Witty nicknames, crude jokes, public nudity and lavish monuments, all of these things distinguished Greek courtesans from respectable citizen women in ancient Greece. Although prostitutes appear as early as archaic Greek lyric poetry, our fullest accounts come from the late second century CE. Drawing on Book 13 of the Athenaeus' Deipnosophistae--which contains almost all known references to hetaeras from all periods of Greek literature--Laura K. McClure has created a window onto the ways ancient Greeks perceived the courtesan and the role of the courtesan in Greek life.

Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters—sometimes admirable, sometimes despicable—on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers. The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.

Courtesans, hetaeras, tawaif-s, ji-s--these women have exchanged artistic graces, elevated conversation, and sexual favors with male patrons throughout history and around the world. In Ming dynasty China and early modern Italy, exchange was made through poetry, speech, and music; in pre-colonial India through magic, music, chemistry, and other arts. Yet like the art of courtesanry itself, those arts have often thrived outside present-day canons and modes of transmission, and have mostly vanished without trace.The Courtesan's Arts delves into this hidden legacy, while touching on its equivocal relationship to geisha. At once interdisciplinary, empirical, and theoretical, the book is the first to ask how arts have figured in the survival or demise of courtesan cultures by juxtaposing research from different fields. Among cases studied by writers on classics, ethnomusicology, anthropology, and various histories of art, music, literature, and political culture are Ming dynasty China, twentieth-century Korea, Edo and modern Japan, ancient Greece, early modern Italy, and India, past and present. Refusing a universal model, the authors nevertheless share a perception that courtesans hover in the crevices of space, time, and practice--between gifts and money, courts and cities, subtlety and flamboyance, feminine allure and masculine power, as wifely surrogates but keepers of culture. What most binds them to their arts in our post-industrialized world of global services and commodities, they find, is courtesans' fragility, as their cultures, once vital to civilizations founded in leisure and pleasure, are now largely forgotten, transforming courtesans into national icons or historical curiosities, or reducing them to prostitution.

A chilling tale of seduction and vice set in the illiciit world of nineteenth-century China.

Witty nicknames, crude jokes, public nudity and lavish monuments, all of these things distinguished Greek courtesans from respectable citizen women in ancient Greece. Although prostitutes appear as early as archaic Greek lyric poetry, our fullest accounts come from the late second century CE. Drawing on Book 13 of the Athenaeus' Deipnosophistae--which contains almost all known references to hetaeras from all periods of Greek literature--Laura K. McClure has created a window onto the ways ancient Greeks perceived the courtesan and the role of the courtesan in Greek life.

One fateful night changed my life forever and brought secrets to light I never could have imagined, leaving me parentless, penniless, and caring for an ailing sister. My father was not the man I thought I knew, and his greed and sickness have left me with virtually nothing to use to care for my sister and get her the treatments she needs to maybe one day walk again. And now, we might lose our house, as well. Luckily, an ad in the paper helps me regain some hope. I have something to barter with that not many courtesans have, after all, and it just might be enough to earn what’s needed to secure my future as a successful Blood Courtesan. My first client turns out to be the man of my dreams, the sexy-as-sin vampire rock star I’ve lusted after since I was a teen, but he wants nothing to do with me or what I have to offer. My father’s misdeeds continue to haunt me and I’m left with only one option: I need to make the talented and headstrong Lyric Rivers desire me, or lose everything. Maybe even my life. The Blood Courtesans Series, where vampires are real, rich, powerful--and hungry. Blood is bought and sold like fine wine, and the best blood goes to the highest bidder. It's not supposed to be about love ... until it is.

This book argues that regional food culture is intrinsic to how Chinese connect to the past, live in the present, and imagine their future. It focuses on Shanghai?a food lover's paradise?and identifies the importance of regional food culture at pivotal moments in the city's history, and in Chinese history more generally.

Concubines and Courtesans contains sixteen essays that consider, from a variety of viewpoints, enslaved and freed women across medieval and pre-modern Islamic social history. The essays bring together arguments regarding slavery, gender, social networking, cultural production (songs, poetry and instrumental music), sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time. They range over nearly 1000 years of Islamic history - from the early, formative period (seventh to tenth century C.E.) to the late Ottoman, Safavid and Mughal eras (sixteenth to eighteenth century C.E.) - and regions from al-Andalus (Islamic Spain) to Central Asia (Timurid Iran). The close, common thread joining the essays is an effort to account for the lives, careers and representations of female slaves and freed women participating in, and contributing to, elite urban society of the Islamic realm. Interest in a gendered approach to Islamic history, society and religion has by now deep roots in Middle Eastern and Islamic studies. The shared aim of the essays collected here is to get at the wealth of these topics, and to underscore their centrality to a firm grasp on Islamic and Middle Eastern history.

After centuries of peace, the four Elemental Clans of Symbiosis are at war with each other. Sylvan, the young Fuegis King, a cruel and ruthless warrior with the ability to control Fire magic, is enslaving the other three kingdoms of Symbiosis, spreading death and terror in his path. I am Queen Alena of the Glace Clan, which is affiliated with Water magic. I was captured by my worst enemy during the siege of my city. I already know the fate that awaits me tonight. Like the princesses of the other two Elemental Clans that preceded me, I am destined to become the new wife of the tyrant Sylvan. And tomorrow at dawn… I will be executed. But queen or slave, I am first and foremost a Glace. I will honor our ancestral philosophy. “Facing his enemy, a Glace sheds no tears, and never gives up wielding his weapons.”

Sir Richard Francis Burton (1821–1890) was a British explorer, geographer, translator and diplomat. Burton's best-known achievements include a well-documented journey to Mecca, in disguise; an unexpurgated translation of One Thousand and One Nights; the publication of the Kama Sutra in English and an expedition with J. H. Spake to discover the source of Nile. Musaicum Books present his greatest works as an author, translator and explorer. His works and the works about his life act as the true legacy of his untamed travel spirit and eternal curiosity. Content Translations: Kama Sutra of Vatsyayana Book of Thousand Nights and A Night (Complete Edition) The Perfumed Garden of the Cheikh Nefzaoui Ananga Ranga Vikram and the Vampire Travel Writings: First Footsteps in East Africa Personal Narrative of a Pilgrimage to Al-Madinah & Meccah To the Gold Coast for Gold Two Trips to Gorilla Land and the Cataracts of the Congo Unexplored Syria Historical Research: A New System of Sword Exercise for Infantry The Sentiment of the Sword: A Country-House Dialogue Poetry: The Kasîdah of Hâjî Abdû El-Yezdî The Gulistan of Sa'di Priapeia Carmina of Caius Valerius Catullus Poem to His Wife Alma Minha Gentil, Que Te Partiste Em Quanto Quiz Fortuna Que Tivesse Eu Cantarei De Amor Tao Docemente No Mundo Poucos Annos, E Cansados Que Levas, Cruel Morte? Hum Claro Dia Ah! Minha Dinamene! Assim Deixaste Biography and Further Readings: Life of Sir Richard Burton by Thomas Wright Romance of Isabel Lady Burton: The Story of Her Life Journal of the Discovery of the Source of the Nile by J. H. Speke What Led to the Discovery of the Nile by J. H. Speke Arabian Society in the Middle Ages Behind the Veil in Persia and Turkish Arabia