In this volume of Critical Storytelling , female incarcerates and undergraduate writers share insights from their liminality of living with/from behind/within invisible bars, posing important questions about how to incite change for the future.

"Critical stories are narratives that recount the writer's experiences, situating those experiences in broader cultural contexts. In this volume of Critical Storytelling, marginalized, excluded, and oppressed peoples share insights from their liminality to help readers learn from their perspectives on living from behind invisible bars. Female inmates at Decatur's Correctional Center and the undergraduate Millikin University students who worked with them come together to give voice to their specific histories of living from behind invisibile bars and pose important questions to the reader about inciting change for the future. Specifically, the voices in this volume seek to expose, analyze, and challenge deeply-entrenched narratives and characterizations of incarcerated women, whose histories are often marked by sexual abuse, domestic violence, poverty, PTSD, a lack of education, housing insecurity, mental illness, and substance addiction. These silenced female inmate voices need to be heard and contextualized within the larger metanarrative of prison literature. Through telling critical stories, these writers attempt to: sustain recovery from trauma, make positive changes and informed decisions, create a real sense of empowerment, strengthen their capacity to exercise personal agency, and inspire audiences to create change far outside the reaches of physical and metaphorical bars. Contributors are: Anonymous, Soren Belle, Megan Batty, Dwight G. Brown, Jr., Sandra Brown, Kathryn Coffey, Kelly Cunningham, Paiten Hamilton, Kathlyn J. Housh, Rebekah Icenesse, Kala Keller, Jelisa Lovette, Bric Martin, Amanda Minetti, Laura Nearing, Angie Oaks, Claire Prendergast, Cara Quiett, J. M. Spence, Noah Villarreal and Alisha Walker"--

"Freedom Inside? offers a combination of personal narrative and scholarly research in order to examine the role of yoga and meditation in U.S. prisons. It offers a glimpse inside the system now known as mass incarceration, which disproportionately punishes, confines, and controls those from black, brown and/or poor communities at exponentially higher rates, diminishing their life-chances and creating a vast underclass of disempowered, subordinated citizens. How do self-disciplinary practices such as yoga and meditation work when they are taught inside unjust systems? Do they produce political passivity, quietism, and compliance, if offered as palliatives to accept, cope and comply with unjust power structures? Or, might they prove disruptive to mass incarceration, if offered as tools to develop awareness and attunement toward injustice, to engage in non-conformist responses that include critique and challenge? The book explores both the promises and pitfalls of yoga and meditation when taught in prisons in different ways. It is based on four years of immersion in prisons and prison volunteer communities, along with ethnographic work inside a detention facility, and many in-depth interviews with those who teach and practice inside prisons. It interweaves academic narratives with personal experiences of collaboration with volunteers and incarcerated practitioners"--

Ivor Goodson and Scherto Gill analyse and discuss a series of trans-disciplinary case studies from diverse cultures and argue that narrative is not only a rich and profound way for humans to make sense of their lives, but also in itself a process of pedagogical encounter, learning and transformation. As pedagogic sites, life narratives allow the individual to critically examine their 'scripts' for learning which are encapsulated in their thought processes, discourses, beliefs and values. Goodson and Gill show how narratives can help educators and students shift from a disenfranchised tradition to one of empowerment. This unique book brings together case studies of life narratives as an approach to learning and meaning-making in different disciplines and cultural settings, including teacher education, adult learning, (auto)biographical writing, psychotherapy, intercultural learning and community development. Educators, researchers and practitioners from diverse disciplines will find the case studies collected in this book helpful in expanding their understanding of the potential of narrative as a phenomenon, as methodology, and as pedagogy.

"Were the 1950s an oppressive or a liberating time? Some scholars argue that the Red Scare, newly institutionalized discrimination against gays, and a public discourse saturated with sexism left wounds in American society. Others trace the origins of sixties liberation movements to the fifties and celebrate America's postwar prosperity or argue that such new phenomena as rock 'n' roll, teenage consumerism, and Beat poetry gave Americans a new sense of freedom and identity." "Invisible Suburbs advances a new synthesis of both views from the perspective of literary scholarship. Essayists ask how overlooked literature in the 1950s addressed or anticipated the struggles of disenfranchised groups to receive rights and recognition. Scholars analyze the many ways in which the decade's culture stigmatized women, minorities, and the poor. They uncover work that illustrates how groups and individuals challenged or resisted that oppression, fiction by authors who sometimes found roots in earlier liberation movements and anticipated later struggles."--BOOK JACKET.

Women’s incarceration is on the rise globally and this has significant intergenerational, economic and humanitarian costs for communities across the world. While there have been efforts to implement reform, particularly in countries such as Canada, UK, US and Australia, the growing evidence suggests women’s prisons and the support structures surrounding them are in crisis. This collection of critical essays presents groundbreaking research on women’s post-imprisonment policy, practice and experiences. It is the first collection to offer international perspectives on gender, criminalisation, the effects of imprisonment and women-centred approaches to the short and long-term support of women exiting prison. It offers cutting-edge insights into contemporary policy developments and women’s experiences across the US, the UK, Australia, Canada and Northern Ireland. The collection makes two important contributions. First, it marks a departure from an instrumental and individual focus on ‘what works’ to reduce women’s offending and re-offending behaviour - a prevailing approach within competing collections focused on post-release issues. Second, it presents critical, original research with robust empirical foundations to revive feminist criminological engagement around gender, imprisonment, and most critically, post-release management, support and survival. The collection will appeal to academics and community-based advocates, activists, lawyers and practitioners engaged in advocacy and service provision for imprisoned women. It is also an important and unique analysis for undergraduate and postgraduate students studying criminological and social science courses particularly those related to gender and crime, imprisonment and correctional policy and qualitative research methods.

Exploring the culture and media of the Americas, this handbook places particular emphasis on collective and intertwined experiences and focuses on the transnational or hemispheric dimensions of cultural flows and geocultural imaginaries that shape the literature, arts, media and other cultural expressions in the Americas. The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensive understanding of how inter-American communication is constituted, framed and structured, and covers the artistic and political dimensions that have shaped literature, art and popular culture in the region. Forty-six chapters cover a range of inter-American key concepts and dynamics, divided into two parts: Literature and Music deals with inter-American entanglements of artistic expressions in the Western Hemisphere, including music, dance, literary genres and developments. Media and Visual Cultures explores the inter-American dimension of media production in the hemisphere, including cinema and television, photography and art, journalism, radio, digital culture and issues such as freedom of expression and intellectual property. This multidisciplinary approach will be of interest to a broad array of academic scholars and students in history, sociology, political science; and cultural, postcolonial, gender, literary, globalization and media studies.

Bar Harbor has evolved from humble beginnings to become one of Maine's most popular destinations. This tour goes beyond the typical travel guide to explore its fascinating historical sites in detail. A trail of existing buildings and monuments provides a backdrop for an unconventional history of places, people and events, with many previously unpublished photographs and untold entertaining stories. Discover the changes wrought by the world wars, the Spanish influenza, Prohibition and the Fire of 1947. Tour the Way Bak Ball, La Rochelle, the Casino and the Wharf. From Bar Harbor's first African American sea captain to the story of the two Miss Shannons, author Brian Armstrong offers a fascinating look into the history behind some of Bar Harbor's most famous landmarks.

"A comprehensive and insightful examination of the ways comedy can help shape social justice movements."––Hasan Minhaj, Comedian and Host of the Netflix series Patriot Act with Hasan Minhaj Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.