Y’all would think with a name like Alex Fancy I’d be a butler or something, not the guy who’s soon gonna be the best damn bull rider in the world. Yeah, they say I have a bad attitude, and that I don’t deserve the shot, just because I like my women, beer, and fighting. I never much cared what they thought until the most beautiful woman I’ve ever seen, a model named Emily, suggested we pretend to date. She said she needed my “edge” to help her get more clients, and I needed her innocent reputation to prove to people that I’m not some sort of asshole. Well, not a complete one, anyway. Six months dating a model seems like a nice deal, but one small hitch: she don’t want to have sex until she’s married, and she won’t let me sleep with any other women, even though we’re not really dating. This is gonna be a long six months.

She’s young, innocent—and his enemy… but she might be the answer to his problems. Austin Carson has zero desire to find a bride or have babies. He’s too busy working the cattle ranch he hopes to inherit one day to settle down and procreate. Besides, his track record with women isn’t the best… But when his surly neighbor’s alluring and way too young granddaughter, Paige Nelson, arrives for a visit, Austin’s life takes a sexy turn for the forbidden he can’t refuse. And once he’s tasted the skittish beauty’s innocence…one nibble will never be enough. But there’s a hitch. The Carsons and the Nelsons have been feuding for a century and a half. If Austin wants Paige for more than a night, he’ll have to bury the hatchet and face his fears so he can prove he’s the cowboy of her dreams.

After a HUGE moment that almost left Aaron with his head in his hands, Zoe will answer the question and peace must come to the land, or will it? As fate decided! - The found peace may be temporary when an old devil comes into the relationship throwing names that arise emotions too hard to embrace. Some are peacemakers, but this one is a peace breaker who volunteers information that leaves Zoe breathless. Read and find out who is a virgin and who is not! A Great read for the lovers of westerns, historical western romance, cowboy romance... Topics: cowboy romance, wholesome romance, western romance, sweet romance, contemporary romance, series, romantic suspense series, modern romance, urban romance, Texas, Texas cowboys, Texas romance, billionaire cowboy romance, horses in romance, small-town romance, western romance Christian, rodeo, romance series, contemporary Christian romance, heartwarming, heart-warming, Christian western historical romance, new york times bestseller romance, NYT romance, sexy, new york times romance, Christian billionaire romance, or you just love short stories, and books under 10 dollars

One of America’s unique contributions to world culture, the cowboy has captured the imagination of people everywhere. In The Cowboy: Six-Shooters, Songs, and Sex, eight renowned western writers report on what the cowboys really were like and what they are like today. Contributors detail how the cowboys lived, loved, and died, how they fared when ranchers switched from running cattle to entertaining dudes, and how the media have depicted the cowboy.

Contemporary Cowboys: Reimagining an American Archetype in Popular Culture expands and develops an understanding of recent cultural shifts in representations of the American cowboy and “the West” as vital components of American identity and values. The chapters in this book examine they ways in which twenty-first century representations have updated the figure of the cowboy, considering not only traditionally analyzed sources, such as television, film, and literature, but also less studied areas such as comics, and music. The contributors probe the cowboy archetype and western mythology with critical theory, feminist critiques, philosophy, history, cultural analysis, and more.

"Ultimate Cowboy Romance Box Set" ~THREE BOOK BOXED SET~ "Five on the heat meter!" (All the way up!) "If you love a western romance alpha male who knows what he wants, SAYS what he wants and goes after it, you will not be dissapointed!" Saddle up, Sugar. A new breed of cowboy-cavemen is here. Why be only dirty and filthy rich when you can be WILD too? Meet the Parker brothers in this irresistibly naughty BILLIONAIRE Cowboys Gone Wild Series of standalone reads. Expect humor, coarse language, graphic, steamy situations, and instalove romance galore! WILD FOR HER – Forbidden Love – Boss -Employee – One Night Stand - Forced Proximity (Blade Parker: Cattle Rancher Parker Brother Enterprises.) Even billionaires get lonely sometimes. That’s why when Blade’s private jet landed early, he decided to kill some time at the airport bar before going home to the ranch—It was just him and the whiskey last night, until she walked in. Lord have mercy, when she locked her big brown eyes on him, Blade made a beeline to her faster than a stallion chases a mare. No names. That was the deal. So how was he to know she was the new attorney his parents hired to settle a land dispute? She says they need to keep things strictly professional from here on out, but what he has in mind has nothing to do with business and everything to do with pleasure… WILD THING – Obsessed Cowboy – Nanny – Age Gap – Forced Proximity (Houston Parker: CFO Parker Brothers Enterprises.) Billionaire Cowboy Houston Parker needs a nanny, but wasn’t expecting to find someone so sweet and young—Someone who tempts him to cross a forbidden line. With every innocent stare, every swipe of the lips with her pink tongue, this wild thing tempts Houston to cross the line into forbidden territory. He knew Nicolette’s father; Nicolette knew his dead wife. He promised to watch over Nicolette, but not like this… How long can he hold back his desires with Nicolette living under his roof? WILD NIGHTS – Enemies to lovers – Marine – Chef – Forced Proximity – Reality Cooking Show. (Cash Parker: Executive Chef, Wild Cat Ridge Bar and Grill Chain of restaurants.) Finger lickin’ good. That’s the first thing that comes to mind when he thinks of Kitty Miller. He's been going to her family's diner for years. Imagine his surprise when he found out she entered the America’s Best Barbeque Reality Show too… After Cash left the Marines, he lost his identity, and cooking saved him. Now he wants to show the world it takes more than money to run a successful restaurant. He knows what he’s doing in the kitchen. But with Kitty competing against him in a cooking tent out in the middle of nowhere, how can he concentrate on recipes when she's the most delicious dish he’s ever seen? Now, the producers have them shacked up in the same bunkhouse. Oh, he still has an appetite to win, but the only prize he wants to claim is Miss Finger Lickin’ Good. Tropes: #enemiestoloversromance #agegapromance #alphahero #romanceboxedset #nannyromance #billionaireromance #cowboyromance #westernromance #militaryromance #westernromance #montanaromance #alpha #obsessedcowboy #OTT #forbiddenlove #singledad #widower #forcedproximity #instalove #smalltownromance #steamyromance

In Playing Cowboys, Robert Murray Davis examines the Western hero-a principal image of American manhood since publication of The Virginian-as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best, is about development. The would-be hero adopts the existing role only to find it inadequate, and, forced to "reimagine" himself, he defines the Western hero anew. At the core of this process is strength-not power over others, but courage to go beyond the established boundaries. Although women do appear in the Western (often as proponents of "civilization"), it is fundamentally a man's world, offering an important view of male identity. Focusing on The Virginian, chapter 1 explores the origin of the Western hero and the source of the genre's major plots and issues. Chapter 2 evaluates history, myth, and the relative reality of the two in the works of Oakley Hall. Citing the novels of Richard Brautigan, E.L. Doctorow, John Hawkes, and Michael Ondaatje, chapter 3 compares the Western and the gothic novel, focusing on the concept of space. These works portray the West as a wasteland devoid of any vitality, but chapter 4 takes up science fiction Westerns (including works by John Jakes, John Boyd, and Robert Sheckley) that use the Western frontier to ironic and liberating effect. Chapter 5, on the motion picture Blazing Saddles and the postmodern Western novels of Ishmael Reed and Alvin Greenberg, examines the role playing by which identity is created. And in his Preface, Introduction, and Epilogue, Davis frames these discussions with personal observations on the West and its relation to the American masculine mystique. For those interested in Western movies or novels, popular culture, gender studies, or literary criticism, Playing Cowboys is a unique and indispensable guide to the territory from here to the sunset.

“An innovative and original study that sheds light on masculinity, youth culture, performative violence, and the circuit of global imagery.” —Stephan F. Miescher, author of Making Men in Ghana During the 1950s and 60s in the Congo city of Kinshasa, there emerged young urban male gangs known as “Bills” or “Yankees.” Modeling themselves on the images of the iconic American cowboy from Hollywood film, the Bills sought to negotiate lives lived under oppressive economic, social, and political conditions. They developed their own style, subculture, and slang and as Ch. Didier Gondola shows, engaged in a quest for manhood through bodybuilding, marijuana, violent sexual behavior, and other transgressive acts. Gondola argues that this street culture became a backdrop for Congo-Zaire’s emergence as an independent nation and continues to exert powerful influence on the country’s urban youth culture today. “Aligns social banditry with popular cultural formations and subcultures. This has been a longstanding feature of Didier Gondola’s scholarship that is of great interest.” —Peter J. Bloom, University of California, Santa Barbara “Its approach in terms of poverty and unemployment combined with a subtle interest in performance and the creation of an original culture makes this book an eye-opener. Both the dramatic subject and the author’s vivid style make it a pleasure to read and also food for thought regarding issues that haunt not only Africa but also the world at large.” —American Historical Review

"Category: Inspirational"--Page 4 of cover.

Why do the earliest representations of cowboy-figures symbolizing the highest ideals of manhood in American culture exclude male-female desire while promoting homosocial and homoerotic bonds? Evidence from the best-known Western writers and artists of the post-Civil War period - Owen Wister, Mark Twain, Frederic Remington, George Catlin - as well as now-forgotten writers, illustrators, and photographers, suggest that in the period before the word 'homosexual' and its synonyms were invented, same-sex intimacy and erotic admiration were key aspects of a masculine code. These males-only clubs of journalists, cowboys, miners, Indian vaqueros defined themselves by excluding femininity and the cloying ills of domesticity, while embracing what Roosevelt called 'strenuous living' with other bachelors in the relative 'purity' of wilderness conditions. Queer Cowboys recovers this forgotten culture of exclusively masculine, sometimes erotic, and often intimate camaraderie in fiction, photographs, illustrations, song lyrics, historical ephemera, and theatrical performances.