Memoirs, a historical novel, covers the first 15 years of Don Bradshaw’s career as a raw, Army Counterintelligence Agent. During the course of his routine business, Don discovers his KGB nemesis, Ivan, and then follows his activities until their lives merge in Bangkok Thailand. The journey through this portion of Special Agent Bradshaw’s life and his encounters with numerous questionable but talented characters, provides the backdrop for his Quixotic charges at the windmill, Ivan, and lays out the sequence of events, providing the groundwork for his personal and professional pitfalls and successes. The anecdotes described herein will tell the story of Don’s attempts to rise above hierarchal constraints and the untimely, temporary reassignments away from “the action”. In the end, the story requires the surprising cooperation of three separate US Government agencies to bring this episode to an end, and forms the basis for many more stories to come.

This eye-opening expose, the result of fifteen years of investigative work, uncovers the CIA's systematic efforts over several decades to suppress and censor information. Angus Mackenzie, an award-winning yournalist, filed and won a lawsuit against the CIA under the Freedom of Information Act, and in the process became an expert on government censorship and domestic spying. Mackenzie lays bare a complex narrative of intrigue among federal agencies and their senior staff, including the Department of Defense, the executive branch, and the CIA. From cover-ups and secrecy oaths, to scandals over leaks and exposure, to the government's often insidious attempts to monitor and control public access to information, Mackenzie tracks the evolution of a policy of suppression, repression, spying, and harassment.

The openings and closings to radio programs of all types, from comedies (Blondie, The Jack Benny Program, Lum and Abner) to mysteries (Inner Sanctum Mysteries, The Black Chapel) to game shows (Can You Top This?, Truth or Consequences) to serials (Second Husband, Bachelor's Children) to crime dramas (The Falcon, Eno Crime Clues, The Green Hornet, Mr. and Mrs. North) to westerns (Gunsmoke, Wild Bill Hickok, Hawk Larabee) that were aired between 1931 and 1972, are included in this work. Each entry has a brief introductory paragraph that provides information about the storyline, principal cast, sponsors and air dates. Commercials have been included if the programs were under regular sponsorship. Includes three appendices (sponsors; slogans and jingles; and World War II announcements) and an index.

The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.

An indispensable guide through the work of the world's most influential living intellectual.