Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.

Masculinities on Clydeside explores the experiences of civilian men on Clydeside during the war, using oral history interviews as a means to explore subjectivity and arguing for continuous personal agency through major historical changes. While men in reserved occupations are understood as extensively influenced by 'imagined' discourses, often resulting in feelings of guilt and emasculation, their subjectivities were nonetheless ultimately rooted in their 'lived' and immediate local vicinities, and the people and places of their everyday lives. This ultimate relevance of lived existence and the everyday also meant that while wartime relations between men and women were clearly shaped by a range of gender discourses and continually renegotiated, gender boundaries were never fixed or truly separate.The analysis looks at wider subjectivities, encompassing national and political identities, class consciousness, religious subjectivities and social activities, as well as examining women's experiences of working in reserved occupations in wartime and their interactions with civilian men.

The first encyclopedia to analyze, summarize, and explain the complexities of men's lives and the idea of modern manhood. The process of "making masculinity visible" has been going on for over two decades and has produced a prodigious and interesting body of work. But until now the subject has had no authoritative reference source. Men & Masculinities, a pioneering two-volume work, corrects the oversight by summarizing the latest historical, biological, cross-cultural, psychological, and sociological research on the subject. It also looks at literature, art, and music from a gender perspective. The contributors are experts in their specialties and their work is directed, organized, and coedited by one of the premier scholars in the field, Michael Kimmel. The coverage brings together for the first time considerable knowledge of men and manhood, focusing on such areas as sexual violence, intimacy, pornography, homophobia, sports, profeminist men, rituals, sexism, and many other important subjects. Clearly, this unique reference is a valuable guide to students, teachers, writers, policymakers, journalists, and others who seek a fuller understanding of gender in the United States.

This book brings together extensive recent innovative research on the study of men and masculinities in Southeast Asia. Drawing on rich ethnographic fieldwork from Vietnam, Cambodia, Thailand, the Philippines, Singapore, Indonesia and Timor-Leste, the book examines both dominant and marginal constructions of heterosexual masculinity and the ways in which these are performed in different localized contexts in insular and mainland Southeast Asia. Through the presentation of detailed ethnographic studies on topics ranging from the professional practices of Filipino merchant seafarers to the sex lives of Thai migrant workers to the stand-over tactics of Indonesian gangsters, the authors in this collection challenge the idea of emerging globalizing forms of masculinities. Where existing studies of gender in Asia tend to concentrate on women, East Asia and gay men, this book fills a significant gap and demonstrates, overall, how gender, ethnicity, class, sexuality and nationality shape contemporary understandings of what it means to be a ‘man’ in contemporary Southeast Asia.

Recently, the U.S. has seen a rise in misogynistic and race-based violence perpetrated by men expressing a sense of grievance, from "incels" to alt-right activists. Grounding sociological, historical, political, and economic analyses of masculinity through the lens of cultural narratives in many forms and expressions, The Routledge Companion to Masculinity in American Literature and Culture suggests that how we examine the stories that shape us in turn shapes our understanding of our current reality and gives us language for imagining better futures. Masculinity is more than a description of traits associated with particular performances of gender. It is more than a study of gender and social power. It is an examination of the ways in which gender affects our capacity to engage ethically with each other in complex human societies. This volume offers essays from a range of established, global experts in American masculinity as well as new and upcoming scholars in order to explore not just what masculinity once meant, has come to mean, and may mean in the future in the U.S.; it also articulates what is at stake with our conceptions of masculinity.

Rhetoric of Masculinity: Male Body Image, Media, and Gender Role Stress/Conflict lends depth and global nuance to discourse associated with the masculinity concept as it brings to bear on males' self-image, role in society, media representations of them, and the gender role stress/conflict experienced when they fail to measure up to social standards associated with what it means to be manly. Even though the concept of masculine gender role stress/conflict has received substantial scholarly attention in psychology, social learning effects of masculinity as it plays out in media warrant further study given that representations offer audiences restrictive male gender roles that may contribute to toxic masculinity. Men and boys are taught to be self-sufficient, to act tough, to be muscular, heterosexual, and to use aggression to resolve conflicts. Such contexts provide restrictive images that can result in self harm and an inflexible social milieu. Scholars and students of communication, rhetoric, and gender studies will find this book particularly interesting.

Comprises a dozen contributions, focusing on men as gendered actors, the social construction of masculinity, masculinity as a relational category, and hegemonic or subordinate masculinities. Reflects on developments from colonialism to independence in seven sub-Saharan countries.

Seminar paper from the year 2016 in the subject German Studies - Modern German Literature, grade: 1,0, University of South Carolina (Department of Languages Literatures and Cultures, German Program), course: CPLT700: Introduction to Graduate Studies in Languages, Literatures, and Cultures, language: English, abstract: Thomas Mann’s novella Death in Venice, which was published in 1912, is regarded as one of the most influential works of German literature in the twentieth century. Literary scholars from all over the world have studied the book from different approaches. One strand of literary criticism that flourished over the last decades and gained prominence in the discourse on Death in Venice is the field of masculinity studies. Scholars like Michael Kimmel, Eve Kosofsky Sedgwick and R. W. Connell had a significant influence on the theorization of masculinity studies and its practical application over the last years. Drawing upon their findings, contemporary literary critics like Esther K. Bauer (2015), Karsten Essen (2007) and Daniel Marshall (2015) analyzed Death in Venice and shed light on the novella’s representation and negotiation of masculinity. In their applications of masculinity studies to Thomas Mann's renowned work these scholars either give a general overview on the composition of masculine gender roles in the novella or focus on specific parameters of masculinity, in particular the aspect of homosexuality.

This is a study of masculinity in the works of Arthur Conan Doyle, particularly the Sherlock Holmes stories. The work is divided into three sections, focusing on aspects of masculinity in three eras - the Victorian Holmes, the Edwardian Holmes and the Georgian Holmes.