Includes 26 Preludes: Op. 28, Nos. 1-24; Prelude in C-Sharp Minor, Op. 45; Prelude in A-flat Major. 27 Etudes: Op. 10, Nos. 1-12; Op. 25, Nos. 1-12; Trois Nouvelles Etudes.

These 24 preludes and 17 etudes-tableaux include what are possibly Rachmaninoff's finest compositions for solo piano. Reproduced from authoritative Russian editions, they include the popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10.

Forty-one of the Russian master's greatest works for solo piano, including the immensely popular C-sharp minor, G-minor, and B-minor Preludes, in authoritative editions.

Virtually all of the composer's works for piano solo: 4 piano sonatas, "Invitation to the Dance," 8 sets of variations, "Grande Polonaise," others. Authoritative C. F. Peters edition.

These 24 works reveal the extraordinary expressiveness of Debussy's genius: "La Cathédrale engloutie," "Ondine," "La fille aux cheveux de lin," "Feuilles mortes," "Ce qu'a vu le Vent d'Ouest," "Feux d'artifice," "Danseuses de Delphes," "La fille aux cheveux de lin," and many more. Includes a helpful glossary of French terms.

Includes 26 Preludes: Op. 28, Nos. 1-24; Prelude in C-Sharp Minor, Op. 45; Prelude in A-flat Major. 27 Etudes: Op. 10, Nos. 1-12; Op. 25, Nos. 1-12; Trois Nouvelles Etudes.

Major compositions from period 1830-39; Papillons, Toccata, Grosse Sonate No. 1, Phantasiestücke, Arabeske, Blümenstuck, and 9 other works. Reprinted from Breitkopf and Härtel edition.

"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.

A great musical tradition flourished in the late 19th- and early-20th–century Russia, nurturing such renowned composers as Mussorgsky, Tchaikovsky, Rachmaninov, and Prokofiev. Unfortunately, many superb compositions by lesser Russian composers have been eclipsed by the works of these giants. In this volume, University of Kentucky musicologist Dmitry Feofanov presents eleven overlooked masterpieces — important Russian piano works of the late 18th to 20th centuries virtually unobtainable elsewhere. Here is Mikhail Glinka's Prayer, a rare program piece by the founder of Russian opera, the first composer whose music was performed in the West; German-born Johann Hässler's Sonata-Fantasie, Op. 4, which anticipates Beethoven in structure; and Sergey Liapunov's Transcendental Etude, Op. 11, No. 10, a stunning tour de force of piano technique. Also included in this impressive collection: Balakirev: Rêverie Glazunov: Prelude and Fugue in D Minor, Op. 62 Griboyedov: Two Waltzes Kalinnikov: Nocturne in F-Sharp Minor Liadov: Prelude, Op. 11, No.1 Medtner: Sonata in G Minor, Op. 22 Schlözer: Etude in A-flat, Op. 1, No. 2 Taneyev: Prelude and Fugue, Op. 29 All scores are authoritative, reprinted from rare Russian texts, many of which are now out of print — with new translations of performance instructions. Short biographies of each composer and background information on each piece round out this fine, modestly priced performance and study edition — sure to appeal to pianists, students, music historians, and music lovers everywhere.

One of the most popular concertos ever written, and one of the most recognizable of all musical works in the standard repertoire. Deeply romantic, it is filled with great melodic inspiration.