This book showcases the wide variety of commercial cosmopolitan practices that arose from the global economic entanglements of the early modern period. Cosmopolitanism is not only a philosophical ideal: for many centuries it has also been an everyday practice across the globe. The early modern era saw hitherto unprecedented levels of economic interconnectedness. States, societies, and individuals reacted with a mixture of commercial idealism and commercial anxiety, seeking at once to exploit new opportunities for growth whilst limiting its disruptive effects. In highlighting the range of commercial cosmopolitan practices that grew out of early modern globalisation, the book demonstrates that it provided robust alternatives to the universalising western imperial model of the later period. Deploying a number of interdisciplinary methodologies, the kind of ‘methodological cosmopolitanism’ that Ulrich Beck has called for, chapters provide agency-centred evaluations of the risks and opportunities inherent in the ambiguous role of the cosmopolitan, who, often playing on and mobilising a number of identities, operated in between and outside of different established legal, social, and cultural systems. The book will be important reading for students and scholars working at the intersection of economic, global, and cultural history.

Henry James and the Media Arts of Modernity: Commercial Cosmopolitanism turns to the author’s late fiction, letters, and essays to investigate his contribution to the development of an American cosmopolitan culture, both in popular and high art. The book contextualizes James’s writing within a broader cultural and social history to uncover relationships among increasingly sensory-focused media technologies, mass-consumer practices, and developments in literary style when they spread to Europe at the inception of the era of big business. Combining cultural studies with neoclassical Marxism and postcolonial theory, the study addresses a gap in scholarship concerning the rise of literary modernism as a cosmopolitan phenomenon. Although scholars have traditionally acknowledged the international character of artists’ participation in this movement, when analyzing the contributions of American expatriate writers in Europe, they generally assume an unequal degree of reciprocity in transatlantic cultural exchange with European artists being more influential than American ones. This book argues that James identifies a cultural form of American imperialism that emerged out of a commercialized version of cosmopolitanism. Yet the author appropriates the arts of modernity when he realizes that art generated with the mechanized principles of mass-production spurred a diverse range of aesthetic responses to other early-twentieth century technological and organizational innovations.

Renowned cultural theorist Mica Nava makes a significant contribution to the study of cosmopolitanism by exploring everyday English urban cosmopolitanism and foregrounding the gendered, imaginative and empathetic aspects of positive engagement with cultural and racial difference. By looking at a wide range of texts, events and biographical narratives, she traces cosmopolitanism from its marginal status at the beginning of the twentieth century to its relative normalisation by century's end. Case studies include the promotion of cosmopolitanism by Selfridges before the first world war; relationships between white English women and 'other' men -- Jews and black GIs -- during the 1930s and 1940s; literary, cinematic and social science representations of migrants in postcolonial Britain; and Diana and Dodi's interracial romance in the 1990s. In the final chapter, the author draws on her own complex family history to illustrate the contemporary cosmopolitan London experience. Scholars have tended to ignore the oppositional cultures of antiracism and social inclusivity. This groundbreaking study redresses this imbalance and offers a sophisticated account of the uneven history of vernacular cosmopolitanism.

Cosmopolitan Justice and its Discontents provides a multidisciplinary perspective on the legal and ethical implications of cosmopolitanism.

Cosmopolitanism is the idea of humanity as a single community or polis. Beyond particularities, all human beings (and in some versions of cosmopolitanism certain non-humans) are part of a community, and have responsibilities, rights and the power to decide on a common future. Ideas of cosmopolitan vary from the purely moral to cultural, social, legal, institutional, political, educational and economic cosmopolitanism, or combine some or all of these facets. All of these different perspectives try to establish the basis necessary to create a true cosmopolitanism. This book provides an introduction to the ideality and reality of cosmopolitanism, presenting it “in genesis” and giving a point of departure to students and readers of cosmopolitanism from which to analyse its various contemporary versions and proposals, providing an additional tool for their thinking and judgments in the face of a huge amount of literature today. It also offers a sense of emergency to those matters, requiring a prompt legal, political and economic response, for the continuing existence of the planet and for cosmopolitanism to continue as a viable proposal for humanity. As such, this volume will, ultimately, provoke the reader into a new spirit and action, that of cosmopolitanism.

Kant’s omnipresence in contemporary cosmopolitan discourses contrasts with the fact that little is known about the historical origins and the systematic status of his cosmopolitan theory. This study argues that Kant’s cosmopolitanism should be understood as embedded and dynamic. Inspired by Rousseau, Kant developed a form of cosmopolitanism rooted in a modified form of republican patriotism. In contrast to static forms of cosmopolitanism, Kant conceived the tensions between embedded, local attachments and cosmopolitan obligations in dynamic terms. He posited duties to develop a cosmopolitan disposition (Gesinnung), to establish common laws or cosmopolitan institutions, and to found and promote legal, moral, and religious communities which reform themselves in a way that they can pass the test of cosmopolitan universality. This is the cornerstone of Kant’s cosmopolitanism, and the key concept is the vocation (Bestimmung) of the individual as well as of the human species. Since realizing or at least approaching this vocation is a long-term, arduous, and slow process, Kant turns to the pedagogical implications of this cosmopolitan project and spells them out in his later writings. This book uncovers Kant’s hidden theory of cosmopolitan education within the framework of his overall practical philosophy.

Gender and Cosmopolitanism in Europe combines a feminist critique of contemporary and prominent approaches to cosmopolitanism with an in-depth analysis of historical cosmopolitanism and the manner in which gendered symbolic boundaries of national political communities in two European countries are drawn. Exploring the work of prominent scholars of new cosmopolitanism in Britain and Germany, including Held, Habermas, Beck and Bhabha, it delivers a timely intervention into current debates on globalisation, Europeanisation and social processes of transformation in and beyond specific national societies. A rigorous examination of the emancipatory potential of current debates surrounding cosmopolitanism in Europe, this book will be of interest to sociologist and political scientists working on questions of identity, inclusion, citizenship, globalisation, cosmopolitanism and gender.

Over the past two decades there has been great interest in cosmopolitanism across the human and social sciences. Where, earlier, it had largely been a term associated with moral and political philosophy, cosmopolitanism has now become a widely-used term in the social sciences. It is now integral to much of cultural, political and social analysis. This is the first comprehensive survey in one volume of the interdisciplinary field of cosmopolitan studies. With over forty chapters written by leading scholars of cosmopolitanism, this book reflects the broad reception of cosmopolitan thought in a wide variety of disciplines and across international borders. Both comprehensive and innovative in the topics covered, the Handbook of Cosmopolitanism Studies is divided into four sections: major theoretical debates, where the emphasis is on recent developments cultural topics in the social sciences the politics of cosmopolitanism major world varieties of cosmopolitanism. The Handbook answers the need to take modern cosmopolitanism out of its exclusive western context and relate it to the historical experiences of other world cultures. This is a major work in defining the emerging field of cosmopolitanism studies. Throughout, there is a strong emphasis on interdisciplinarity, with essays covering philosophy, literary theory, history, international relations, anthropology, communications studies and sociology. The Handbook’s clear and comprehensive style will appeal to a wide undergraduate audience across the social sciences and humanities.

Cosmopolitanism is about the extension of the moral and political horizons of people, societies, organizations and institutions. Over the past 25 years there has been considerable interest in cosmopolitan thought across the human social sciences. The second edition of the Routledge International Handbook of Cosmopolitanism Studies is an enlarged, revised and updated version of the first edition. It consists of 50 chapters across a broader range of topics in the social and human sciences. Eighteen entirely new chapters cover topics that have become increasingly prominent in cosmopolitan scholarship in recent years, such as sexualities, public space, the Kantian legacy, the commons, internet, generations, care and heritage. This Second Edition aims to showcase some of the most innovative and promising developments in recent writing in the human and social sciences on cosmopolitanism. Both comprehensive and innovative in the topics covered, the Routledge International Handbook of Cosmopolitanism Studies is divided into four sections. Cosmopolitan theory and history with a focus on the classical and contemporary approaches, The cultural dimensions of cosmopolitanism, The politics of cosmopolitanism, World varieties of cosmopolitanism. There is a strong emphasis in interdisciplinarity, with chapters covering contributions in philosophy, history, sociology, anthropology, media studies, international relations. The Handboook’s clear and comprehensive style will appeal to a wide undergraduate and postgraduate audience across the social and human sciences.

Wim Vandekerckhove and Stan van Hooft The philosopher, Diogenes the Cynic, in the fourth century BCE, was asked where he came from and where he felt he belonged. He answered that he was a “citi- 1 zen of the world” (kosmopolitês) . This made him the rst person known to have described himself as a cosmopolitan. A century later, the Stoics had developed that concept further, stating that the whole cosmos was but one polis, of which the order was logos or right reason. Living according to that right reason implied showing goodness to all of human kind. Through early Christianity, cosmopolitanism was given various interpretations, sometimes quite contrary to the inclusive notion of the Stoics. Augustine’s interpretation, for example, suggested that only those who love God can live in the universal and borderless “City of God”. Later, the red- covery of Stoic writings during the European Renaissance inspired thinkers like Erasmus, Grotius and Pufendorf to draw on cosmopolitanism to advocate world peace through religious tolerance and a society of states. That same inspiration can be noted in the American and French revolutions. In the eighteenth century, enlig- enment philosophers such as Bentham (through utilitarianism) and Kant (through universal reason) developed new and very different versions of cosmopolitanism that serve today as key sources of cosmopolitan philosophy. The nineteenth century saw the development of new forms of transnational ideals, including that of Marx’s critique of capitalism on behalf of an international working class.