"On July 4th, 1876, during the centennial celebration of U.S. independence, the city of Key West held a different type of celebration. In some areas in post-Civil War Florida, Black residents were hindered from 4th of July festivities, which would lead to reflecting on the events of the Civil War. However, Key West's celebration, led by a Cuban revolutionary mayor working in concert with a city council composed of Afro-Bahamians, Cubans, African Americans, and Anglos, marked the centennial in the halls of an institution that boasted an interracial school and proudly hung a Cuban flag outside its building. Deep into the Radical Reconstruction era, this represented one of the most profound exercises in interracial democracy. Gomez explores how race shaped the first Cuban-American communities in South Florida, specifically in Key West and Tampa, which were the locations of the first groups of Cuban Americans, with race being a central factor of unity and division during Radical Reconstruction, the Cuban independence movement, Jim Crow, and Cuba's 1912 Race War. While looking at factors such as ethnicity, gender, labor and foreign policy, Gomez makes the argument that Cuban-American interracial unity in the nineteenth century disintegrated due to the racism held by white Cuban-Americans, which then led Black Cubans to organize with Florida's multiethnic Black communities"--

This book addresses the roots of the hostility that has characterized the United States’relationship with Cuba and has persisted for decades, even in the wake of the end of the Cold War. It answers the question of why America’s Cold War era policy toward Cuba has not substantially changed, despite a radically changed international environment. Cuba is indeed a "curious case," as the title suggests, and the book uses it to shed light on the contours and paradoxes of US policy during the Cold War and beyond.

This topical volume seeks to analyze the intimate but under-studied relationship between the construction of national identity in Latin America, and the violent struggle for political power that has defined Latin American history since independence. The result is an original, fascinating contribution to an increasingly important field of study.

This book comprises the first systematic study on the impact of ethnic interest groups on US foreign policy, using the case study of how the Cuban?American National Foundation (CANF) influenced the outcome of three different legislatives debates that directly affected US Cuba policy.

Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.

Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.

Using the most extensive and currently available survey opinion data, this book empirically supports the argument that Latinos have emerged as a convergent panethnic political group, beyond the individual national origin identities dating to the time of the 1990 Latino National Political Survey when Mexican Americans, Puerto Ricans, and Cuban Americans were treated conceptually as politically distinct groups. Replete with data and supplemented by an extensive online resource, this book offers scholars, students, and sophisticated general readers evidence and inspiration for understanding the dynamics of Latino politics in the U.S. today.

This second edition is designed to introduce students of urban history to recent interpretive literature in this field. Its goal is to provide a coherent framework for understanding the pattern of American urbanization, while at the same time offering specific examples of the work of historians in the field.