Elizabeth von Arnim, born Mary Annette Beauchamp, was an English novelist. Born in Australia, she married a German aristocrat, and her earliest works are set in Germany. Arnim launched her career as a writer with her satirical and semi-autobiographical Elizabeth and Her German Garden. Published anonymously, it chronicled the protagonist Elizabeth's struggles to create a garden on the family estate and her attempts to integrate into German aristocratic Junker society. In it, she fictionalized her husband as “The Man of Wrath”. It was reprinted twenty times by May 1899, a year after its publication. A bitter-sweet memoir and companion to it was The Solitary Summer. Other works, such as The Benefactress The Adventures of Elizabeth on Rügen Vera and Love were also semi-autobiographical. Some titles ensued that deal with protest against domineering Junkertum and witty observations of life in provincial Germany, including The Princess Priscilla's Fortnight and Fräulein Schmidt and Mr Anstruther. She would sign her twenty or so books, after the first, initially as “by the author of Elizabeth and Her German Garden” and later simply as “By Elizabeth”. In 1909, The Princess Priscilla's Fortnight was turned into a play called The Cottage in the Air, and in 1929 into the film The Runaway Princess, directed by Anthony Asquith and starring Mady Christians. Although Arnim never wrote a conventional autobiography, All the Dogs of My Life, an account of her love for her pets, contains many glimpses of her glittering social circle. Contents: 1. Elizabeth and Her German Garden (1898) 2. The Solitary Summer (1899) 3. The April Baby's Book of Tunes (1900) (Illustrated by Kate Greenaway) 4. The Benefactress (1901) 5. Princess Priscilla's Fortnight (1905) 6. Fräulein Schmidt and Mr Anstruther (1907) 7. The Pastor's Wife (1914) 8. Christine (1917) (written under the pseudonym Alice Cholmondeley) 9. Christopher and Columbus (1919) 10. In the Mountains (1920) 11. Vera (1921) 12. The Enchanted April (1922)

The Greatest Feminist Classics in One Volume curates an unparalleled collection of literary works that together trace the evolution and impact of feminist thought across generations and geographies. Including an array of literary styles from the pioneering novel to insightful essays, and groundbreaking plays this anthology situates itself within a critical period of social and literary history where the voices of women, and some supportive men, began to loudly question and dismantle the patriarchal structures limiting their lives. The breadth of diversity and the literary richness of works, inclusive of seminal pieces by figures like Virginia Woolf and Harriet Martineau, illustrate the multifaceted nature of feminist discourse, showcasing variations in approach, perspective, and outcome that have enriched the dialogue on gender equality and womens rights. The contributors to this volume, ranging from Henrik Ibsen to Elizabeth Cady Stanton, are as varied in their backgrounds as in their writing styles, representing a wide spectrum of the 19th and early 20th centuries' intellectual and cultural landscape. These authors, collectively, offer insights into feminist thought's evolution, aligning with several critical movements from Romanticism to Modernism. Their works collectively highlight how different cultures, historical periods, and personal experiences have shaped understandings and expressions of gender and identity, providing readers with a comprehensive overview of feminisms literary and social significance. For readers seeking to immerse themselves in the foundational texts of feminist literature, The Greatest Feminist Classics in One Volume presents a unique and enriching opportunity. It invites a broad audience to explore the transformative power of words in shaping societal norms and values regarding gender. This collection not only serves as an educational resource but also as a starting point for discussions about the diversity of feminist perspectives and the ongoing struggle for equality. Engaging with these texts offers an unparalleled insight into the legacy of feminist thought, making this anthology an essential addition to any literary collection.

DigiCat presents to you this meticulously edited collection of feminist masterpieces - from fictional protagonists who influenced generations of young women to the real heroines of the past, their life stories and their legacy. Fiction: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Davis) Little Women (Louisa May Alcott) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) Herland (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) Hedda Gabler (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) New Amazonia (Elizabeth Corbett) A Girl of the Limberlost (Gene Stratton-Porter) The Iron Woman (Margaret Deland) My Ántonia (Willa Cather) The House of Mirth (Edith Wharton) Summer (Edith Wharton) Sister Carrie (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) To the Lighthouse (Virginia Woolf) Miss Lulu Bett (Zona Gale) Lady Chatterley's Lover (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Gone with the Wind (Margaret Mitchell) Emily of New Moon (Lucy Maud Montgomery) Memoirs: Madame Vigée Lebrun Jane Austen Caroline Herschel Mrs. Seacole Elizabeth Cady Stanton Emmeline Pankhurst Biographies: Lucretia Sappho Aspasia of Cyrus Portia Octavia Cleopatra Julia Domna Zenobia Valeria Hypatia Roswitha the Nun Marie de France Mechthild of Magdeburg Joan of Arc Catharine of Arragon Anne Boleyn Queen Elizabeth Mary, Queen of Scots Queen Anne Maria Theresa Marie Antoinette Madame de Stael Augustina Saragoza Charlotte Brontë Florence Nightingale Harriet Tubman

Reveals how changing ideas about gender and race shaped - and were shaped by - London and its literature.