Zygmunt Bauman is one of the leading figures in contemporary social thought. His work ranges across issues of ethics, culture and politics. It never forgets that social thought ought to help men and women make sense of their lives and aspire towards something different. His books and essays always focus on the here and now: violence and moral indifference, globalization, consumerism, politics and individualization. They cast a sharp eye on the panaceas of ‘there is no alternative'; the embrace of community and the fads of the ‘counselling boom'; through which men and women are told that they can achieve biographical solutions to what are, in fact, systemic problems. In this new book, Zygmunt Bauman and Keith Tester engage in five accessible conversations that uncover and explore the assumptions and commitments underpinning Bauman's ground-breaking social thought. The conversations show how those commitments have influenced Bauman's analyses of modernity, postmodernity and ‘liquid modernity'. The book ranges widely, from autobiographical reflection through to pointers for the understanding and future of Bauman's social thought. The conversations illustrate the moral substance of Bauman's refusal to accept that the world cannot be made different. They show why social thought is a human necessity. Conversations with Zygmunt Bauman is a book which will offer fresh insight into Bauman's work for those who are familiar with it, and provide an engaging and helpful entry point for those who are new to it.

How does Bauman understand the concept of freedom, and how does this understanding relate to the political traditions of conservatism, liberalism and socialism? Mark Davis offers a critical enquiry into the sociology of Zygmunt Bauman, focusing on his English-language writings from the 1960s onwards. The book contributes to sociological debates about modern society by offering an interpretation of Bauman's work based on the concept of freedom, especially in terms of his extensive consideration of consumerism. Existing studies of Bauman have tended to focus uncritically upon other salient themes in his work, notably culture, power and socialism; Davis repairs the lack of critical engagement in the literature by identifying freedom as a focus for critical reflection. He also opens up new areas of discourse by analyzing Bauman's understanding of freedom in relation to the three great political traditions of conservatism, liberalism and socialism. This is an original contribution to discussions around Bauman's work which will be of interest to both sociologists and political theorists.

Bringing together leading interpreters of Zygmunt Bauman’s sociology, this volume thinks with and beyond Bauman’s work in order to show its continued relevance as a theory in its own right, as an object of criticism and as a stepping stone towards a fuller understanding of contemporary society. The volume deals with some proposed omissions and absences in Bauman’s sociology, with chapters comparing Bauman’s ideas to those of other prominent social thinkers as well as chapters devoted to teasing out some problems and pitfalls in his work. Paying attention to central concepts and themes of Bauman’s thought, authors engage with various aspects of his work, considering potential deficiencies in his ethical perspective, his neglect of the religious dimensions of modernity, his lack of consideration for ethnicity and gender, his overlooking the importance of socialisation in liquid modernity and his problematic argument for individual choice and freedom in a world that is increasingly closed down by consumer capitalism. Beyond Bauman aspires to show that despite Bauman's status as a key sociological thinker, there are also certain deficiencies in his work demand critical discussion. It will be of use to scholars of sociology, contemporary society, social theory and modernity.

A victim of the Nazis, then the communists. Twice a refugee, yet always remaining a committed socialist. In countless ways, Zygmunt Bauman lived the political upheavals of the twentieth and twenty-first centuries. He was an actor within them. Bauman’s own lived history informed his politics, which found expression in varying degrees in his sociology, as he wrote extensively on socialism, democracy, bureaucracy, morality, Europe and the Jewish experience. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of history and politics by drawing upon previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The second volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, History and Politics will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.

This edited volume will illustrate the continuing interest in Bauman’s work through a number of chapters each dealing with the important aspects of his work and shedding light on some new angles and perspectives on his life and work. It seeks to position Bauman within the field of sociology and to provide some examples of his lasting contribution to and relevance for the discipline. Bauman’s ideas remain an important source of inspiration for many scholars and researchers working within a variety of different fields and sub-fields, appealing equally to empirical work and theoretical elaboration. This book contains ten chapters, and all chapters are devoted to the presentation and discussion of themes and ideas that were characteristic of Bauman’s way of doing and writing. The purpose of this volume – as with the other volumes published in the Anthem Press ‘Companion to Sociology’ series – is to provide a comprehensive overview of Zygmunt Bauman’s continued importance within the field of sociology and related social science disciplines.

Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing. The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position – it seeks engagement over agreement.

Zygmunt Bauman was both an outsider of Western modernity and one of its foremost interpreters. He was an exemplary figure in twentieth-century intellectual work on exile who experienced both Nazi and Soviet forms of totalitarianism. The first work to draw extensively on Bauman’s personal archive, Zygmunt Bauman and the West argues that the distinctive social thought that sprang from Bauman’s lived experiences of exile amounts to a sustained, sophisticated, and hitherto unappreciated problematization of Eurocentrism and the West. Through an overview of the intellectual’s thought and his contribution to sociology, Jack Palmer explores Bauman’s experience and interpretation of the West and seeks to understand his work in a broader context, outside of the Eurocentric environment from which it was born. Intervening in a resurgent sociology of intellectuals, Zygmunt Bauman and the West re-evaluates the place of the West in social and political thought.

This text covers Bauman’s contribution to sociology and social theory. This ideal teaching text analyzes Bauman's shift from a sociology of postmodernity to liquid modernity, and provides a critical assessment of the contemporary Bauman, appraising his novel theory of liquid modernity in terms of its implications for self-identity, interpersonal relationships, culture, communications, and the broad-ranging institutional transformations associated with globalization. In addition to various extracts from Bauman's work, the book also contains a spirited reply from Zygmunt Bauman to both his sympathetic and unsympathetic critics. Bauman concludes by providing a new perspectives on his theory of liquid modernity, its differentiation from the modernity/postmodernity debate and its relation to current developments in contemporary social theory.

This timely book provides the definitive concise introduction to Zygmunt Bauman. A well-written text, it assumes no prior knowledge of his work and will appeal to those wishing to explore the ideas of one of the world's most wide-ranging thinkers.

Sketches in the Theory of Culture is a remarkable work by all measures. Written by Zygmunt Bauman when he was still a professor in Poland, and originally intended for publication in 1968, it was suppressed by the Polish government in the wave of repression following the protests in March of that year. For decades, it was thought to be lost. Astonishingly, it survived in the form of an uncorrected set of proofs which was recently discovered, and is the basis of this edition. Now published in English for the first time, this book sheds new light on Bauman’s work prior to his emigration and illuminates the intellectual climate of Poland in the late 1960s. Bauman’s pursuit of a semiotic theory of culture includes a discussion of processes of individualization and the intensification of global ties, anticipating themes that became central to his later work. Though this book stands as a testament to a historical moment, it also transcends it. ‘[W]e live in an age that seems, for the first time in human history, to acknowledge cultural multiplicity as an innate and fixed feature of the world, one which gives rise to new forms of identity that are at ease with plurality, like a fish in water’, writes Bauman – a statement that is as true today as it was when he penned it in the 1960s. Sketches in the Theory of Culture is a strikingly prescient reflection on culture and society by one of the most influential social thinkers of the late twentieth and early twenty-first centuries. It will appeal to students and scholars across the social sciences and humanities and to the many readers of Bauman’s work.