This is a survey of the religious attitudes reflected in Latin literature from the late Republic to the time of Constantine. Its main theme is the development of the Roman public religion in that period. Within this theme the most pervasive issue is the relationship between Roman religion and morality. Though the link between the two is shown to be closer than is often supposed, it was also the case that the rise of such systems as Stoicism and Christianity contributed to a sense of morality more detached from traditional conceptions of the collective well-being of the Roman state. Nevertheless, the old religion continued to flourish and to contribute in numerous ways to the working of Roman society until it was fatally weakened by the political and social crisis of the third century. This crisis, and the tendency of the Roman Empire to depend upon and encourage new sources of support, prepared the way for the emergence of Christianity, first as the religion of the Emperor, and then, after a period in which Christians and pagans were able to co-operate by emphasizing their common beliefs, as the official religion of the Empire.

Collection of texts published previously.

A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion. An innovative introduction to Roman religion Approaches the field with a focus on the human-figures instead of the gods Analyzes religious changes from the eighth century BC to the fourth century AD Offers the first history of religious motifs on coins and household/everyday utensils Presents Roman religion within its cultural, social, and historical contexts

Publisher description

A Companion to Livy features a collection of essays representing the most up-to-date international scholarship on the life and works of the Roman historian Livy. Features contributions from top Livian scholars from around the world Presents for the first time a new interpretation of Livy's historical philosophy, which represents a key to an overall interpretation of Livy's body of work Includes studies of Livy's work from an Indo-European comparative aspect Provides the most modern studies on literary archetypes for Livy's narrative of the history of early Rome

Provides an account of the religious history of Rome starting from its mythical origins.

Argues that thinking about sacred trees in Roman culture forces us to rethink how we understand Roman religion.

This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.

Although often depicted as a barbaric and uncivilised society, in the full pejorative meaning of these words, Merovingian Gaul was clearly a Christian society and a direct continuation of the Roman civilisation in terms of social standards, morals and culture. Using insights provided by social history, archaeology, palaeography and anthropology, this book studies the problem of Christianisation in early Medieval Gaul from a cultural point of view. While exploiting a huge range of primary and secondary material, Dr. Hen does not confine himself to a functional analysis of various cultural and religious activities in Merovingian Gaul, but goes on to assess the consequences and implications of such activities for the people themselves, and for the subsequent developments in the Carolingian period.

The book of Revelation presents a daunting picture of the destruction of the world, complete with clashing gods, a multiheaded beast, armies of heaven, and the final judgment of mankind. The bizarre conclusion to the New Testament is routinely cited as an example of the early Christian renunciation of the might and values of Rome. But Christopher A. Frilingos contends that Revelation's relationship to its ancient environment was a rather more complex one. In Spectacles of Empire he argues that the public displays of the Roman Empire—the games of the arena, the execution of criminals, the civic veneration of the emperor—offer a plausible context for reading Revelation. Like the spectacles that attracted audiences from one end of the Mediterranean Sea to the other, Revelation shares a preoccupation with matters of spectatorship, domination, and masculinity. Scholars have long noted that in promising a complete reversal of fortune to an oppressed minority, Revelation has provided inspiration to Christians of all kinds, from liberation theologians protesting globalization to the medieval Apostolic Brethren facing death at the stake. But Frilingos approaches the Apocalypse from a different angle, arguing that Revelation was not merely a rejection of the Roman world in favor of a Christian one; rather, its visions of monsters and martyrs were the product of an empire whose subjects were trained to dominate the threatening "other." By comparing images in Revelation to those in other Roman-era literature, such as Greek romances and martyr accounts, Frilingos reveals a society preoccupied with seeing and being seen. At the same time, he shows how Revelation calls attention to both the risk and the allure of taking in a show in a society which emphasized the careful scrutiny of one's friends, enemies, and self. Ancient spectators, Frilingos notes, whether seated in an arena or standing at a distance as Babylon burned, frequently discovered that they themselves had become part of the performance.