This volume offers a practical and innovative interpretation of divine revelation, from a philosophical-theological perspective. Balázs M. Mezei outlines the most important presuppositions of our notion of divine revelation in a historic and semantic setting, as well as elaborating upon the methodology of model analysis. He then introduces and analyses the notion of self-revelation as the most important modern understanding of divine revelation; and presents the notion of “apocalyptic personhood” as a corollary of radical personhood, which is further developed into apocalyptic phenomenology. Mezei further examines the remarkable development of some of the most important notions in the history of Christianity, along with the homogenous infrastructure of these notions in the very essence of the religion: the doctrine of Trinity. Covering aspects of revelation from semantics to historical and cognitive origins, and engaging with a wide variety of texts – including Augustine, Thomas Aquinas and Joseph Ratzinger – Mezei makes a strong and clear statement when explaining what the radical revelation is, how it can be understood and its overall importance.

Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.

The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.

Franz Liszt is well known for his early years as 'super-star' pianist who excited audiences throughout Europe, but his later life is also of great interest. In his final 25 years he sought to achieve his life's aims of promoting new forms of music and giving stronger witness to his Christian faith, while continuing to support his stalwart life partner Princess Carolyne. However, he was to face unexpected problems in the continued negative reception of his music and recrimination in his closest relationship. Drawing on detailed analysis of Liszt's correspondence from his fiftieth year onwards, Peter Coleman approaches his later life as a case study of an older person grappling with a succession of often disturbing life experiences. These included the deaths of two of his children, political upheaval and war within Europe, and a growing realisation of his own past failings. Liszt suffered frequent bouts of depression but never ceased composing music nor steadfastly heeding Christ's command to bear one's cross. This sensitive treatment of an extraordinary individual will appeal to the scholar and general reader alike.

Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. "A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice "Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society "A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception "Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times

This new critical edition contains all 160 extant letters in both English and French, transcribed from the most reliable sources and carefully annotated by a scholar of increasing reputation. Also included are - biographical information about Agnes herself; historical and critical prefaces; detailed notes for each letter; linking text between letters; analytical tables of the correspondence; an extensive bibliography and an index.