The end of empire shaped the way the British public saw their place in the world, society and the ethnic and racial boundaries of their nation. Focussing on some of the most controversial organisations of the 1960s, this book illuminates their central importance in constructing post-imperial Britain.

Although the evolution of human rights diplomacy during the second half of the 20th century has been the subject of a wealth of scholarship in recent years, British foreign policy perspectives remain largely underappreciated. Focusing on former Foreign Secretary David Owen's sustained engagement with the related concepts of human rights and humanitarianism, David Owen, Human Rights and the Remaking of British Foreign Policy addresses this striking omission by exploring the relationship between international human rights promotion and British foreign policy between c.1956-1997. In doing so, this book uncovers how human rights concerns have shaped national responses to foreign policy dilemmas at the intersections of civil society, media, and policymaking; how economic and geopolitical interests have defined the parameters within which human rights concerns influence policy; how human rights considerations have influenced British interventions in overseas conflicts; and how activism on normative issues such as human rights has been shaped by concepts of national identity. Furthermore, by bringing these issues and debates into focus through the lens of Owen's human rights advocacy, analysis provides a reappraisal of one of the most recognisable, albeit enigmatic, parliamentarians in recent British history. Both within the confines of Whitehall and without, Owen's human rights advocacy served to alter the course of British foreign policy at key junctures during the late Cold War and post-Cold War periods, and provides a unique prism through which to interrogate the intersections between Britain's enduring search for a distinctive 'role' in the world and the development of the international human rights regime during the period in question.

Examines debates central to postwar British culture, showing the pressures of reconstruction and the mutual implication of war and peace.

Based on archives from governments, parties, organisations and individuals, this book investigates the relationship between the British left and Algerian liberation movements during the Algerian War of Independence (1954-1962). It explores the presence of representatives of the Mouvement national algérien (MNA) and the Front de libération nationale (FLN) in London, where they actively sought support for peace, independence from France and the global end of European domination. By surveying their interactions with individuals and groups in the anticolonial left, including prominent Labour MPs, and Trotskyist groups, Asian and African associations and students' unions, Torrent shows how and why solidarity was interpreted differently across the left, and in relation to Britain's own end-of-empire conflicts. Tracing connections across Europe and beyond, this book demonstrates how the war influenced conceptions of socialism, communism and internationalism in Britain, what being European meant, and what place the Commonwealth should have in a world where armed struggle and liberation diplomacy disrupted boundaries.

This book is the first to outline the history of the tactic of ‘no platforming’ at British universities since the 1970s, looking at more than four decades of student protest against racist and fascist figures on campus. The tactic of ‘no platforming’ has been used at British universities and colleges since the National Union of Students adopted the policy in the mid-1970s. The author traces the origins of the tactic from the militant anti-fascism of the 1930s–1940s and looks at how it has developed since the 1970s, being applied to various targets over the last 40 years, including sexists, homophobes, right-wing politicians and Islamic fundamentalists. This book provides a historical intervention in the current debates over the alleged free speech ‘crisis’ perceived to be plaguing universities in Britain, as well as North America and Australasia. No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech is for academics and students, as well as the general reader, interested in modern British history, politics and higher education. Readers interested in contemporary debates over freedom of speech and academic freedom will also have much to discover in this book.

20th Century Britain provides an authoritative and accessible survey of contemporary research on economic activity, society, political development and culture. Written by leading academics, it examines recent advances in scholarship and gives a grounding in established approaches and topics. The first part comprises thematic essays covering the whole of the twentieth century, including chapters on the economy, economic management, big business, parliamentary politics, leisure, work, health, international economic relations and empire. It uncovers key areas of equality and diversity in chapters on women, living standards, social mobility, ethnicity and multiculturalism, and gender and sexuality. The most recent subfields of historical studies are also explored, including disability history and environmental economic history. The second part focuses on seismic events and topics covering shorter timeframes, including the World Wars, interwar Depression, Britain and European integration, sexual behaviours, civil society, the 1960s cultural revolution and resisting racism. This collection provides an essential guide to current academic thinking on the most important elements of twentieth-century British history and is a useful tool for all students and scholars interested in modern Britain.

The slow retreat of the British empire in the century after the First World War has had dramatic implications for Britain itself, its former colonies and the global balance of power. The Transformation and Decline of the British Empire provides a broad-ranging and accessible introduction to the key debates and discussions about this process of imperial decline. Drawing on the lively scholarship which has developed over the last 25 years, it offers both new students and established scholars a guide to the existing literature on British decolonisation, including subjects such as the rise of anti-colonialism, the impact of empire on British politics and culture, the significance of migration, the wars and insurgencies which accompanied the end of empire and the role which capital and labour played in imperial decline. Mawby also examines the way in which the historiography has developed through conversations and debates between scholars, the impact which present day concerns have on historical writing, the significance of new documentary findings and the impact of theoretical considerations on current controversies.

British Communism and the Politics of Race explores the role that the Communist Party of Great Britain played within the anti-racism movement in Britain from the 1940s to the 1980s. As one of the first organisations to undertake serious anti-colonial and anti-racist activism within the British labour movement, the CPGB was a pioneering force that campaigned against racial discrimination, popular imperialism and fascist violence in British society. The book examines the balancing act that the Communist Party negotiated in its anti-racist work, between making appeals to the labour movement to get involved in the fight against racism and working with Britain's ethnic minority communities, who often felt let down by the trade unions and the Labour Party. Transitioning from a class-based outlook to an embrace of the new social movements of the 1960s–70s, the CPGB played an important role in the anti-racist struggle, but by the 1980s, it was eclipsed by more radical and diverse activist organisations.

This book seeks to understand the complex ways in which the Foreign Office adapted to the rise of identity politics in Britain as it administered British foreign policy during the Cold War and the end of the British Empire. After the Second World War, cultural changes in British society forced a reconsideration of erstwhile diplomatic archetypes, as restricting recruitment to white, heterosexual, upper- or middle-class men gradually became less socially acceptable and less politically expedient. After the advent of the tripartite school system and then mass university education, the Foreign Office had to consider recruiting candidates who were qualified but had not been ‘socialized’ in the public schools and Oxbridge. Similarly, the passage of the 1948 Nationality Act technically meant nonwhites were eligible to join. The rise of the gay rights movement and postwar women’s liberation both generated further, unique dilemmas for Foreign Office recruiters. Diplomatic Identity in Postwar Britain seeks to destabilize concepts like 'talent', 'merit', 'equality' and 'representation', arguing that these were contested ideas that were subject to political and cultural renegotiation and revision throughout the period in question.

Between Britain's imperial victory in the Second World War and its introduction of race-based immigration restriction 'at home, ' London's relationship with its burgeoning West Indian settler community was a cauldron of apprehension, optimism, ignorance, and curiosity. The West Indian Generation: Remaking British Culture in London, 1945-1965 revisits this not-quite-postcolonial moment through the careers of a unique generation of West Indian artists that included actors Earl Cameron, Edric Connor, Pearl Connor, Cy Grant, Ronald Moody, Barry and Lloyd Reckord, and calypso greats Lord Beginner and Lord Kitchener. Colonial subjects turned British citizens, they tested the parameters of cultural belonging through their work. Drawing upon familiar and neglected artifacts from London's cultural archives, Amanda Bidnall sketches the feathery roots of this community as it was both nurtured and inhibited by metropolitan institutions and producers hoping variously to promote imperial solidarity, educate mainstream audiences, and sensationalize racial conflict. Upon a shared foundation of language, education, and middle-class values, a fascinating collaboration took place between popular West Indian artists and cultural authorities like the Royal Court Theatre, the Rank Organisation, and the BBC. By analyzing the potential-and limits-of this collaboration, Bidnall demonstrates the mainstream influence and perceptive politics of pioneering West Indian artists. Their ambivalent and complicated reception by the British government, media, and populace draws a tangled picture of postwar national belonging. The West Indian Generation is necessary reading for anyone interested in the cultural ramifications of the end of empire, New Commonwealth migration, and the production of Black Britain.