What can explain the persistence of gender inequality throughout history? Do narratives such as the Eden story explain that dissymmetry or contribute to it? This book suggests that the Hebrew Bible began and has sustained a rich conversation about sex and gender throughout its life. A literary study of the Garden of Eden story reveals a focus on the human partnership as integral to the divine creation project. Texts from other Hebrew Bible genres build a picture of robust and flexible partnerships within a patriarchal framework. In popular culture, Eve still carries the stench of guilt while Adam, seemingly unscathed by Eden events, remains a positive symbol of manhood. This book helps explain why they have had such different histories. The book also charts the subversive alternate streams of interpretation of women's writings and rabbinic texts. The story of Adam and Eve demonstrates how conceptions of gender in both ancient and modern worlds reflect larger philosophical schemes. Far from existing as timeless verities, female and male relations are constructed according to cultural imperatives of the day. Understanding the different ways that Adam and Eve have been conceived gives us perspective on our own twenty-first century gender architecture.

Radical reconfigurations in gardening practice in sixteenth- and seventeenth-century England altered the social function of the garden, offering men and women new opportunities for social mobility. While recent work has addressed how middle class men used the garden to attain this mobility, the gendering of the garden during the period has gone largely unexamined. This new study focuses on the developing gendered tension in gardening that stemmed from a shift from the garden as a means of feeding a family, to the garden as an aesthetic object imbued with status. The first part of the book focuses on how practical gardening books proposed methods for planting as they simultaneously represented gardens increasingly hierarchized by gender. The second part of the book looks at how men and women appropriated aesthetic uses of actual gardening in their poetry, and reveals a parallel gendered tension there. Munroe analyzes garden representations in the writings of such manuals writers as Gervase Markham, Thomas Hill, and William Lawson, and such poets as Edmund Spenser, Aemilia Lanyer and Lady Mary Wroth. Investigating gardens, gender and writing, Jennifer Munroe considers not only published literary representations of gardens, but also actual garden landscapes and unpublished evidence of everyday gardening practice. She de-prioritizes the text as a primary means of cultural production, showing instead the relationship between what men and women might imagine possible and represent in their writing, and everyday spatial practices and the spaces men and women occupied and made. In so doing, she also broadens our outlook on whom we can identify and value as producers of early modern social space.

This book examines the ways in which race and gender have shaped and continue to inform African American literature. African American texts create a black literary and cultural identity interpreting and recording the survival of their cultures shattered by years of slavery. Black women writers, who have to deal with both racism and sexism, use additional strategies to undo this double reduction. They strive to invent a new language to talk about their experience and their lives as black and as women. After a typology of the African American text, the book proposes a reading of major African American writers including Phyllis Wheatley, Olaudah Equiano, Frederick Douglass, Harriet Jacobs, Harriet Wilson, Charles Chesnutt, Booker T. Washington, James Weldon Johnson, Zora Neale Hurston, Alice Walker, and Toni Morrison.

Developments in garden art cannot be isolated from the social changes upon which they either depend or have some bearing. Bourgeois and Aristocratic Cultural Encounters in Garden Art, 1550 - 1850 offers an unparalleled opportunity to discover how complex relationships between bourgeois and aristocrats have led to developments in garden art from the Renaissance into the Industrial Revolution, irrespective of stylistic differences. These essays show how garden creation has contributed to the blurring of social boundaries and to the ongoing redefinition of the bourgeoisie and the aristocracy. Also illustrated is the aggressive use of gardens by bourgeois in more-or-less successful attempts at subverting existing social hierarchies in renaissance Genoa and eighteenth-century Bristol, England; as well as the opposite, as demonstrated by the king of France, Louis XIV, who claimed to rule the arts, but imitated the curieux fleuristes, a group of amateurs from diverse strata of French society. Essays in this volume explore this complex framework of relationships in diverse settings in Britain, France, Biedermeier Vienna, and renaissance Genoa. The volume confirms that gardens were objects of conspicuous consumption, but also challenges the theories of consumption set forth by Thorstein Veblen and Pierre Bourdieu, and explores the contributions of gardens to major cultural changes like the rise of public opinion, gender and family relationships, and capitalism. Garden history, then, informs many of the debates of contemporary cultural history, ranging from rural management practices in early seventeenth-century France to the development of a sense of British pride at the expansive Vauxhall Gardens favored equally by the legendary Frederick, Prince of Wales, and by the teeming London masses. This volume amply demonstrates the varied and extensive contributions of garden creation to cultural exchange between 1550 and 1850. -- Publisher's description.

A provocative new interpretation of the Adam and Eve story from an expert in Biblical literature. The Garden of Eden story, one of the most famous narratives in Western history, is typically read as an ancient account of original sin and humanity’s fall from divine grace. In this highly innovative study, Ziony Zevit argues that this is not how ancient Israelites understood the early biblical text. Drawing on such diverse disciplines as biblical studies, geography, archaeology, mythology, anthropology, biology, poetics, law, linguistics, and literary theory, he clarifies the worldview of the ancient Israelite readers during the First Temple period and elucidates what the story likely meant in its original context. Most provocatively, he contends that our ideas about original sin are based upon misconceptions originating in the Second Temple period under the influence of Hellenism. He shows how, for ancient Israelites, the story was really about how humans achieved ethical discernment. He argues further that Adam was not made from dust and that Eve was not made from Adam’s rib. His study unsettles much of what has been taken for granted about the story for more than two millennia—and has far-reaching implications for both literary and theological interpreters. “Classical Hebrew in the hands of Ziony Zevit is like a cello in the hands of a master cellist. He knows all the hidden subtleties of the instrument, and he makes you hear them in this rendition of the profoundly simple story of Adam, Eve, the Serpent, and their Creator in the Garden of Eden. Zevit brings a great deal of other biblical learning to bear in a surprisingly light-hearted book.”―Jack Miles, author of God: A Biography

By the time she reached her late twenties, Eudora Welty (1909–2001) was launching a distinguished literary career. She was also becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of southern flora and gardens into her writing, yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents' house, but the garden—and the friends who remembered it—had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother's garden.” By the time Welty died, that gardener, Susan Haltom, was leading a historic restoration. When Welty's private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty's private correspondence about the garden. The authors of One Writer's Garden also draw connections between Welty's gardening and her writing. They show how the garden echoed the prevailing style of Welty's mother's generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women's clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden's history—and the broader story of how American gardens evolved in the early twentieth century—with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.

In this book Ronald A. Simkins addresses the current environmental crisis and what the Bible might contribute in response to it. The environmental crisis includes loss of biodiversity, degradation of the soil, and especially climate change. If left unchecked, these trends will bring about the collapse of human civilization. These environmental problems are interrelated and share a similar cause: the exploitation of the natural world through an economy structured by capitalist relations of production and powered by the burning of fossil fuels. Through our economic relations, we have depleted natural resources, polluted natural environments, and altered natural processes. These problems are a product of our political economy, which entails not only our politics, ideology, and religion, but primarily our economic system. Because the crisis is economic at its core, Simkins first sets the Bible within its own economic context, exploring how the biblical ideas of creation—an understanding of the human relationship to the natural world—were the product of the ancient Israelite political economy. Then Simkins places the biblical tradition in conversation with the current environmental crisis. The result is a far richer view of creation in the biblical tradition and a better understanding of what is at stake in the current environmental crisis.

Scholars in the humanities have become increasingly interested in questions of how space is produced and perceived—and they have found that this consideration of human geography greatly enriches our understanding of cultural history. This “spatial turn” equally has the potential to revolutionize Jewish Studies, complicating familiar notions of Jews as “people of the Book,” displaced persons with only a common religious tradition and history to unite them. Space and Place in Jewish Studies embraces these exciting critical developments by investigating what “space” has meant within Jewish culture and tradition—and how notions of “Jewish space,” diaspora, and home continue to resonate within contemporary discourse, bringing space to the foreground as a practical and analytical category. Barbara Mann takes us on a journey from medieval Levantine trade routes to the Eastern European shtetl to the streets of contemporary New York, introducing readers to the variety of ways in which Jews have historically formed communities and created a sense of place for themselves. Combining cutting-edge theory with rabbinics, anthropology, and literary analysis, Mann offers a fresh take on the Jewish experience.

A fresh and accurate perspective of the dynamics of how all things were created and your roll in the plan. This book reveals who you are, whose you are, and what you must become in the mind of God.

A much-needed faith-based resource for the LGBTQ+ community, Colors of Hope uses the iconic Pride Flag as the core of a nine-week-long reflection and devotional journal. The flag’s eight colors is each tied to a specific symbolic theme, inspiring the book’s contributors to craft a short essay and a set of several common themes that carry over to each week and invite readers to reflect on the week’s theme in different ways. Colors of Hope includes a page each day for readers to journal, doodle, or otherwise reflect on the theme. The book also includes an introduction, benediction, and a list of resources and/or bibliography for the LGBTQIA+ community.