs, and at times solemn funeral processions. As Timothy J. Crimmins and Anne H. Farrisee move through the major periods in the Capitol's history, they tell three interwoven stories. One is a tale of the building itself, its predecessors, its design and construction, its occasionally ill-considered renovations, and the magnificent, decade-long restoration begun in 1996. Also revealed is how the gradual accumulation of statues, flags, portraits, and civic rituals and pageants has added new layers of meaning to an already symbolic structure. The third story the authors tell is of the legislative and judicial battles that sought to limit or extend democratic freedoms. Some of these events were high drama: fisticuffs during a prohibition debate, Eugene Talmadge's strong-arm eviction of the state treasurer from the statehouse, the Three Governors Controversy, and an African American protest in the segregated cafeteria. From the laying of the cornerstone in 1885 to the present, successive generations of Georgians have created a distinctive history in and around the Capitol as they have exercised, or sought to gain, their rights. Today the Georgia Capitol remains a working center of state government, and its history continues to unfold.

The history that was made and continues to be made within and without the walls of the Georgia Capitol is captured in this stunning, fully illustrated volume that chronicles the major periods in the Capitol's history and the building's design and construction, from 1885 to the present day.

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