A VINTAGE MURDER MYSTERY Rediscover Gladys Mitchell – one of the 'Big Three' female crime fiction writers alongside Agatha Christie and Dorothy L. Sayers. Sir Rudri Hopkinson, an eccentric amateur archaeologist, is determined to recreate ancient rituals at the temple of Eleusis in Greece in the hope of summoning the goddess Demeter. He gathers together a motley collection of people to assist in the experiment, including a rival scholar, a handsome but cruel photographer and a trio of mischievous children. But when one of the group disappears, and a severed head turns up in a box of snakes, the superlative detective and psychoanalyst Mrs Bradley is called upon to investigate... Opinionated, unconventional, unafraid... If you like Poirot and Miss Marple, you’ll love Mrs Bradley.

TILL DEATH DO THEM PART . . . Doran Fairweather and her husband, ex-vicar Rodney Chelmarsh, are both secretly relieved when she decides to sublet a friend's London apartment for a while. Maybe the separation will put the spice back into their relationship. But the flat is depressing, her maid is strangely intimidating, and the flat's owner is horribly murdered beside the Thames. Then, in a pre-Tudor house with a curse upon it--owned by a wonderful man who might have stepped out of Shakespeare--Doran discovers another world. There, an unbroken connection with the past is so compelling that an oath of revenge sworn when Richard III ruled England still exerts its evil power . . . even over Doran's innocent loved ones deep in the peaceful English countryside.

"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.

The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.

MLA Index and Bibliography Series vol. 36 Additional information online at https://www.areditions.com/books/IB036.html

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

This work is a result of the fourth symposium in the University of Ottawa Symposia series following those on Canadian writers Grove (1973), Klein (1974), and Lampman (1975). Scholars, friends, and readers gathered on May 1-2, 1976, to discuss "Ned Pratt", otherwise known as E.J. Pratt (1883-1964), the man and the poet. The two day event featured a biographical panel led by Fred Cogswell and various papers intended to establish the literary identity of the distinguished Canadian author. Other contributors include Glenn Clever, Elizabeth Brewster, Ralph Gustafson, Carl F. Klinck, Germaine Warkentin, Peter Stevens, Peter Buitenhuis, Sandra Djwa, Peter Hunt, Agnes Nyland, Robert Gibbs, Louis K. MacKendrick, and Lila Laakso.

Rather than treating the plays as objects to be studied, described and interpreted, Engagements with Shakespearean Drama examines precisely what about Shakespeare’s plays is so special – why they continue to be discussed and performed all around the world. This book highlights the importance of our experience as readers and audiences and argues that what makes the plays great is that they cause a wide range of intense, pleasurable and valuable experiences. This highly personal and emotive approach allows students to engage with the plays on a new level, taking their own responses seriously as grounds for assessing the plays' success and quality. The book also engages with the essential criticism of the plays from Shakespeare’s time to our own, equipping students to engage in contemporary debates about the nature and achievement of Shakespearean drama.

A remarkable work that recovers the songs Shakespeare's audiences actually heard and brings them to life through performance. Winner of the Claude V. Palisca Award of the American Musicological Society Shakespeare lovers have long lamented that so few songs in his plays survive with original music; of about sixty song lyrics, only a handful have come down to us with musical settings. For over 150 years, scholars have aspired—without success—to fill that gap. In Shakespeare's Songbook, Ross W. Duffin does just that. Eight years in the making, Shakespeare's Songbook is a meticulously researched collection of 155 songs—ballads and narratives, drinking songs, love songs, and rounds—that appear in, are quoted in, or alluded to in Shakespeare's plays. Drawing substantially on the unmatched resources of the Folger Shakespeare Library, Duffin brings complete lyrics (many newly recovered) and music notation together for the first time, and in the process sheds new light on Shakespeare's dramatic art. With performances by leading early-music singers and instrumentalists, the accompanying audio CD brings the songbook to life. Shakespeare's Songbook is the perfect gift for lovers of Shakespeare and an invaluable reference for singers, actors, directors, and scholars.

First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.