In 1844 Juana Cavasos was carried off into three years of captivity. The aristocratic young woman, used to a life of wealth, was suddenly thrust into a primitive existence on the harsh Texas plains. With only her indomitable courage and fortitude to sustain her, she managed to meld into the tribe's environment but always kept one thought in her mind. "Someday, someway I will return to my people."

The distinguished southwestern historian Carl Coke Rister has written the history of the Dolores enterprise, Drawing on Beales's journals and other documents, and including reports of the survivors.

Men go out in the desert to find their puha–their power. Why can a woman not do the same? The girl wondered. She looked at her hands. Maybe this is a dream, she hoped. A medicine woman once told Wa Shana that if one could see their own hands in a dream, they could control their dream to learn many secrets. Wa Shana’s hands were cracked and bleeding, from days of scraping buffalo hides and tending the cooking fires. Her whole life was one of toil, drudgery and scolding from the older women of the village. The dizziness, this sense of being apart from her body, had started in mid-afternoon. Only a swallow or two remained in her goatskin bag; she needed to save it. Except for some pemmican and a small knife, she had no other provisions. What little status Wa Shana had in the tribe was gone. A woman’s power, her ‘puha’, came from being the center of a family—the power of drawing in a man, becoming the wife of a warrior, giving birth and raising children. Wa Shana no longer had any of that. She only had the reputation of humming strange songs to herself when she worked, which only intensified the tribe’s belief that she was possessed by an evil spirit. Amelia D. Smith 6002 Cayce Lane Columbia, TN 38401 931-626-2856 dalesmith105@gmail.com

The Captive Trail is second in a six-book series about four generations of the Morgan family living, fighting, and thriving amidst a turbulent Texas history spanning from 1845 to 1896. Although a series, each book can be read on its own. Taabe Waipu has run away from her Comanche village and is fleeing south in Texas on a horse she stole from a dowry left outside her family’s teepee. The horse has an accident and she is left on foot, injured and exhausted. She staggers onto a road near Fort Chadbourne and collapses. On one of the first runs through Texas, Butterfield Overland Mail Company driver Ned Bright carries two Ursuline nuns returning to their mission station. They come across a woman who is nearly dead from exposure and dehydration and take her to the mission. With some detective work, Ned discovers Taabe Waipu identity. He plans to unite her with her family, but the Comanche have other ideas, and the two end up defending the mission station. Through Taabe and Ned we learn the true meaning of healing and restoration amid seemingly powerless situations.

A study that uncovers the lost history of the Comanches shows in detail how the Comanches built their unique empire and resisted European colonization, and why they were defeated in 1875.

Embracing the crossroads that made the region distinctive this book reveals how American families have always been characterized by greater diversity than idealizations of the traditional family have allowed. The essays show how family life figured prominently in relations to larger struggles for conquest and control.

For centuries Comanches have captivated imaginations. Yet their story in popular accounts abruptly stops with the so-called fall of the Comanche empire in 1875, when Quanah Parker led Comanches onto the reservation in southwestern Oklahoma. In Cinematic Comanches, the first tribal-specific history of Comanches in film and media, Parker descendant Dustin Tahmahkera examines how Comanches represent themselves and are represented by others in recent media. Telling a story of Comanche family and extended kin and their relations to film, Tahmahkera reframes a distorted and defeated history of Comanches into a vibrant story of cinematic traditions, agency, and cultural continuity. Co-starring a long list of Comanche actors, filmmakers, consultants, critics, and subjects, Cinematic Comanches moves through the politics of tribal representation and history to highlight the production of Comanchería cinema. From early silent films and 1950s Westerns to Disney’s The Lone Ranger and the story of how Comanches captured its controversial Comanche lead Johnny Depp, Tahmahkera argues that Comanche nationhood can be strengthened through cinema. Tahmahkera’s extensive research includes interviews with elder LaDonna Harris, who adopted Depp during filming in one of the most contested films in recent Indigenous cinematic history. In the fragmented popular narrative of the rise and fall of Comanches, Cinematic Comanches calls for considering mediated contributions to the cultural resurgence of Comanches today.

This sweeping, richly evocative study examines the origins and legacies of a flourishing captive exchange economy within and among native American and Euramerican communities throughout the Southwest Borderlands from the Spanish colonial era to the end of the nineteenth century. Indigenous and colonial traditions of capture, servitude, and kinship met and meshed in the borderlands, forming a "slave system" in which victims symbolized social wealth, performed services for their masters, and produced material goods under the threat of violence. Slave and livestock raiding and trading among Apaches, Comanches, Kiowas, Navajos, Utes, and Spaniards provided labor resources, redistributed wealth, and fostered kin connections that integrated disparate and antagonistic groups even as these practices renewed cycles of violence and warfare. Always attentive to the corrosive effects of the "slave trade" on Indian and colonial societies, the book also explores slavery's centrality in intercultural trade, alliances, and "communities of interest" among groups often antagonistic to Spanish, Mexican, and American modernizing strategies. The extension of the moral and military campaigns of the American Civil War to the Southwest in a regional "war against slavery" brought differing forms of social stability but cost local communities much of their economic vitality and cultural flexibility.

Hugh Lenox Scott, who would one day serve as chief of staff of the U.S. Army, spent a portion of his early career at Fort Sill, in Indian and, later, Oklahoma Territory. There, from 1891 to 1897, he commanded Troop L, 7th Cavalry, an all-Indian unit. From members of this unit, in particular a Kiowa soldier named Iseeo, Scott collected three volumes of information on American Indian life and culture—a body of ethnographic material conveyed through Plains Indian Sign Language (in which Scott was highly accomplished) and recorded in handwritten English. This remarkable resource—the largest of its kind before the late twentieth century—appears here in full for the first time, put into context by noted scholar William C. Meadows. The Scott ledgers contain an array of historical, linguistic, and ethnographic data—a wealth of primary-source material on Southern Plains Indian people. Meadows describes Plains Indian Sign Language, its origins and history, and its significance to anthropologists. He also sketches the lives of Scott and Iseeo, explaining how they met, how Scott learned the language, and how their working relationship developed and served them both. The ledgers, which follow, recount a variety of specific Plains Indian customs, from naming practices to eagle catching. Scott also recorded his informants’ explanations of the signs, as well as a multitude of myths and stories. On his fellow officers’ indifference to the sign language, Lieutenant Scott remarked: “I have often marveled at this apathy concerning such a valuable instrument, by which communication could be held with every tribe on the plains of the buffalo, using only one language.” Here, with extensive background information, Meadows’s incisive analysis, and the complete contents of Scott’s Fort Sill ledgers, this “valuable instrument” is finally and fully accessible to scholars and general readers interested in the history and culture of Plains Indians.

This is the first in-depth historical study of Comanche social and political groups. Using the ethnohistorical method, Thomas W. Kavanagh traces the changes and continuities in Comanche politics from their earliest interactions with Europeans to their settlement on a reservation in present-day Oklahoma.