One of the problems which beset the conservation of stone buildings is the fragmentation of the disciplines involved. This book brings these disciplines together by the involvement of contributors with different experiences & approaches.

One of the problems which beset the practical conservation of stone buildings is the fragmentation of the disciplines involved. This book, with both volumes now available as one invaluable paperback, brings these disciplines together by the involvement of contributors with different experiences and approaches to the same material. Part one is an introduction to the complexities and background history of stone conservation followed by the most comprehensive description yet produced of the building and decorative stones used in the British Isles. In part two, practitioners involved in stone conservation describe ways in which major structural masonry problems, secondary building problems and different stone surface conditions may be treated. A variety of building types and environments has been used to ensure that the broad scope of common problems is covered. This second part of the book will be of practical value to art historians, archaeologists, architects, surveyors and engineers, masonry contractors and sculpture conservators in solving problems and in learning to use each other's skills and experience.

One of the problems which beset the practical conservation of stone buildings is the fragmentation of the disciplines involved. This book, with both volumes now available as one invaluable paperback, brings these disciplines together by the involvement of contributors with different experiences and approaches to the same material. Part one is an introduction to the complexities and background history of stone conservation followed by the most comprehensive description yet produced of the building and decorative stones used in the British Isles. In part two, practitioners involved in stone conservation describe ways in which major structural masonry problems, secondary building problems and different stone surface conditions may be treated. A variety of building types and environments has been used to ensure that the broad scope of common problems is covered. This second part of the book will be of practical value to art historians, archaeologists, architects, surveyors and engineers, masonry contractors and sculpture conservators in solving problems and in learning to use each other's skills and experience.

Winner of the RIBA Book Award, this important and timely publication brings together contributions from leading stone conservation practitioners. It discusses the philosophical principles on which stone conservation is founded and the need to understand the full history and development of a building before starting work. Other topics covered in this book include consolidation, cleaning, and the replacement of stone; conservation of different stone types, including limestone, sandstone, and marble; problems of dealing with polychrome stone; and finally, issues relating to church monuments and graveyards, taking account of the need for good maintenance and health and safety requirements. The book is illustrated with the authors' own examples of stone conservation in practice. Architects, surveyors and craftsmen involved in the conservation of stone structures will find this both a practical and useful reference work.

First published in 1996, this volume has been substantially updated to reflect new research in the conservation of stone monuments, sculpture, and archaeological sites.

What happens to the fabric of a historic building if it is not cleaned? What is soiling, how does it affect the building? What cleaning methods should be used? This first of a comprehensive two-volume guide addresses these important and controversial questions, along with many others, and offers practical guidance on appropriate cleaning techniques, backed up with useful case study material. Based on the author's extensive on-site involvement at trial and contract stage in many cleaning and surface repair project, this book examines the various attitudes and current cleaning practices, along with the role and need for analysis of substrates and soiling. It also offers advice on dealing with special cleaning problems, such as the removal of paint, graffiti and metallic stains, and provides an assesment of the cleaning methods currently available.

What happens to the fabric of a historic building if it is not cleaned? What is soiling, how does it affect the building? What cleaning methods should be used? This second of a comprehensive two-volume guide addresses these important and controversial questions, along with many others, and offers practical guidance on appropriate cleaning techniques, backed up with useful case study material. Based on the author's extensive on-site involvement at trial and contract stage in many cleaning and surface repair project, this book examines the various attitudes and current cleaning practices, along with the role and need for analysis of substrates and soiling. It also offers advice on dealing with special cleaning problems, such as the removal of paint, graffiti and metallic stains, and provides an assesment of the cleaning methods currently available.

This book is the third in a series of volumes that combine conservation philosophy in the built environment with knowledge of traditional materials, and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation The series aims to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge for architects, surveyors and engineers as well as for commissioning client bodies, managers and advisors. In each book, Michael Forsyth draws together chapters by leading architects, structural engineers and related professionals to reflect the interdisciplinary nature of conservation work. The books are structured to be of direct practical application, taking the reader through the process of historic building conservation and emphasising throughout the integrative teamwork involved. The present volume - Materials & Skills for Historic Building Conservation – describes the characteristics and process of decay of traditional materials which inform the selection of appropriate repair techniques. It provides essential information on the properties of the principal traditional external building materials. Their availability, sourcing and environmental impact is covered, as well as the causes of erosion and decay, and the skills required for their application on conservation projects. It covers the main most commonly used materials and conservation techniques including stone, brickwork, lime products, concrete, iron and steel, timber, wattle and daub, and glass, Thirteen chapters written by the experts present today's key issues in materials and skills for historic building conservation: Gus Astley, Patrick Baty, Charley Brentnall, Michael Bussell, Michael Forsyth, Tony Graham, Chris Harris, David McLaughlin, Brian Ridout, Mike Stock, Geoff Wallis, Ian Williams, Rory Young

Since its publication in 1982 Sir Bernard Feilden's Conservation of Historic Buildings has become the standard text for architects and others involved in the conservation of historic structures. Leading practitioners around the world have praised the book as being the most significant single volume on the subject to be published. This third edition revises and updates a classic book, including completely new sections on conservation of Modern Movement buildings and non-destructive investigation. The result of the lifetime's experience of one of the world's leading architectural conservators, the book comprehensively surveys the fundamental principles of conservation in their application to historic buildings, and provides the basic information needed by architects, engineers and surveyors for the solution of problems of architectural conservation in almost every climatic region of the world. This edition is organized into three complementary parts: in the first the structure of buildings is dealt with in detail; the second focuses attention on the causes of decay and the materials they affect; and the third considers the practical role of the architect involved in conservation and rehabilitation. As well as being essential reading for architects and others concerned with conservation, many lay people with various kinds of responsibility for historic buildings will find this clearly written, jargon-free work a fruitful source of guidance and information.

The conservation and protection of buildings that constitute our cultural heritage are complex tasks calling for a comprehensive knowledge of the historical background of the buildings, as well as the construction technologies and materials used. Nanomaterials in Architecture and Art Conservation gives a comprehensive overview of the state of the art of using nanomaterials in conservation sciences, mainly for stone, mortar and plaster strengthening, but also for the consolidation of wall paintings. The book compiles and details deterioration mechanisms of stone and historical mortars, as well as methods of characterising and testing consolidation effects. The non- or semi-destructive characterisation methods that will be presented allow additional measurements to characterise objects before and after any interventions. Besides, general aspects of inorganic consolidants are targeted. The focus, in particular, is the application of nanolime as a new consolidation agent. Basic characteristics and application advices as well as beneficial combinations with other consolidation agents, such as silicic acid esters, are emphasised. What makes this book so special is the large number of practical applications described from the viewpoint of different restorers, offering a direct inside view of the procedure for the conservation of historical monuments. Restorers dealing with stone, mortar and plaster conservation; artists; advanced undergraduate- and graduate-level students of conservation science, art and nanotechnology; offices for the protection of monuments and heritage agencies; and researchers in materials science, conservation, nanotechnology and chemistry, especially those with an interest in applied sciences, will find this book a great reference.