Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards.

Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves.

'Now I am alone,' says Hamlet before speaking a soliloquy. But what is a Shakespearean soliloquy? How has it been understood in literary and theatrical history? How does it work in screen versions of Shakespeare? What influence has it had? Neil Corcoran offers a thorough exploration and explanation of the origin, nature, development and reception of Shakespeare's soliloquies. Divided into four parts, the book supplies the historical, dramatic and theoretical contexts necessary to understanding, offers extensive and insightful close readings of particular soliloquies and includes interviews with eight renowned Shakespearean actors providing details of the practical performance of the soliloquy. A comprehensive study of a key aspect of Shakespeare's dramatic art, this book is ideal for students and theatre-goers keen to understand the complexities and rewards of Shakespeare's unique use of the soliloquy.

Augustine's philosophy of life involves mediation, reviewing one's past and exercises for self-improvement. Centuries after Plato and before Freud he invented a 'spiritual exercise' in which every man and woman is able, through memory, to reconstruct and reinterpret life's aims. In this 2010 book, Brian Stock examines Augustine's unique way of blending literary and philosophical themes. He proposes a new interpretation of Augustine's early writings, establishing how the philosophical soliloquy (soliloquium) has emerged as a mode of inquiry and how it relates to problems of self-existence and self-history. The book also provides clear analysis of inner dialogue and discourse and how, as inner dialogue complements and finally replaces outer dialogue, a style of thinking emerges, arising from ancient sources and a religious attitude indebted to Judeo-Christian tradition.

This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.

A fresh, new translation of Augustine’s fourth work as a Christian convert The first four works written by St. Augustine of Hippo after his conversion to Christianity are dialogues that have influenced prominent thinkers from Boethius to Bernard Lonergan. Usually called the Cassiciacum dialogues, these four works are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine’s most charming works, exhibiting his whimsical levity and ironic wryness. Soliloquies is the fourth work in this tetralogy. Augustine coined the term “soliloquy” to describe this new form of dialogue. Soliloquies, a conversation between Augustine and his reason, fuses the dialogue genre and Roman theater, opening with a search for intellectual and moral self-knowledge before converging on the nature of truth and the question of the soul’s immortality. Foley’s volume also includes On the Immortality of the Soul, which consists of notes for the unfinished portion of the work.

A fresh, new translation of Augustine's inaugural work as a Christian convert The first four works written by St. Augustine of Hippo after his conversion to Christianity are the remarkable "Cassiciacum dialogues." In this first dialogue, expertly translated by Michael Foley, Augustine and his interlocutors explore the history and teachings of Academic skepticism, which Augustine is both sympathetic to and critical of. The dialogue serves as a fitting launching point for a knowledge of God and the soul, the overall subject of the Cassiciacum tetralogy.

A fresh, new translation of Augustine's inaugural work as a Christian convert The first four works written by St. Augustine of Hippo after his conversion to Christianity are the "Cassiciacum dialogues," which have influenced prominent thinkers from Boethius to Bernard Lonergan. In this second, brief dialogue, expertly translated by Michael Foley, Augustine and his mother, brother, son, and friends celebrate his thirty-second birthday by having a "feast of words" on the nature of happiness. They conclude that the truly happy life consists of "having God" through faith, hope, and charity.