Shows that modernism was concocted out of surprising sources, and that one of them was Toryism during 1900-1920.

British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatives turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.

A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.

Two developments during the modernist period - the consolidation of psychiatry as a medical speciality and the emergence of psychoanalysis - affected the representation of madness in literature. They also influenced the ways psychic distress was experienced, narrated, and understood. Literature and criticism in turn affected the formation of the modern psychological self. Presenting detailed readings of both canonical and non-canonical modernists like Virginia Woolf and Emily Holmes Coleman, this book argues that modernist madness can be understood as experience, clinical discourse and cultural representation.

Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. The essays place the various literary traditions within a social and historical context and set out recent critical debates. Particular attention is given to the urban centers in which modernism developed – from Dublin to Zürich, Barcelona to Warsaw – and to the movements of modernists across national borders. A broad, accessible account of European modernism, this Companion explores what this cosmopolitan movement can teach us about life as a citizen of Europe and of the world.

Bringing together contributions from established scholars as well as promising younger academics, the seventeenth volume of this established series offers a broad-ranging view of why Judaism, a religion whose observance is more honored in the breach in most western Jewish communities, has garnered attention, authority, and controversy in the late twentieth century. The volume considers the ways in which theological writings, sweeping social change, individual or small-group needs, and intra-communal diversity have re-energized Judaism even amidst secular trends in America and Israel.

This book examines the crisis of values engendered by the advent of modernity, which still plagues the post-modern west today. The book examines anti-modernist thought as an attempt to reclaim traditional belief systems during a period of profound spiritual, political and economic upheaval. The dangers and psychological appeals of anti-modernism are examined in detail.

This essential guide to modernist poetry enables readers to make sense of a literary movement often regarded as difficult and intimidating. Provides close examinations of key poems by T. S. Eliot, Ezra Pound, W. B. Yeats, and others Considers key techniques employed to orient and disorient the reader, such as diction, rhythm, and allusion Explores the ideological implications of subject matter and the literary forms and structures of modernist poetry Places modernist poetry in relation to its Victorian and Romantic predecessors Encourages readers to engage with the texts and make their own interpretations, moving away from the question of what the poem says in favour of considering the effect of the poem on its reader

The first critical biography of J. Gresham Machen, examining the full arc of his intellectual career J. Gresham Machen is known as a conservative hero of the fundamentalist-modernist controversy. But was he always so staunchly antimodernist? In this sweeping new biography, Richard E. Burnett examines the whole of Machen’s life and career—from his early years at Princeton, to his experience in the First World War, to his founding of Westminster Theological Seminary . Burnett pays special attention to topics that have received little attention from biographers, like Machen’s crisis of faith and his support for historical criticism of Scripture. Incorporating all of Machen’s major works as well as his previously unpublished private correspondence, Burnett crafts a nuanced narrative of Machen’s intellectual journey from enthusiastic modernist to stalwart conservative. Nuanced and thorough, Machen’s Hope will challenge scholars’ assumptions about Machen and his dynamic era.

The Blackwell Companion to Contemporary Islamic Thoughtreflects the variety of trends, voices, and opinions in thecontemporary Muslim intellectual scene. Challenges Western misconceptions about the modern Muslim worldin general and the Arab world in particular. Consists of 36 important essays written by contemporary Muslimthinkers and scholars. Covers issues such as Islamic tradition, modernity,globalization, feminism, the West, the USA, reform, andsecularism. Helps readers to situate Islamic intellectual history in thecontext of Western intellectual trends.