The “Long Middle Ages” indicates a span of time extending from Antiquity, across the Middle Ages, to the Early Modern period. The author tries to understand factors of historical continuity binding this period together and the periodic scenes of violent change that disrupted societies and traditions. The Long Middle Ages were established on classical and biblical foundations, while each generation interpreted and expanded on those origins. The cohesion of the Long Middle Ages was brought about by continuous acts of reflection and renascence. Scholarly practices and ideas of Antiquity were taken up in the monasteries and cathedral schools of the Middle Ages, while during the Renaissance, and then the Baroque period, thinkers looked back to Antiquity and to the Middle Ages. Continuity and Rupture in the Long Middle Ages is an interdisciplinary approach to intellectual history, which puts the history of ideas in the context of cultural, political, religious, and legal history. Medieval history is the central moment, while continuity and change are found in traditions extending from the Lord’s Prayer (AD 30) to Jean Mabillon (AD 1632–1707) and onward to moderns like Ernst Cassirer and Paul Ricoeur. Readers will discover new significance in historical figures like the Venerable Bede, Boniface of Mainz, Charlemagne, and Pope Formosus – in the laws of medieval kings and bishops – and institutions like the monastery of Cluny. These essays, gathered together for the first time in this Variorum volume, offer powerful new interpretations for students and researchers in the fields of medieval studies, legal and literary interpretation, legal history, and the history of European intellectual life from ancient to modern times.

This volume presents comprehensive investigations into various facets of observational astronomy during the medieval Islamic period, spanning from the ninth to the seventeenth centuries. The chapters compiled here, originally published between 2012 and 2018, have undergone significant revisions to enhance their accuracy and explore a broad spectrum of topics organized into five main sections. Reflections on Observational Astronomy in the Medieval Islamic Period begins with solar astronomy, providing a detailed evaluation of Islamic astronomers’ determinations of fundamental solar parameters. In the realm of lunar astronomy, it examines the gradual endorsement and rationalization of annular solar eclipses, along with an exclusive historical account of predicting and observing such an event in 1283 CE. The section on planetary astronomy scrutinizes empirical discoveries that distinguish between the precession of equinoxes and the motion of apogees, as well as significant enhancements to Ptolemy’s parameters for planetary latitudes. Stellar astronomy is explored through a non-Ptolemaic star table that encompasses observations from ninth-century Baghdad to thirteenth-century Marāgha. The final section examines observational instruments, focusing on those constructed during the second period of activities at the Marāgha observatory. A critical analysis of astronomical observations conducted at the Marāgha and Istanbul observatories is a key focus of this work. This book will be invaluable to those interested in the historical progression of exact sciences; the scope, distinctive aspects, and caliber of experimental activities in medieval times; and the interplay between theory and observation throughout history. It is intended for historians, scientists (including astronomers and physicists), and particularly, historians of astronomy.

Known worldwide among scholars of medieval Europe for her books on the Knights Hospitaller and the Knights Templar, the trial of the Templars in Britain and Ireland, and women and the crusades, Professor Helen J. Nicholson has drawn together in this volume a selection of her shorter publications, previously published in academic journals, scholarly collections, or online. Reflecting almost thirty years of published research, this collection includes articles focusing on women’s depiction in contemporary writing on the crusades and their involvement with the military religious orders, the Templars’ and Hospitallers’ relations with the rulers of Latin Christendom and with their noble patrons and their operations in Britain and Ireland. Women, the Crusades, the Templars and Hospitallers in Medieval European Society and Culture will interest scholars, students, and other researchers studying the military religious orders, the crusades and women’s lives in medieval Europe and the crusader states.

With the decline in popularity of the term “Romanization” as a way of analyzing the changes in the archaeological record visible throughout the conquered provinces of the Roman Empire, scholars have increasingly turned to the important concept of “identity” to understand the experiences of local peoples living under Roman rule. Studies of identity in the Roman Empire have thus emphasized how local peoples, rather than simply passively copying Roman culture, actively created and recreated complex and multi-faceted identities that incorporated local traditions within the increasingly connected and “globalized” world of the empire. How did the violent nature of Roman rule in the provinces impact local communities and the ways in which individuals interacted with one another? This book provides a detailed study of the ways in which the Celtic-speaking peoples of the ancient settlement of Lattara in Roman Mediterranean Gaul fashioned their lives under two centuries of Roman rule,and in particular the ways in which the creation of these lived experiences wasentangled in the larger processes of Roman colonialism. The important archaeological settlement and port of Lattara (located today in modern Lattes in Mediterranean France), was occupied from ca 500 BCE to 200 CE, and has been the focus of extensive excavations by international teams of archaeologists for over 35 years. The author seeks to understand the ways in which the daily lives of the inhabitants of Lattara were shaped and constrained by the particular historical circumstances of Roman rule, involving the violent conquest of the province between 125-121 BCE, the pacification of numerous revolts in the in the first half of the first century BCE, and the imposition of an oppressive system of taxation, land redistribution, and grain levies. Through a detailed analysis of the large corpus of archaeological evidence dating from ca. 200 BCE to 200 CE at Lattara, the author argues that the violent establishment of Roman rule in Mediterranean Gaul engendered very different forms of social relationships and interactions that structured the community during the late first century BCE and onward. This involved a new organization of domestic space and living arrangements, new relationships structuring the production and exchange of material goods, different relationships between the community and the wider spiritual world, and new strategies for acquiring political influence and power, based upon the increasing importance of material wealth. All of this occurred by the very end of the first century BCE despite the continued persistence of many aspects of local identity, particularly evident in religious practices. Furthermore, these new social relationships were arguably paramount in the daily practices of reproducing Roman rule at Lattara, and in the larger province of Mediterranean Gaul more generally; practices that were in particular rooted in an ever-increasing socio-economic hierarchy.

The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.

Examines the fundamental question of what held the societies of the post-Roman world together.

This is a path-breaking contribution to the study of medieval metalwork and to the broader re-evaluation of medieval art.

This is the first book to focus on Latin epic verse saints' lives in their medieval historical contexts. Anna Taylor examines how these works promoted bonds of friendship and expressed rivalries among writers, monasteries, saints, earthly patrons, teachers and students in Western Europe in the central Middle Ages. Using philological, codicological and microhistorical approaches, Professor Taylor reveals new insights that will reshape our understanding of monasticism, patronage and education. These texts give historians an unprecedented glimpse inside the early medieval classroom, provide a nuanced view of the complicated synthesis of the Christian and Classical heritages, and show the cultural importance and varied functions of poetic composition in the ninth, tenth and eleventh centuries.

The Middle Ages, in our cultural imagination, are besieged with ideas of wars, tournaments, plagues, saints and kings, knights, lords and ladies. In his era-defining work, Inventing the Middle Ages, Norman Cantor shows that these presuppositions are in fact constructs of the twentieth century. Through close study of the lives and works of twenty of the twentieth century’s most prominent medievalists, Cantor examines how the genesis of this fantasy arose in the scholars’ spiritual and emotional outlooks, which influenced their portrayals of the Middle Ages. In the course of this vigorous scrutiny of their scholarship, he navigates the strong personalities and creative minds involved with deft skill. Written with both students and the general public in mind, Inventing the Middle Ages provided an alternative framework for the teaching of the humanities. Revealing the interconnection between medieval civilisation, the culture of the twentieth century and our own assumptions, Cantor provides a unique standpoint both forwards and backwards. As lively and engaging today as when it was first published in 1991, his analysis offers readers the core essentials of the subject in an entertaining and humorous fashion.

This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.