This book brings together from four years of study on Nigerian contemporary art's internationalization. The monograph integrates voices of African (Nigerian) artists and art market players into the growing discourse on the emerging art markets in the global South. It explores the logic of competition and dynamics of power relations in the global markets, focusing on the internationalization of contemporary art forms from peripheral regions. The book confirms that the internationalization of contemporary art form from Nigeria is limited due to systematic marginalization in the artistic field, which in this case based on postcolonialism, and debilitating socio-economic factors such as outmoded art education, unstructured support system and weak mechanism for local validation, and an inefficient political framework for art governance. It will therefore be useful to students and researchers in the sociology of art, art market studies, art history and culture polity.

This edited volume reflects on some of the important discussions on the trends of governance, conflict and security in Africa. It explores some of the emerging concerns and offers a holistic understanding of the remote and immediate causes of the conflict and how the neo-colonial African states have been structured in a manner that makes violent conflict inevitable. The book thereby provides an overview of Africa’s security challenges and proffers some sustainable policy options for curtailing lawlessness and armed conflict on the continent. Literature is exhaustive about the nexus between governance, peace, and security; however, discourse on the impact of ‘new’ conflict on governance has been scant. Understanding these new trends has become a necessity and precondition for sustainable development, as reflected in both the African Union (AU) Agenda 2063 and the United Nations (UN) Sustainable Development Goals (SDGs).