This book compares and contrasts traditional crime scenes with scenes of climate crisis to offer a more expansive definition of crime which includes environmental harm. The authors reconsider what crime scenes have always included and might come to include in the age of the Anthropocene – a new geological era where humans have made enough significant alterations to the global environment to warrant a fundamental rethinking of human-nonhuman relations. In each of the chapters, the authors reframe enduringly popular Arctic scenes, such as iceberg hunting, cruising and polar bear watching, as specific criminal anthroposcenes. By reading climate scenes in this way, the authors aim to productively deploy the representation of crime to make these scenes more engaging to policymakers and ordinary viewers. Criminal Anthroposcenes brings together insights from criminology, climate change communication, and tourism studies in order to study the production and consumption of media representations of Arctic climate change in the hope of to mobilizing more urgent public and policy responses to climate change.

In this pioneering work, Bill McClanahan provides a concise overview of visual criminology. With examples of the most prominent methods at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex ethical implications embedded in visual research.

This comprehensive Research Handbook explores the wide variety of work conducted in legal semiotics to provide a broad understanding of how the law works through signs and symbols. Demonstrating that law is a strategical system of fluctuating signs, contributors critically analyse the ever-evolving conceptualisations of law and legal discourse.

This timely book presents a carefully curated selection of essays to celebrate the career of Nigel South, Emeritus Professor at the Department of Sociology and Criminology of the University of Essex, and one of the leading figures in his field. Through his long career, still ongoing and flourishing, Nigel has contributed knowledge in many areas of criminological scholarship and challenged the confines of the discipline, opening up new directions for thinking and debate. In this volume, Nigel’s close colleagues and friends celebrate his exceptional career through essays that draw on, or have been inspired by, his earlier or most recent work. Spanning across the areas of policing, drugs, green, southern, and sensory criminology, these essays offer cutting-edge research and fresh conceptual insights honouring the work of an outstanding criminologist, colleague, friend, and human being. This volume will be of pivotal interest to students, scholars, and academics in the fields of sociology and criminology, as well as those with an interest in these areas more generally.

This book offers critical scenarios of dark tourism futures and examines how our significant dead will be remembered in future visitor economies. It aims to inspire critical thinking by probing the past, disrupting the present and provoking the future. The volume outlines key features of difficult heritage and future cultural trauma and highlights the role of technology, immersive visitor experiences and the thanatological condition of future dark tourism. The book provides a collection of informed observations of how future societies might recall their memorable dead, and how the noteworthy dead might be (re)created and retained through dark tourism. The book forecasts a dark tourism future that is not only perilous but also full of possibilities. It is a helpful resource for students and researchers in tourism, heritage, futurology, sociology, human geography and cultural studies.

The Cambridge History of the Polar Regions is a landmark collection drawing together the history of the Arctic and Antarctica from the earliest times to the present. Structured as a series of thematic chapters, an international team of scholars offer a range of perspectives from environmental history, the history of science and exploration, cultural history, and the more traditional approaches of political, social, economic, and imperial history. The volume considers the centrality of Indigenous experience and the urgent need to build action in the present on a thorough understanding of the past. Using historical research based on methods ranging from archives and print culture to archaeology and oral histories, these essays provide fresh analyses of the discovery of Antarctica, the disappearance of Sir John Franklin, the fate of the Norse colony in Greenland, the origins of the Antarctic Treaty, and much more. This is an invaluable resource for anyone interested in the history of our planet.

Inventing Greenland is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural, social, and environmental realities. Inventing Greenland is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Today, especially within the design discipline, there is a lack of understanding of Greenland as a complex constellation of perspectives, histories, and forces. This book aims to fill that knowledge vacuum. Geared towards architects, landscape architects, and urban planners, this book combines spatial sensibilities with local cultural, social, and environmental realities. More specifically, spatial sensibility is a way of responding to and reading beyond a diverse array of relationships in the built environment. Furthermore, Inventing Greenland provides a broad understanding of a unique island undergoing intense transformation while drawing attention to its historical and current challenges and emerging opportunities. Distinctly, each individual story is anchored to a common thread and interest in architecture, landscape architecture, and urbanism. Such discourse may serve to prepare designers at large as they take on projects in a rapidly developing Arctic. In the past, the extremeness of Greenland's landscape did not impede the first immigration of Inuit hunting tribes, Norsemen from becoming Greenland Vikings, and European explorers from searching for new trade routes and eventually reaching the North Pole. Every single one of them read, saw, and understood the Greenlandic landscape differently, while projecting their hopes and dreams onto new landscapes, seascapes, and icescapes. As will become apparent, similar hopes and dreams of the early settlers and explorers continue in postcolonial times in a different set of actors, among them the U.S. military, foreign investors, and an Inuit-run government.

'A vital, fascinating, deeply researched exploration of Earth's last wilderness... Shocking and starkly illuminating - a must-read.' Gaia Vince The ocean covers seventy per cent of the surface of our planet, and two thirds of this lie beyond national borders. Owned by all nations and no nation simultaneously, these waters are home to some of the richest and most biodiverse environments on the planet. But they are also home to exploitation on a scale that few of us can imagine. Here, industry and economic progress rule and lax enforcement and apathy are the status quo. Out of sight and often out of mind, a battle rages to control, profit from, protect, or obliterate the world's largest, wildest commons. Heffernan sets sail on a journey to uncover the truth behind deeply exploitative fishing practices, investigate the potentially devastating impact of deep-sea mining, and hold to task the Silicon-valley interventionists whose solutions to climate change are often wildly optimistic, radically irresponsible or both. The result is a forceful and deeply researched manifesto calling for the protection and preservation of this final frontier - the last vestiges of wilderness on Earth.

This book compares and contrasts traditional crime scenes with scenes of climate crisis to offer a more expansive definition of crime which includes environmental harm. The authors reconsider what crime scenes have always included and might come to include in the age of the Anthropocene – a new geological era where humans have made enough significant alterations to the global environment to warrant a fundamental rethinking of human-nonhuman relations. In each of the chapters, the authors reframe enduringly popular Arctic scenes, such as iceberg hunting, cruising and polar bear watching, as specific criminal anthroposcenes. By reading climate scenes in this way, the authors aim to productively deploy the representation of crime to make these scenes more engaging to policymakers and ordinary viewers. Criminal Anthroposcenes brings together insights from criminology, climate change communication, and tourism studies in order to study the production and consumption of media representations of Arctic climate change in the hope of to mobilizing more urgent public and policy responses to climate change.