Ultimately, what really does it mean to be creative? How can we see ourselves as participating in the creativity of God for mission? All people are creative. Sadly, however, for many, creativity is stifled and remains stunted due to several reasons--social, economic, political, cultural, and even spiritual. This study explores how ICMs--indigenous cosmopolitan musicians--negotiate their creativity amid the liminal spaces they occupy as they share in the creativity of God for mission through their music. But what exactly does it mean to share in the creativity of God for mission? Contrary to popular notion, ICMs evidence that creativity is not merely innovation; it is not a psychological metric for measuring human potential; it is certainly not the "icing on the cake" reserved for a few so-called creatives or artists. Rather, "theological creativity" is participation in the creatio Dei; it is theologically prior to mission. As a missiological framework, creatio Dei is understood here in terms of creative being, creative construction (design), and creative performance. Hopefully, this book can help clarify and expand our understanding of what it means to be truly creative and, thereby, with the help of the Creator, put into practice principles of theological creativity as we share in the creativity of God in the world, with others.

Animal Creativity and Innovation explores theories and research on animal innovation and creativity, comparing and contrasting it with theory and research on human creativity and innovation. In doing so, it encompasses findings from psychology, biology, neuroscience, engineering, business, ecology, and education. The book includes examples of animal innovation in parrots, dogs, marine mammals, insects, and primates, exploring parallels from creative play in children. The book defines creativity, differentiating it from play, and looks at evolutionary models and neurological constructs. The book further explores applied aspects of animal innovation and creativity including tool use and group dynamics, as well as barriers to creativity. The final chapters look into how creative behavior may be taught or trained. Each chapter is followed by a commentary for integration of thoughts and ideas between animal and human research, behavioral and cognitive research, and theory and observation in real life. - Compares theory and research on animal and human creativity - Defines and differentiates creativity from play - Reviews applied creativity in tool use and social dynamics - Includes examples of animal creativity in multiple species

Past progress and future challenges R.J. Wheater Royal Zoological Society of Scotland, Edinburgh, UK. In the past two decades much has been achieved in the sphere of breeding endangered species, and we should be pleased that our co operative efforts have already borne so much fruit. However, on balance and despite the best efforts of conservationists, the position of wildlife in the wild places where they are best conserved has become worse, often dramatically worse. Before returning to the United Kingdom in 1972, I was in Uganda for 16 years, most of which time was spent as Chief Warden of Murchison Falls National Park. Our main problem was that an over-population of large mammals was having a devastating impact on the habitat. Devas tation was being wrought on woodland areas by the arrival of large numbers of elephants into the sanctuary of the Park, following changes in land use in the areas outside the Park. These changes were in response to the requirements of an ever-expanding human population.

Syed Hussein Alatas and Critical Social Theory: Decolonizing the Captive Mind offers a variety of historical, religious, and philosophical perspectives into the significance of Syed Hussein Alatas’ life and thought today.

This multi-disciplinary approach to conservation of endangered species in captivity is organized taxonomically and by scientific discipline. The seven taxonomic groups included are invertebrates; fish, reptiles and amphibians, birds, marine mammals, primates, and other mammals. Within each taxonomic group, four scientific disciplines are explored: conservation, reproductive physiology, behavior, and captive design. Conservation chapters summarize the status of the taxonomic group both in the wild and in captivity. Reviewed in the reproductive physiology chapters are anatomy, endocrinology and physiology for females and males of the taxonomic group. In the section on behavior the functions of captive animal research, the methods used, and the problems encountered are discussed. And, in examining captive design the authors provide a general historical outline of the philosophies, trends, and scientific issues for the targeted taxonomic group.

Most people avoid teaching from Ezekiel. Not only is it a book full of strange and (sometimes) disturbing imagery, but it also presents a vivid depiction of a God that won’t fit neatly into the categories we typically have in mind for him. It’s because of these reasons that Ezekiel is an important book to study. But don’t be afraid. Creative Bible Lessons in Ezekiel makes it a little easier to bring this bizarre and often confusing book to your students. Following the history of the bestselling Creative Bible Lessons series, this book introduces some new elements into your teaching. Because Ezekiel is so unfamiliar to many people, there is extensive background for leaders, including research from several commentaries and other books. There’s enough information there for you to understand the passage enough to be able to teach it confidently. In addition to the background, you’ll find a combination of illustrations, activities, movie clips, and song suggestions to help bring the passage to life. Each section ends with a journaling exercise for your students to make the passage personal. Since many adults steer clear of this imaginative book of the Bible, this resource will not only help you teach your students—you’ll learn something yourself! Help your students uncover this book, and lead them closer to the God of Ezekiel—the God who surprises us frequently and loves us completely.

Christians ought to be leading the way in creativity, but we rarely do. God is the Creator of all things, and He created us in His image. Creativity is woven into the very fabric of our humanity. Therefore, Christians should value and champion creativity as a vital part of our image-bearing role. Instead Christians often don’t know what to do with creatives and creatives don’t know what to do with Christianity. On one side you have Christians who neglect or discount art, imagination, and beauty altogether. On the other, you have artists who make idols out of each of these good things. Ryan Lister, a theology professor, and Thomas Terry, a spoken word artist and founder of Humble Beast, team up to help restore the connection between creativity and theology. Images & Idols is a theological and artistic exploration of creativity in the Christian life. It will help creatives build a strong theological foundation for their art, while challenging the church to embrace a theology of beauty and creativity.

Writing creative nonfiction intertwines journalistic truth and literary techniques to tell a story that is clear, accurate, and exploding with meaning. Philip Gerard artfully guides readers through the entire creative nonfiction writing process, going beyond the technical basics to address topics such as ethics, voice, and structural integrity. In response to the genre’s evolution, the latest edition includes examples to illustrate how cultural changes have influenced the way writers conduct research, approach writing, and communicate during the production of their projects. Timely, engaging, and poetic, Creative Nonfiction is the practical manual every novice and seasoned writer will want on their bookshelf.

Doyle shows that, though setting and circumstances may change, POW stories share a common structure and are driven by similar themes. Capture, incarceration, isolation, propaganda, torture, capitulation or resistance, death, spiritual quest, escape, liberation and repatriation are recurrent key motifs in these narratives.

Winner of the 2023 Nautilus Book Award in the category of Animals & Nature The surprising, fascinating, and remarkable ways that animals use creativity to thrive in their habitats Most of us view animals through a very narrow lens, seeing only bits and pieces of beings that seem mostly peripheral to our lives. However, whether animals are building a shelter, seducing a mate, or inventing a new game, animals’ creative choices affect their social, cultural, and environmental worlds. The Creative Lives of Animals offers readers intimate glimpses of creativity in the lives of animals, from elephants to alligators to ants. Drawing on a growing body of scientific research, Carol Gigliotti unpacks examples of creativity demonstrated by animals through the lens of the creative process, an important component of creative behavior, and offers new thinking on animal intelligence, emotion, and self-awareness. With examples of the elaborate dams built by beavers or the lavishly decorated bowers of bowerbirds, Gigliotti provides a new perspective on animals as agents in their own lives, as valuable contributors to their world and ours, and as guides in understanding how creativity may contribute to conserving the natural world. Presenting a powerful argument for the importance of recognizing animals as individuals and as creators of a healthy, biodiverse world, this book offers insights into both the established and emerging questions about the creativity of animals.