While the importance of collections has been evident in the sciences and humanities for several centuries, the social and cultural significance of collecting practices is now receiving serious attention as well. As reflected in programs like Antiques Roadshow and American Pickers, and websites such as eBay, collecting has had a consistent and growing presence in popular culture. In tandem with popular collecting, institutions are responding to changes in the collecting environment, as library catalogs go online and museums use new technologies to help generate attendance for their exhibits. In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives. Covering a breadth of interdisciplinary perspectives and subjects—from PEZ candy dispensers and trading cards to sports memorabilia and music—Contemporary Collecting will be of interest to scholars of cultural studies, anthropology, popular culture studies, sociology, art history, and more.

Ethics of Contemporary Collecting addresses pressing and pertinent issues around ethical contemporary collecting, reflecting on how practices are evolving or in flux. Across three sections, each containing live sector subjects from the climate crisis to digital collecting to centring communities, this book collates a combination of case studies and in-depth chapters by leading practitioners working in the field. These pieces are instructive and provide practical, transferable examples of how people have approached these challenges. It highlights examples of leading practice in the field and illustrates ethical approaches to contemporary collecting as work in this area progresses and our conversations about it advance. To reflect this ongoing growth, the book closes with an ‘Activations’ section of discussion prompts intended to keep the conversations and progress – on individual, institutional and societal levels – going. Ethics of Contemporary Collecting is an indispensable tool for informing, training and educating the next generation of curators and collection professionals, and inspiring future collecting projects.

This collection is a gold mine for the discerning early-intermediate level performer looking for fresh modern literature. The editors, teachers at leading music institutions, are well aware of the problems of providing inviting music for students with sophisticated tastes but limited technique. Composers include: Dmitri Kabalevsky, Béla Bartók, T. Salutrinskaya, David Kraehenbuehl, Lynn Olson, and Elvina Pearce.

This collection bundles two contemporary Christian novels by the New York Times bestselling author of Redeeming Love and The Masterpiece. Leota’s Garden plus And the Shofar Blew are combined into one e-book for a great value! Leota’s Garden: “An emotionally compelling story” (Library Journal) about the devastation secrets can unleash on a family and the power of grace to bring second chances. Leota’s garden was once a place of beauty, where flowers bloomed and hope thrived. Now, eighty-four-year-old Leota Reinhardt is alone, her beloved garden in ruins. All her efforts to reconcile with her adult children have been fruitless, and she voices her despair to a loving Father, her only friend. Then God brings a wind of change through unlikely means. “Rivers is a master gardener . . . using poignant humor and bittersweet revelation to open hearts to reconciliation.” —Romantic Times And the Shofar Blew: He seemed like the perfect pastor to lead Centerville Christian Church. She was the perfect pastor’s wife. When Paul Hudson accepted the call to pastor the struggling church, he had no idea what to expect. But it didn’t take long for Paul to turn Centerville Christian Church around. Attendance was up-way up. Everything was going so well. If only his wife could see it that way. Still, he tried not to let her quiet presence disturb him. She knew something wasn’t right, and it hadn’t been for a long time. . . . Eunice closed the bedroom door quietly and knelt beside her bed. “I’m drowning, God. I’ve never felt so alone. Who can I turn to but you, Lord? Where else does a pastor’s wife go for help when her marriage is failing and her life is out of control? Who can I trust with my anguish, Lord? Who but you?” “This book is a powerful and almost-prophetic statement of the church in America. . . . And the Shofar Blew is a must-read.” —Anne Graham Lotz, bestselling author and speaker

Collecting is a key function of museums. Its apparent simplicity belies a complexity of questions and issues which make all collecting imprecise and unrepresentative. This book exposes the many meanings of collections, the different perspectives taken by different cultures, and the institutional response to the collecting problem. One major concern is omission, whether this be determined by politics, professional ethics, the law or social agenda. How did curators collect during the war in Croatia? What were the problems of trying to collect the ’old’ South Africa when the new one was born? Can museums collect from groups which seem to ’deviate’ from society’s norms? How has the function of museums affected the practices of international trade? Can museums collect successfully if collecting agenda are being set externally? Museums and the Future of Collecting encourages museums to move away from the collecting of isolated tokens; to move beyond the collecting policy and to understand more clearly the intellectual function of what they do. Here examples are given from Australia, Sweden, Canada, Spain, Britain and Croatia which provide this intellectual understanding and many practical tools for evaluating a future collecting strategy.

Computer technology has transformed modern society, yet curators wishing to reflect those changes face difficult challenges in terms of both collecting and exhibiting. Collecting and Exhibiting Computer-Based Technology examines how curators at the history and technology museums of the Smithsonian Institution have met these challenges. Focusing on the curatorial process, the book explores the ways in which curators at the institution have approached the accession and display of technological artifacts. Such collections often have comparatively few precedents, and can pose unique dilemmas. In analysing the Smithsonian’s approach, Foti takes in diverse collection case studies ranging from DNA analyzers to Herbie Hancock’s music synthesizers, from iPods to born-digital photographs, from the laptop used during the filming of the television program Sex and the City to "Stanley" the self-driving car. Using her proposed model of "expert curation", she synthesizes her findings into a more universal framework for undertanding the curatorial methods associated with computer technology and reflects on what it means to be a curator in a postdigital world. Collecting and Exhibiting Computer-Based Technology offers a detailed analysis of curatorial practice in a relatively new field that is set to grow exponentially. It will be useful reading for curators, scholars, and students alike.

In remote areas of Europe, local history museums struggle to connect with the rapidly changing and increasingly diverse communities around them. Insa Müller asks how these museums can recast themselves to strengthen the links to their communities. Combining theoretical deliberations, empirical investigations of the case of two Norwegian islands and a museum experiment, she offers starting points for rethinking the local history museum, while at the same time providing suggestions for locally adapted museum practice.

Incorporating HCP 1624-i and ii, session 2005-06 previously unpublished

Museums and Social Activism is the first study to bring together historical accounts of the African American and later American Indian civil rights-related social and reform movements that took place on the Smithsonian Mall through the 1960s and 1970s in Washington DC with the significant but unknown story about museological transformation and curatorial activism that occurred in the Division of Political and Reform History at the National Museum of American History at this time. Based on interdisciplinary field-based research that has brought together cross-cultural and international perspectives from the fields of Museum Studies, Public History, Political Science and Social Movement Studies with empirical investigation, the book explores and analyses museums’ – specifically, curators’ – relationships with political stakeholders past and present. By understanding the transformations of an earlier period, Museums and Social Activism offers provocative perspectives on the cultural and political significance of contemporary museums. It highlights the relevance of past practice and events for museums today and improved ways of understanding the challenges and opportunities that result from the ongoing process of renewal that museums continue to exemplify.