Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt's immemorial appeal and the psychology of those who succumb to its magic.

New media and its enormous diffusion in the last decades of the 20th century and up to the present has greatly increased and diversified the reception of Egyptian themes and motifs and Egyptian influence in various cultural spheres. This book seeks to provide new evidence of this interdisciplinarity between Egyptology and popular culture.

The discipline of Egyptology has been criticized for being too insular, with little awareness of the development of archaeologies elsewhere. It has remained theoretically underdeveloped. For example the role of Ancient Egypt within Africa has rarely been considered jointly by Egyptologists and Africanists. Egypt's own view of itself has been neglected; views of it in the ancient past, in more recent times and today have remained underexposed. Encounters with Ancient Egypt is a series of eight books which addresses these issues. The books interrelate, inform and illuminate one another and will appeal to a wide market including academics, students and the general public interested in archaeology, egyptology, anthropology, architecture, design and history. This book addresses some of the main themes of the study of Egypt during the nineteenth and twentieth centuries. In a combination of case studies and discursive chapters, the status of Egypt as an important example of traditional Orientalist scholarship, and as an ancient model of imperialism itself, is examined. Contributions range from studies of nineteenth century antiquarianism, and the collecting of Egyptian antiquities as an extension of the territorial ambitions and rivalries of the European powers, to explorations of how Egypt is understood and interpreted in contemporary societies. Views of Ancient Egypt also considers the way in which Ancient Egypt has been adopted by less privileged members of some societies as a cultural icon of past greatness.

First runner-up for the British-Kuwait Friendship Society Book Prize in Middle Eastern Studies 2015. In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place. This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at how their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press. From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture – and what that fascination says about our own.

A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’

It is widely believed that the practice of ancient Egyptian religion ceased with the end of pharaonic culture and the rise of Christianity. However, an organised reconstruction and revival of the authentic practice of Egyptian, or Kemetic religion has been growing, almost undocumented, for nearly three decades. Profane Egyptologists is the first in-depth study of the now-global phenomenon of Kemeticism. Presenting key players in their own words, the book utilises extensive interviews to reveal a continuum of beliefs and practices spanning eight years of community growth. The existence of competing visions of Egypt, which employ ancient material and academic resources, questions the position of Egyptology as a gatekeeper of Egypt's past. Exploring these boundaries, the book highlights the politised and economic factors driving the discipline's self-conception. Could an historically self-imposed insular nature have harmed Egyptology as a field, and how could inclusive discussion help guard against further isolationism? Profane Egyptologists is both an Egyptological study of Kemeticism, and a critical study of the discipline of Egyptology itself. It will be of value to scholars and students of archaeology and Egyptology, cultural heritage, religion online, phenomenology, epistemology, pagan studies and ethnography, as well as Kemetics and devotees of Egyptian culture.

Very Short Introductions: Brilliant, Sharp, Inspiring The ancient Egyptians are an enduring source of fascination — mummies and pyramids, curses and rituals have captured the imagination of generations. We all have a mental picture of ancient Egypt, but is it the right one? How much do we really know about this great civilization? This second edition of Ancient Egypt: A Very Short Introduction explores the history and culture of pharaonic Egypt, inlcuding ideas about Egyptian kingship, ancient Egyptian writing systems, and the history of Egyptology. Ian Shaw introduces the reader to issues relating to ethnicity, race, gender, and sexual relations; the latest ideas about death, funerary rites and mummification; and thoughts on religion and ethics in ancient Egypt. He also looks at the phenomenon of Egyptomania, whereby certain books and films have sensationalised aspects of Egyptian culture. Finally, Shaw takes the story to the present day by illustrating the impact of the Arab Spring on approaches to Egyptian museums and cultural heritage. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Thousands of years ago, the ancient Egyptians established a civilization that continue to fascinate people today. This A-Z encyclopedia provides information about the most important people, places, and practices of ancient Egypt, as well as about ancient Egyptian historical periods, religious beliefs, art, architecture, and concepts related to the Egyptian worldview. In addition, the encyclopedia talks about the Egyptologists and archaeologists who helped advance modern knowledge about this ancient culture. Provides numerous entries covering the world of ancient Egypt.

How well do we really know ancient Egypt? The world of the Egyptians seems so familiar to us: exhibitions of ancient art and archaeological discoveries in the desert sands continue to generate interest and amazement, while Egyptian motifs appear in architecture, in literature, in art works, in advertising, and in films. And yet, this modern reception can sometimes preserve the myths and inaccuracies about ancient Egypt that derive from classical antiquity and the Renaissance. It is only in the last 200 years that we have been able to read for ourselves ancient Egyptian texts and to reveal the true nature of its civilization through excavation. This modern discovery of ancient Egypt is now astonishing us with a culture of incomparable richness and remarkable diversity. This is what the internationally acclaimed Egyptologist Thomas Schneider here attempts to do: he asks "What are the 101 single most important questions about ancient Egypt?" The questions he has chosen-and the answers he provides-challenge almost everything we thought we knew about the ancient civilization in the Nile valley. They range from the surprising ("Why did elite Egyptians not wear beards?") to the profound ("Was ancient Egypt a culture of death?" ) and the provocative ("What do we still not know about ancient Egypt?") but all the answers will surprise, inspire, and challenge a wide range of readers. In the process, they provide a completely fresh way of looking at all aspects of ancient Egypt-from history, art, and everyday life to religion and ancient attitudes to death and the afterlife.

Exotic Ancient Egypt . . . Deciphering EgyptOCOs past, from pre-historic times until Rome''s conquest in AD 30, Ana Ruiz reveals countless details about one of the earliest civilizations, piecing together a mosaic that accumulates to give an intriguing portr"