Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the nineteenth century, academies and societies dominated elite study of the natural world. Journals were a relatively marginal feature of this world, and sometimes even an object of outright suspicion. The Scientific Journal tells the story of how that changed. Alex Csiszar takes readers deep into nineteenth-century London and Paris, where savants struggled to reshape scientific life in the light of rapidly changing political mores and the growing importance of the press in public life. The scientific journal did not arise as a natural solution to the problem of communicating scientific discoveries. Rather, as Csiszar shows, its dominance was a hard-won compromise born of political exigencies, shifting epistemic values, intellectual property debates, and the demands of commerce. Many of the tensions and problems that plague scholarly publishing today are rooted in these tangled beginnings. As we seek to make sense of our own moment of intense experimentation in publishing platforms, peer review, and information curation, Csiszar argues powerfully that a better understanding of the journal’s past will be crucial to imagining future forms for the expression and organization of knowledge.

In a history mainly composed of the incidents that indicate the growth of a community, and the direction and character of it, where few are important enough to require an extended narration, and the remainder afford little material, it is not easy to construct a continuous narrative, or to so connect the unrelated points as to prevent the work taking on the aspect of a pretentious directory. In this case, however, the author presents us an almost perfect history of the town of Indianapolis, including all townships, and Marion County, Indiana. This is volume one out of two.

With over 900 biographical entries, more than 600 novels synopsized, and a wealth of background material on the publishers, reviewers and readers of the age the Longman Companion to Victorian Fiction is the fullest account of the period's fiction ever published. Now in a second edition, the book has been revised and a generous selection of images have been chosen to illustrate various aspects of Victorian publishing, writing, and reading life. Organised alphabetically, the information provided will be a boon to students, researchers and all lovers of reading. The entries, though concise, meet the high standards demanded by modern scholarship. The writing - marked by Sutherland's characteristic combination of flair, clarity and erudition - is of such a high standard that the book is a joy to read, as well as a definitive work of reference.

Jeffrey Perl presents in this book a comprehensive reassessment of modernism and an effort to enrich our understanding of the direction literary culture has taken since the Renaissance. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

John Zeisel, Ph.D., Hon D.Sc. Author: Im Still Here: A New Philosophy of Alzheimers Care A global support missing for many people living with dementia is integration into their life-long religious communities. Meanwhile, among powerful emotional connections alive in the brains of persons with dementia are those linked to their spiritual, often religious, life. This holds for the music, arts, prayers, chants, and rituals of all faiths Christianity, Islam, Judaism, Buddhism and Hinduism among them. Religious rituals are learned and remembered through the brains procedural learning system a brain capacity that is healthy long into the condition of dementia. Molly Henning in her detailed and carefully structured Cords of Grace: A faith-based support group guide for those with memory loss and their care partners applies significant lessons of secular dementia theorists such as Tom Kitwood, Peter Whitehouse, Naomi Feil, and my own Im Still Here approach to create a support group curriculum for Christ-centered denominations Anglican, Methodists, Roman Catholics, Presbyterians among them. Her title drawn from scripture: I led them with cords of human kindness, with ties of love refers to universal spiritual characteristics of empathy and compassion a profound message of all religions. Henning goes beyond structuring a particular religious basis for dementia support, in all persons, regardless of religious faith. Henning points out that these activities raise the levels of neurotransmitters in the brain that make us all feel good chemicals of well-being [that] persist in the brain whether we remember why or not enduring physical benefit to these activities that enhances quality of life. The structure of this intriguing book serves as a model for other religious groups monthly themes and exercises to engage persons with dementia through spiritual texts, songs, prayers, poems, paintings, sculpture, meditations, and illustrative photographs all powerful magnets for still strong emotional procedural memories. The Rev. Jack Gabig, Ph.D., Assoc. Professor of Practical Theology, Trinity School for Ministry, Ambridge, PA This is a tool that is biblical, practical and very pastoral, to help care for those whose needs often go unnoticed or misunderstood. It will be useful not only to those under our pastoral charge but also may help the church reach out to those who need support and may not know where to look.

In a climate of tightened budgets and severe demands on public literacy resources, Conner and Plocharczyck go to the foundations of social justice in Cultural Studies to show how the means of integrating those with disabilities into libraries and communities can be found in our everyday practices.

The nineteenth century witnessed unprecedented expansion in the reading public and an explosive growth in the number of books and newspapers produced to meet its demands. These specially commissioned essays examine not only the full range and variety of texts that entertained and informed the Victorians, but also the boundaries of Victorian literature: the links and overlap with Romanticism in the 1830s, and the roots of modernism in the years leading up to the First World War. The Companion demonstrates how science, medicine and theology influenced creative writing and emphasizes the importance of the visual in painting, book illustration and in technological innovations from the kaleidoscope to the cinema. Essays also chart the complex and fruitful interchanges with writers in America, Europe and the Empire, highlighting the geographical expansion of literature in English. This Companion brings together the most important aspects of this prolific and popular period of English literature.

Portraits give an insight into the times and local colour of a place or an institution. This evocative title reproduces a selection of portraits of the professors of the University of Amsterdam commissioned over the centuries since 1632. The collection of these portraits, numbering some 1500, represents the history of the university, as well as the flamboyance and unconventionality of some of the Amsterdam scholars.

Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.